It'll suck if they use today's music and make it unwatchable. I watched every episode. Imagine this scene with some sort of awful hip-hop backed by poorly syncopated bass.
You have to pair the right pastel t-shirt under your white Aramani sportcoat to look like the surrounding art-deco hotels. No one will ever know you're there.All those undercover operations in the same neighborhood and never getting figured out, Crockett was Stabler before Stabler.
Totally agree. Just pointing out that, contrary to some ret-con memories, the show wasn't all style and no substance.
Hate to rain on your whitewash, dude. but you must have been listening to the show with a woody allen filter.It'll suck if they use today's music and make it unwatchable. I watched every episode. Imagine this scene with some sort of awful hip-hop backed by poorly syncopated bass.
The Dick Wolf era.![]()
As I watched the show I often asked myself that: how are these two able to get away with using the same aliases and not getting caught? Further they show up to a crime scene as cops and no one from the opposition is watching and says "Hey these guys calling themselves Burnett and Cooper were at the crime scene, I think they might be cops?"All those undercover operations in the same neighborhood and never getting figured out, Crockett was Stabler before Stabler.
If you want all style and no substance, pass on the "Miami Vice" knock off "Stingray".
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