"Doctor Crusher to Ensign Crusher. Aren't you supposed to be getting a haircut, Wesley?"
It's good that we see at the end that Sarek's love for her is deep and genuine... and that Perrin is completely aware of it."Perrin can be quite logical - when she chooses."
I’d say whenever Frakes or Sirtis are called on to play melodrama then it all gets a bit panto. It’s neither of their strength.
Case in point, The scene you mention in Gambit where the two are arguing about the appropriate action to take after Picard’s death.
The scene turns into this overwrought shouting match when it would have been better played quietly and thoughtfully.
)If you don’t watch it, “I’LL HAVE YOU EJECTED—INTO SPACE !!!!!!!!”
(My favourite Troi melodrama moment)
my toenails curl up.
TROI: Sorry.
CRUSHER: You're unusually limber this morning.
TROI: I'll say. Devinoni Ral. It's ridiculous, and wonderful. I feel completely out of control. Happy. Terrified. But there's nothing rational about this.
CRUSHER: Who needs rational when your toes curl up?
TROI: I'm afraid I'm going to lose myself. I can't get enough of him. Is it possible to fall in love in one day?
CRUSHER: I did.
TROI: It was like this for you and Jack?
CRUSHER: No, it was another fellow. I fell in love in a day, it lasted a week. But what a week. Then I met Jack. It took months to figure it out with him.
TROI: Well then, maybe I should slow down. Catch my breath. Not let this get out of control.
CRUSHER + TROI: No.
"New Ground" buries it easily."My name is Barash."
"To me, you'll always be Jean-Luc."
Cha Worf toh' gah-nah lo pre'tok,
cha Worf toh' gah-nah lo pre'tok,
cha Worf toh' gah-nah lo preeeee'tooooooook,
Tu mak dagh cha doh borak
Especially with Riker doing the Gowron eyes.
(The crew singing "For he's a jolly good fellow" in Klingon, from "Parallels")
Admittedly, the scene really is trying, but it just does not land as they could have kept it to just the first two lines and not burp out the entire thing, thus saving the audience (and Worf) some awkwardness... Actually, Worf feeling uncomfortable allows the viewer to relate to him is actually refreshing in a way, so in that aspect TNG/7 isn't as fizzled out as one might otherwise believe, which in another way is almost frightening but I digress..."Perrin can be quite logical - when she chooses."
If you don’t watch it, “I’LL HAVE YOU EJECTED—INTO SPACE !!!!!!!!”
(My favourite Troi melodrama moment)

Actually, the birthday party makes sense. Worf having a birthday that day is the only constant in each of those universes.Normally in sci-fi, something that feels off-kilter and "otherworldly" can be a good thing. Having just sat through that episode, I need nary a memory to be in full agreement with you.Admittedly, the scene really is trying, but it just does not land as they could have kept it to just the first two lines and not burp out the entire thing, thus saving the audience (and Worf) some awkwardness... Actually, Worf feeling uncomfortable allows the viewer to relate to him is actually refreshing in a way, so in that aspect TNG/7 isn't as fizzled out as one might otherwise believe, which in another way is almost frightening but I digress...
Troi's comment about trying to find a synonym for "jolly" was the least cringing bit of dialogue, and by far the most cringy bit is how they could have avoided all of it if they'd have simply belched out the song "Happy Birthday" instead as this was Worf's B-Day and all, but there were reasons they couldn't do that, the lack of available fermented alcohol drinks in the room notwithstanding... then again, maybe the show was fizzled out because the party could have focused on solely his big victory and thus have full relevance for the jolly song, bypassing all the little issues surrounding the birthday one. Oh well, at least - just as with Troi - the audience was spared seeing Worf's birthday suit, but I digress again and I'm sure Troi would probably find that to be far less cringey than some audiences...
"Face Of The Enemy" is definitely Troi's best episode.
How nobody noticed she uniquely had all black eyes aside, or other nuances that would not have Troi succeeding, Marina Sirtis' acting just nails every scene and elevating an iffy script into something better.
"Face Of The Enemy" is definitely Troi's best episode.
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