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Mad Max: Fury Road

Watched it tonight. Loved every second. Mad Max movies are kind of a sub-genre of their own, and this is pretty much the apotheosis of it.

The villains -- a facade of power and mashed-up superstitious hokum over a reality of literal rot, propped up by the desperate fanaticism of their followers -- are pitch-perfect. Immortan Joe in particular delivered; I didn't think a Mad Max villain could ever again touch the Lord Humongous, but there's a special kind of loathsome malice and hubris about Joe that takes him to the next level. His various underlings repped the madness (and hollowness) of Joe's petty-kingdom quite effectively, too. I liked the little hints you get at every turn of the bottomless well of Crazy that everyone's living in, especially with the stillbirth of Rictus Erectus' never-was little brother: "He was perfect! Perfect in every way!"

The action and the visuals were -- to use an over-used but here quite appropriate term -- epic. I loved that the action was massive but still clearly-rendered and easy to follow, and there were lots of clever little touches in the carefully thought-out battle tactics of Joe's bands of warboys. The story was minimal but functional, pretty much just as a Mad Max story needs to be; Max and Furiosa were a great double-act, each with their own redemption to seek (I loved the way the phantoms of Max's past kept turning up), and Furiosa's fighting grannies, Joe's wives who were wonderful eye candy but also much more, the various other bands of bandits who get into the mix... there's nothing not to like.

(Well, okay, there are a few quibbles -- like Max's accent, or lingering questions about how Furiosa's cybernetic arm is working, or like, if that's really Joe's method of water rationing how did his kingdom last more than a day -- but they're not a huge deal.)

A
 
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Saw it tonight. Loved it. Damn entertaining. Insane though. It the action and effects feel solid. Not like the slope of bayformers. Mad Max Fury Road is like the 80s action film reborn.
 
The remaining comic prequel, the two-part Max, came out this last week.

Among other things, it definitely establishes:

- Fury Road IS Mad Max 4, not an in-betweenquel or a reboot. The first three movies did all happen. (Max just has Tom Hardy's face in all the flashback panels now.)
- Having established that, George Miller (who wrote this comic story set between Beyond Thunderdome and Fury Road) delivers his personal take on a Thunderdome story as Max returns to the hellish arena for the chance to win a V8 engine for his under-reconstruction Interceptor. (Which also provides a loose sort of tie-in for the upcoming video game - every time Max loses the Interceptor, he either repairs it or rebuilds it from scratch. To Max, being back in the Interceptor is "like being home again.")
- The seeming contradiction of the little girl in Max's traumatic flashbacks in Fury Road instead of his baby boy in the original movie is explained. The woman and little girl are not Max's wife and child, but a trauma much closer to the present. History does somewhat repeat itself, despite Max's best efforts.
 
At a local comic-con today and there was a girl who dressed-up as Furiosa, and quite well. She stopped to have a 3D-model of herself scanned and created.
 
The digital version comes out Aug. 11, and the DVD/Blu-Ray version comes out Sept. 1.
Here's special features list from Amazon:
- Maximum Fury: Filming Fury Road
- Mad Max: Fury on Four Wheels
- The Road Warriors: Max and Furiosa
- The Tools of the Wasteland
- The Five Wives: So Shiny, So Chrome
- Fury Road: Crash & Smash
- I Am A Milker
- Turn Every Grain Of Sand!
- Let's Do This
 
The digital version comes out Aug. 11, and the DVD/Blu-Ray version comes out Sept. 1.

Also coming out on September 1 is the videogame (PC, X-Box One & PS4), and a week later the paperback collection of the comics.
 
The game looks pretty cool, and while the story is original apparently the creators of the game did work with the movie people to make sure the worlds are consistent.
 
The game looks pretty cool, and while the story is original apparently the creators of the game did work with the movie people to make sure the worlds are consistent.

Yes, it seems one (or the main) villain is connected to Fury Road, as it was hinted in the Immortan Joe comic.
 
Same here, although I'll just be Netflixing it since I no longer buy movies.
 
Just watched this one today, finally. Random thoughts:

YES - Definitely worth a watch. Put it on your list.

Fan of the franchise, saw MMBT in the theater and quite a few times afterward, along with the others. So I loved how MMBT stretched the apocalyptic culture into something surreal, tribal, and visually striking. So I love how MMFR is a callback to that. First, it hit my nostalgia buttons. Second, it wasn't afraid to be quirky, which is not something you get with committee films.

Here's a point - it's not feminist AT ALL. It is MASS MARKETED ACROSS DEMOGRAPHICS. Of the "Be all things to all people!" school of film. Only needed some ewoks. Feminism. They were all hot, you notice. Yeah, hot macguffins. You had some cool grandmas - they say anything useful? Nada. "Got some seeds." "Pray to whoever."

Did have lots of cool action though.

Did not have any cool character payoffs, like "Go ahead, make my day" or "You killed my father. Prepare to die," or "I'm coming to get you." You know? There was one time we got to see Max in a heroic vignette and that was all implied, off screen. Yes, it worked and was cool. Yes, we needed to see more of that with some bad ass one on one stuff too. And yeah, with Furiosa too.

The action sequences were stunning, artful, super-definition and awesome! Made Raiders look like Driving Miss Daisy. Here's the problem - with Raiders, you knew who was fighting whom. Some of the cutaways in MMFR were simply too rapid fire to catch who was in what shooting what into who. Like, a slightly different color palette might have been helpful here to make these jump cuts more intuitive. Not enough time to absorb.

This movie was cool, but it was also very shallow, and if it satisfied you in terms of writing or story, then I hate to break it to ya, your standards need some exercise. Ok? These people were not good or bad, they were central - and that ain't enough, I'm sorry. The original MM was about the self-destruction of civilization. This film was nothing but demolition derby.

Max here resembled Chakotay - as if you can't have a strong female lead unless you DON'T USE THE MALE LEAD. Again, it's not for lack of screen time; it is for lack of any satisfying exposition, any new insights into the world, any new elements beyond cool new ways to weld cars. MMBT had tribal kids (and ok, this film had interesting callbacks to the makeup). But it wasn't feminist just because Max took the back burner. Everybody took the back burner. I think the star of this movie was the cinematographer!

My boy was a capable Max. He did great - just - when exactly did he use cop sense to outsmart anyone? When did he get his car back to kick some ass and symbolize Man's lost civility - which the original MM portrayed? Here, he was reduced to the kind of one dimensional character fileted by Paul Blart 2, for crying out loud!

Loved Sinead O'Connor, thought she was great, but when did she lead? When did she make a stand? When did she defy her own character, or reveal some inner weakness? When did any character HELP US TO DISCOVER SOMETHING ABOUT OURSELVES??

I loved this movie but come on, it was paper thin. PAPER THIN. Hire a writer next time. Seriously, this was all trope. Every bit of it.

Look at the shiny keys, kids! Shiny!

Hey, here's a thought: make the female Mad Max save some metrosexual house husbands. Yeah, that's what being a woman is all about! Being a man!

The Big Scary Man with the skull face, he's male power svengali who owns women! The preacher, he's blind and fanatical! The women, they love seeds and public bathing! (Seriously, why weren't they singing something sirenlike). Men bad! That's feminism, right? Hey, give Max the breast pump!

Guess what, appearing smaller and weaker than others isn't a sin. In fact, some might call standing up against your fears despite these disadvantages makes for good character. You know, if you ever needed to develop any for some reason.

Shiny keys!
 
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ith committee films.

Here's a point - it's not feminist AT ALL. It is MASS MARKETED ACROSS DEMOGRAPHICS. Of the "Be all things to all people!" school of film. Only needed some ewoks. Feminism. They were all hot, you notice. Yeah, hot macguffins. You had some cool grandmas - they say anything useful? Nada. "Got some seeds." "Pray to whoever."

Just because it's marketed across demographics does not mean it's not feminist. Being feminist also does not mean it's targetting only women. The primary reason why the movie is seen through (and praised for) its feminist lens is because the women in the movie all have their own agency and act accordingly. Their physical ability, their mind, their wits, are all there to varying degrees, but ultimately each one is trying to take a hold of their own destiny. They don't all act tough, but they know what they need and go for it. We even see a flipside of this when one tries to defy the group and rejoin Immortan Joe. Fury Road is really Furiosa's story, with Max as the audience's introduction into her world.

Max, on the other hand, helps them out while still retaining his masculinity, never once doubting the women or their intentions, showing that masculinity and feminism don't need to be at odds -- indeed, he's a valuable ally in their cause. The only times that the masculinity and feminity *are* at odds are when Immortan Joe tries to exert his own masculinity and paternalism on women against their will as a clear form of oppression against society in general. That it's a clear cut motivation is also part of what makes him a good and memorable villain.

But anyway, denying the film's feminist lens is also to defy George Miller and Tom Hardy, who both explicitly said in interviews that the intent of the movie was to not reduce women into damsels in distress, and to bring Max along for the ride. Keep in mind, Miller first started writing this movie back in 1999, and originally had terms like "Gynotopia" and "Warrior Woman" from the start. Just centering the movie on the latter would have already made the movie feminist, but then he worked and reworked key ideas to further develop and solidify that theme. He also got Eve Ensler, author of the Vagina Monologues, to visit the set for a week to act as a consultant for the angle.

Saw it tonight. Loved it. Damn entertaining. Insane though. It the action and effects feel solid. Not like the slope of bayformers. Mad Max Fury Road is like the 80s action film reborn.

I feel like this is the type of movie that Michael Bay and Zack Snyder wished they could make until they realized that something idiotic like Transformers meant more profit while sacrificing vision.
 
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