Maybe another outfit will pick it up?
I don't think any other Streaming service provider can keep the series alive because it was a direct production of Netflix.
Maybe another outfit will pick it up?
If anyone was willing to buy the show off Netflix it could, but that’d be expensive as hell for a show that underperformed.I don't think any other Streaming service provider can keep the series alive because it was a direct production of Netflix.
Keiko Nobumoto, scriptwriter behind popular anime titles such as Cowboy Bebop, Wolf's Rain and Tokyo Godfathers, passed away on December 1st. She was battling esophageal cancer. May her soul rest in peace.
I miss Killjoys!I honestly don't mind it I like it. After watching this I dug out Killjoys for more fun
I *loved* this ep! Whitney was a terrific character and the recital/fight juxtaposition was fantastic. And, yeah, just like the original, I cried at the ending. Perfect.Episode 7: A very different approach to the exploration of Faye's backstory, but an effective one. Whitney is changed from a love interest to a fake mother, a charming con artist who upends the crew's lives. It was a fun ride, as long as I don't think too much about all the henchmen who were killed in what turned out to be just a kinky roleplay between the Mink and Whitney. A lot harder to sympathize with Whitney given that. Although I guess at that point we weren't supposed to.
Although I liked the bit where Jet was watching Kimmie's recital by telepresence while Spike was fighting goons in the background. That felt very Bebop-worthy. I do wonder how the holotechnology works, though. How was Jet seeing the recital? There was no reciprocal holo on his end.
So Faye finally gets her ship, which has been in the titles every week, so I was wondering when it would show up. And she finds the videotape as well. Interesting how they changed things -- instead of Jet and Spike having to go to extreme lengths to find a compatible player and then getting the wrong one, here Jet already has one, because he's been established from the start as a connoisseur of old media like phonograph records. It's different, but it works. And the part they kept the same -- young Faye's video -- was just as moving here as in the anime. Brought me to tears both times.
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Much less use of John Noble than I would've expected in the Vicious stuff. Also, if Vicious is the son of the Syndicate's head, why would he need to stage a coup? Wouldn't he already be the heir apparent? It's an odd change.
I *really* liked this change. I think it made her more human. They weren't together long enough to see the less ideal parts of each other. But Julia - who started as a naive makeup artist then singer - went from thinking she needed Vicious to be "safe", then proving to be pretty smart, then realizing she doesn't need him at all.The major change in Julia's story arc was interesting. On the one hand, I'm glad to see her given a chance to become more than just a love object and a trophy for male protagonists and seize her own agency. On the other hand, the path she's chosen to follow tarnishes her as a character, and basically reveals that she was never the ideal Spike imagined her to be. So I'm not sure I like her making that choice, though I understand it given everything that happened in the narrative.
Thanks!
Agreed on all points.Damn. I liked the show, for the most part. The core cast was terrific. And there were threads I was hoping to see resolved, like the Cherious Medical backstory given to Ein. Plus I would've been curious to see how they'd tackle adapting stories like "Heavy Metal Queen" or "Toys in the Attic."
Well, I hope at least the actors bounce back and get other work. I've felt for a long time that John Cho deserved to be a leading man, but he can't seem to get a starring role in anything that lasts. (The only previous series lead role he had that I know of was in a terrible 2014 sitcom called Selfie with Karen Gillan. They both deserved much better.)
This is the exact opposite of how you should handle this situation, if you are frustrated by them cancelling stuff, then you should make a point of watching stuff that interests you and encourage other people to watch it too. The idea is for more people to watch their stuff, not less.Netflix is far too 'cancel-happy' when it comes to its original live-action programming for me to want to give any of it a watch.
Is Netflix really that much more "cancel happy" than the networks and cable channels?
I miss Killjoys!
We finished all 10 episodes and I really enjoyed them. I thought the show got better as it progressed and I loved the chemistry among our leads. I'm disappointed we won't be getting a second season, as I was looking forward to seeing where they would take the characters from this very different ending.
I'm not sure why so many of you hated Vicious. I thought the actor did a great job, and I welcomed the depth given to the character.
I *loved* this ep! Whitney was a terrific character and the recital/fight juxtaposition was fantastic. And, yeah, just like the original, I cried at the ending. Perfect.
Vicious' coup had to do with hating his father, not with needing to stage one.
I *really* liked this change. I think it made her more human. They weren't together long enough to see the less ideal parts of each other. But Julia - who started as a naive makeup artist then singer - went from thinking she needed Vicious to be "safe", then proving to be pretty smart, then realizing she doesn't need him at all.
Thanks!
Agreed on all points.
Is Netflix really that much more "cancel happy" than the networks and cable channels?
They likely had a contracted date by where they had to yay or nay a second season. Actors are booked for specific periods. You can’t just wait and see if there is an imminent renewal date.See, the thing is, it feels too much like a knee-jerk reaction to the poor ratings. I can maybe understand a month or two later, but just a few weeks later?
They did it with that super hero one, except that show was pretty awful, honestly - I kept waiting for a twist that never came, it was played straight.
They likely had a contracted date by where they had to yay or nay a second season. Actors are booked for specific periods. You can’t just wait and see if there is an imminent renewal date.
Them cancelling shows so soon after they drop isn't really that different from regular TV networks and cable channels canceling a show after one or two episodes. Even with them there's always a chance it could build more of an audience as the season goes on, especially now that you can usually go onto the app/website or a streaming service to watch at least the last handful of episodes, if not the entire season.See, the thing is, it feels too much like a knee-jerk reaction to the poor ratings. I can maybe understand a month or two later, but just a few weeks later? It's one of their more expensive shows, one that I'd think they would be hesitant on cancelling so soon. I find that using the data from the first few weeks makes for a wrong assumption in an age where the whole concept is of being able to watch wherever and whenever we want. And there's a sort of double-standard in that too. What of the popular shows that go through periods of slow viewing actvity and binges when a new season is about to be dropped? Sometimes people discover them for the first time after promotions are renewed or simply want to rewatch, which proves that interest goes in waves. The fact that it got cancelled so early leads me to believe they didn't have full confidence in it to begin with, not to mention that to those who worked on it, it must feel psychologically damaging. "We pulled your show after two weeks" is probably not something you'd want to hear.
I recommend watching the anime series and, optionally, the movie and forgetting the live-action version exists.They did it with that super hero one, except that show was pretty awful, honestly - I kept waiting for a twist that never came, it was played straight. But I was enjoying Bebop, now I'll probably never finish it cause they pulled the plug so quickly. I prefer Amazon Prime and I might give Disney+ a go.
They did it with that super hero one, except that show was pretty awful, honestly - I kept waiting for a twist that never came, it was played straight. But I was enjoying Bebop, now I'll probably never finish it cause they pulled the plug so quickly. I prefer Amazon Prime and I might give Disney+ a go.
Them cancelling shows so soon after they drop isn't really that different from regular TV networks and cable channels canceling a show after one or two episodes.
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