and wimped out on Scott sacrificing himself (at the very least temporarily) to keep Kang contained.
Goofy comic relief needed to stick around, when a "funny" character sacrificing himself would have provided a truly poignant coda to a character often disregarded as inconsequential. Nope, Scott would not see that kind of conclusion.
Black Widow and Eternals were pointless stories at best - if Natasha had a whole squad of Widows to help rehabilitate (or half of them, at least), why did she tell Steve the Avengers were her only family/responsibility in Endgame?
Well, I'm sure you know her line to Steve was written at a time when Marvel Studios had no interest in ever exploring Black Widow's past in a solo film, so she could say anything from that point forward.
The solo
Black Widow movie was a backstory that was not one; films of that kind must say the character and/or the story had a reason to be, and the script for this film simply lacks that crucial element. In the end, the film did not take what should have been a deeper dive into Natasha's motivations outside of what others did to her. Instead, one could not forget the film was the result of Marvel finally giving Natasha the solo movie they had no intention of making in the years before this production, and in the end, it felt more like a Yelena "pilot" than a story that provided interesting development for a character who still remains rather one-note.
The Eternals....a mess.
How do our African-American heroes feel about Wakanda?
I've wondered about that, and felt it was a major oversight (or simply did not care to address it) in
Infinity War, where Sam and Rhodey visited the land and acted as if the initial sight was no different than walking to another town. Some will attempt to argue that they had larger matters to deal with, but the idea of two black men (with their lived and
inherited experiences as black men in America) landing in Wakanda and the film not offering at least one, brief scene where two black men--the descendants of and likely recipient of Western programs to dehumanize and erase African history--comment on the cultural and physical embodiment of their history. Nope, it was all about empty, loud spectacle and CG monsters.
Can't Pepper extend Sam a home loan for his boat, or can't he profit off his celebrity even a teensy bit?
I guess Sam is not so close to those just outside the original Avengers' orbit...
Honestly, I know the point of Sam not having easy access to money was serving as an echo of the Flag Smasher's arguments (and how Sam being a world-saving superhero--at the end of it all--was still treated like many black men dealing with American financial institutions--a part of a kind of
villainy he was never going to conquer.
On a broader scale, what nincompoop thought a Secret Invasion series without the major heroes was a workable idea?
Very good question.
but the more Kingpin is around, the more people are going to want to see Spidey.
Once the Marvel made its deal with Sony for Spider-Man, one of the early outings should have been his conflicts with the Kingpin and/or Bernthal's Punisher--two landmark, important arcs from
The Amazing Spider-Man comic, but we ended up with...something else.
(And weak writing isn't just a Marvel problem, it's a Disney problem. Boba Fett, Mando S3, Ahsoka, and Dial of Destiny had major script problems, and I'm guessing Willow did, also.
Yes--inferior stories across the board.