It's a sad state of affairs when people aren't willing to reject clearly bad decisions that are purely business-driven and have no other justification.
I appreciate that Thunderbolts decided against having a super heavy CGI finale which alot of MCU movies suffer from. Sometimes we don't need a CGI dragon swirling around like Shang-Chi which could have ended with a really personal fight instead.
It's a sad state of affairs when people aren't willing to reject clearly bad decisions that are purely business-driven and have no other justification.
It's a sad state of affairs when people aren't willing to reject clearly bad decisions that are purely business-driven and have no other justification.
Bad decisions might not affect the immediate box office, but they affect later ones.
If I go and see 3 films in a row and they're all bad movies, I might decide to skip the 4th.
At it turns out the 4th is great, but the box office result shows the 3 bad films as being rewarded and the 4th as not.
The biggest hit that Disney has had in the post-covid era was Deadpool and Wolverine, which was in large part a nostalgia-fueled trip through the Fox Marvel movies. The biggest hit the MCU had overall in the post-covid era was NWH, which was a nostalgia-fueled trip through the earlier two Spider-Man series. Seems pretty clear that general audiences want nostalgia.
On Brave New World, I'm not going to claim that it was a flop, but it only exceeded Thunderbolts at the box office by $10 million, and we know that it had much, much heavier reshoots, meaning it almost certainly lost the studio a lot more money.
BNW didn't have heavy reshoots either, that was just sensationalism.
That was my biggest complaint about Shangi-Chi, which I otherwise thought was an amazing movie.Sometimes we don't need a CGI dragon swirling around like Shang-Chi which could have ended with a really personal fight instead.
Even if one did want to classify the Brave New World reshoots as 'heavy', it's nonsensical thinking to act like that's a negative thing.
The ideal is you go into production with a clear story and no need to do reshoots, as it keeps costs low.
If you reshoot half of a movie, it ups the production cost by 50%, dude.
They didn't reshoot half the movie, they started production and then shut things down due to Covid and during Covid things were rewritten so they decided to scrap what will they had done and start over due to time passage.
They didn't reshoot half the movie, they started production and then shut things down due to Covid and during Covid things were rewritten so they decided to scrap what will they had done and start over due to time passage.
What's odd about that is she was in the reshoots as a different version of Diamondback and was still cut. Amadeus Cho was added in the reshoots and then also removed.They cut out the whole Serpent Society subplot, eliminating Rosa Salazar's role entirely, and added Sidewinder. They also changed the ending so Ross survived. Those are pretty heavy edits.
If Marvel ever follows up on Hercules, I don't want it to be in a Thor sequel, I wanted to be based on the Hercules and Amadeus Cho comics.What's odd about that is she was in the reshoots as a different version of Diamondback and was still cut. Amadeus Cho was added in the reshoots and then also removed.
Most reshoots involve pickup shots and minor alterations to a couple scenes. While the reshoots to Cap 4 may have been necessary and improve the movie, they were far more extensive and therefore far more expensive than your average reshoots. Context.Most movies have Reshoots.
It's just a part of the process.
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