Trek has been off the air for nearly 4 years, and it's been over six years since Nemesis...yet the novel lines are still going strong. These books have had no problem surviving in a climate where there isn't a visible Trek presence on-screen anywhere.
Let's not forget that ST prose fiction first came into its own during a period when there was no onscreen Trek (except a Saturday morning cartoon that not everybody took seriously or paid attention to) for a whole decade. Heck, let's not forget that Star Trek didn't even become hugely popular until after it was cancelled. It was the constant reruns, not the original network run, that imprinted it upon the national consciousness. And when people clamored for more, books were one of the few ways to get it.
It is true that the books became more successful and frequent once ST was back on the big screen, and then even more so when it was back on TV again. So there is some correlation between the popularity of the screen franchise and the success of the books. But history shows that Trek books can be successful to at least a moderate degree in the absence of new onscreen Trek.
Pocket can put the images of the new character actors on books about the old timeline!
Why would they? Everyone's saying it's a good idea to have books in both timelines. What better way to differentiate them clearly for buyers than to use the TOS cast on TOS book covers and the Abramsverse cast on Abramsverse book covers?
In my non-expert opinion - as a Trek fan since 1991 - that the number one reason interest in Trek fiction may have "bottomed out" is simply...the massive numbers of people who read Trek fiction are no longer interested in Star Trek. When Trek fiction peaked (that time during the early 90s when a Trek book was purchased around the world something like every 30 seconds), Star Trek: The Next Generation was on television, with new episodes being syndicated to such audiences that - if it had been a network show - it would have been in the top ten Nielsen ratings every week. That's what drove viewers to Trek novels - which, as Christopher pointed out - already did excellent sales for Pocket and Paramount.
See my comments above. Yes, popularity of onscreen Trek amplifies the popularity of the books. But the absence of onscreen Trek keeps the books popular among a smaller, more hardcore segment of the fanbase, because the books (counting comics) then become their primary source of new Trek. So even if the books lose that extra boost of broader popularity that comes with a successful screen franchise, that doesn't mean the core audience is going to abandon the books.