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MeTV's SuperSci-Fi Saturday Night

Yet another story about Penguin using a legitimate business as a front. How does he keep managing to convince people that he's clean?

The same way that the Joker can put on a ten-gallon hat and convince people that he's a Texas oil baron...?

And returning to the recent topic of pop stars appearing on vintage superhero shows....

Guest-starring Leif Garrett, a singer I seem to vaguely remember my sister being into back in the late '70s. I don't remember him being this young or this annoying, though. Maybe it was the early '80s?
Nah, it was probably the late '70s, that's when he was in his prime...had to look this one up, but "I Was Made for Dancing," used twice in this episode, was his biggest hit, a #10 in 1978. My sister had him on her wall around the same time this episode would have aired, though I don't recall her having any of his records (unlike Shaun Cassidy...). He would have looked older to both of us then.

At least they got an actual pop star on the show this time, instead of trying to pass off flute-playing Martin Mull in an Elvis jumpsuit as one...!
 
I actually recognized the song, though I don't know if it was from my youth. I seem to have the impression of hearing it in some TV show where it was played sped up for some reason, maybe some kind of endurance dance contest scenario.

Ahh -- looking into it a bit, I find it was used in the climax of the Carol Burnett episode of The Muppet Show, whose plot involved a dance marathon. That's probably what I'm thinking of.

But what I don't get is this: In the concert, the audience responds badly to the lip-synced version of "Made for Dancin'," and then the twin starts singing his own song in a different style and everyone loves it, saying it's even better than what the pop star did. But then in the climax, when the twins sing together, they just revert to "Dancin'." It seems it would've been a better climax, or at least a more logically consistent one, if they'd both joined in singing the new song.
 
I wasn't watching too closely, but I suspect that good reception of the other song was (a) to justify doing another song in that context, and/or (b) so that they could stop short of having Leif booed off stage, because playing an imposter or not, it still could have been seen as reflecting poorly on Leif Garrett. But they were still going to lean on the up-tempo hit.

Looking into things more closely...it seems that "I Was Made for Dancin'" was released in October '78, and first entered the charts in November...and this episode aired in September. Its exposure on Wonder Woman may have played a role in the decision to release it as a single...!
 
Nice new stunt with Wonder Woman using her lasso to climb a skyscraper. I was wondering at first why she had her cape on when she transformed, but no doubt it was to hide the stunt climber's safety harness. I was a bit reminded of the climbing scenes in the '70s Spider-Man, particularly with the funky guitar sounds.

I kept thinking a guest star should have opened a window to talk to her.
 
Ack! Leif Garrett. I'm glad I missed that. Some memories of the 70s are better left suppressed. :rommie:
 
And I like the girl, Whitney (Dawn Lyn), who brought a fair amount of charm to what could've otherwise been a rather annoying role.

Garret's sister and a well-known face in early '70s TV. Apparently her last TV role. I thought she did pretty well, too; it seemed like she could have gone on acting if she had wanted to.

But Leif Garret... Boys my age were so sick of hearing about Leif Garret (and Shaun Cassidy), I think I actively avoided this episode when it aired.
 
Odd that I found his sister fairly appealing but found Garrett himself unpleasant.

I knew Shaun Cassidy as a singer and a Hardy Boy when I was a kid, but I've almost forgotten those associations, since I became more aware of him in later years as the creator and producer of shows like American Gothic and Roar.
 
I had no problem with Garret, I did find it odd that his manager though had found a lookalike for him just in case he was kiddnapped.
 
If there's anybody out there who both gets DECADES and gives a crap, they're doing a Lost in Space binge this weekend.

I only fall in one of those categories myself.
 
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Not an LIS fan, OM? :rommie:

I actually have the complete series on DVD, but I'll put it on anyway. On the assumption that they monitor usage.
 
Hey, I was tactful enough not to specify which category I didn't fall into.... :p

*******

Sorry, WW...The Girl Can't Help It is on...classic rock 'n' roll movie that I've heard much about but never seen. You'll have to catch your car thieves without me.
 
Batman: "Penguin's Disastrous End" concludes the Penguin/Marsha 3-parter. It would've worked better to show the two 3-parters in the correct order, because the last two parts of this one were shown back-to back in the same week, as were the first two parts of the Joker/Penguin 3-parter, but this is getting them the other way around. Granted, that only affects the "Tune in tomorrow/next week" announcements at the end, but that's a key part of the Batman '66 experience!

Anyway, not a very good story overall. I have the suspicion that this was plotted as a Penguin 2-parter and then had Marsha and Aunt Hilda tacked onto it to pad it out to 3 parts, because they're just so peripheral to the whole affair. The central thread is Penguin's escalating series of thefts, and Marsha plays no real role in that until the "Dance of the Seven Veils" bit, which is merely a distraction.

Still, the episode does pick up once the tank comes into play. I like the way they reflected a gold light onto Penguin when he was reacting to the unseen thing in the vault -- nice detail. And the tank rampage was pretty cool. I have to admit -- as a kid, I was really worried for Chief O'Hara when that tank ran over him. It must've really upset me back then, because I still felt a twinge of alarm at that scene even now. Scenes of people being flattened by steamrollers or tanks or whatever always freaked me out as a kid.

I have to admit -- the way Batman and Robin survived the crusher surprised me; I figured it would turn out they'd already slipped out of the armor suits before they were dumped into the crusher. Maybe it's because the explanation they did use was so ridiculous.

Batman: "The Zodiac Crimes": Aww, the guest credits spoiled Penguin's appearance.

What is the purpose of a Rare Art Map? I guess as a way for the police to anticipate where art thieves might strike, but the details are unclear. Not that it mattered. Anyway, that map looked a lot like a modified map of New York City.

Hey, Venus is Terry Moore, the star of Mighty Joe Young. Did I know that before? I remember the character of Venus being sort of the heart of the story, her arc of redemption, as it were, but I don't remember her performance being so broad and (intentionally?) awful.


Wonder Woman: "Hot Wheels": Yet again, they're really stretching to justify getting a secret-agent heroine involved in a domestic crime story. Still, this is the first episode in a while that's been kinda fun. It starts out with a pretty effective action sequence, and there's a lot of wit in the plot and dialogue.

Although after a while, it feels less like a Wonder Woman episode and more like a backdoor pilot for Tim Bolt, Wisecracking Cop. Odd, then, that the actor who plays Bolt (Peter Brown) is uncredited, according to IMDb.

Ahh, and we have the debut of the new lasso sound effect, which is less of an incongruous computer beeping and more a sort of musical ambience. Definitely an improvement.
 
I didn't see tonight's episodes, but I do have a remark about the Leif Garrett show.

But what I don't get is this: In the concert, the audience responds badly to the lip-synced version of "Made for Dancin'," and then the twin starts singing his own song in a different style and everyone loves it, saying it's even better than what the pop star did. But then in the climax, when the twins sing together, they just revert to "Dancin'." It seems it would've been a better climax, or at least a more logically consistent one, if they'd both joined in singing the new song.

What I didn't get was, how did the band know the twin's song well enough to play an accompaniment? It was an unpublished work by the "gifted amateur" brother.

It's interesting to note how thin and scrawny the male sex symbols were. Had girls not discovered muscles yet? You see this with David Cassidy on The Partridge Family as well.

I thought the Leif's manager looked familiar, and it turns out that Michael Lerner has had about a million of these guest shots over the years. He started in 1963 and he's still working.
 
What I didn't get was, how did the band know the twin's song well enough to play an accompaniment? It was an unpublished work by the "gifted amateur" brother.

Isn't that the same thing that happened with Marty and "Johnny B. Goode" in Back to the Future? He told the band what the basic chord and rhythm structure of the song would be, and they followed his lead to "keep up with the changes." Most music in a given style has certain basic structural elements in common, e.g. following a certain chord structure, so if the band knows those basics, it can provide a reasonably plausible accompaniment to a song its members are otherwise unfamiliar with (though I'm sure it wouldn't be as perfect as it was in BTTF). Although I don't remember the twin giving the band any instructions before he started singing.



I thought the Leif's manager looked familiar, and it turns out that Michael Lerner has had about a million of these guest shots over the years. He started in 1963 and he's still working.

I tend to get Lerner, Stuart Pankin, and Alex Henteloff confused with each other, because they sound a lot alike and look kind of similar.
 
Batman: "The Joker's Hard Time"/"The Penguin Declines": Now for the rest of the 3-parter started last week.

Rather brazen of the Joker to just walk into Gordon's office and confess to the murder of Batman and Robin. He never would've gotten away with it if the GCPD were remotely competent. How the heck did he get all the way to Gordon's office, anyway? Given that he already burgled it once, you'd think they would've increased security.

Terry Moore did a good job changing her performance style as "Brindle" in the jewelry store heist. I guess Venus's awkward acting is a deliberate affectation. Moore was probably going for a Marilyn Monroe sort of characterization, which I don't care for at all -- though she's still pretty hot in spite of it.

When those fake bullet hits were splashing against the Batmobile hood and windows, I realized -- that thing has no windshield wipers! I don't even know how those weirdly shaped windshields could be wiped. Did the designers of the Futura concept car take that into account at all?

Hmm, I was complaining about Marsha having almost no role in part 2 of the other crossover, but Penguin is completely absent from part 2 of this one.

That clam cliffhanger is one of the more bizarre ones in the show's history. But I like the bit about Batman finding untapped reserves of raw strength to rescue his old chum.

And it's a nice bit of continuity that they remembered the last time the Joker went after the water supply, although the fact that they repeated that plot point at all is less than great.

The Joker has satellites? And hold on -- if he could track Venus to Bruce's apartment, couldn't he have used his satellites to track her to the Batcave and find its location?

Unexpected cameo: The delivery boy assisting Penguin with Venus's seduction is Rob Reiner!

So is Batman now going to have to lure every archcriminal into the Batcave so he can use the spectrographic analyzer on them? And how did all those goons fit in the trunk?

And you know what? Batman should develop Bat-gas grenades. That would make it a whole lot easier to take down a room full of goons.


Wonder Woman: "The Deadly Sting": Seriously? Now it's sports fixing? How is that remotely relevant to intelligence work? What a waste of a superhero. Although I did like it that when Ron Ely went crazy in his apartment, Diana was able to take care of it without superpowers.

Another unexpected cameo of a future star: Craig T. Nelson as a henchman. (KRAD calls those "Robert Knepper moments" on his Tor.com rewatches.)

They were disquietingly cheerful at the end about the prospect of the bad guy being "fitted for a cement overcoat."
 
And evidently the Futura didn't have wipers:

How was that supposed to work in practice? I mean, sure, it was a concept car, but it was otherwise a fully functional one.

I assume the Batmobile has some kind of fancy Bat Rain Deflection System or something that keeps the windshield clear.
 
There was a reference on one of those pages to the car not being meant for actual street operation.

I suppose that in-show, the Batmobile might have air jets or something...but honestly, if they're driving that car in the rain, they have bigger problems....
 
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