We like to think of Trek as fine dining, but at best it's a reasonably priced family restaurant.I don't know if I would compare any Trek to a New York cut.
We like to think of Trek as fine dining, but at best it's a reasonably priced family restaurant.I don't know if I would compare any Trek to a New York cut.
We like to think of Trek as fine dining, but at best it's a reasonably priced family restaurant.
Lol, I love rule VI. I just watched the one with the strange civilisation which is Chicago mobs of the twenties, and next it’s the strange civilisation which is Nazis. Later I’ll do the strange civilisation of Romans.
What you're describing is the majority of content done under Berman and Braga -- especially the TNG feature films.Kurtzman takes a very corporate approach to content, and we've absolutely seen this with ST under him.
PIC and DISC are more corporate check lists than they are actual stories born of creative urge.
I understand this is a business. You've got to balance business interests and creative interests, but the pendulum has swung too far to the former.
I don’t agreeThe only time I felt anything in Kurtzman’s run that screamed DUUUUMMB was the idea that there was this secret that was SOOO terrible that it crippled a Borg cube and drove a few Romulan cultists to suicide. I’ve accept a ton of silly crap in Trek like Abraham Lincoln showing up in a chair out in space, but that idea in PIC is just so silly it clashes against the somber and contemplative tone that the first season mostly aimed for.
We like to think of Trek as fine dining, but at best it's a reasonably priced family restaurant.
What you're describing is the majority of content done under Berman and Braga -- especially the TNG feature films.
It always amazes me the Berman era largely ignored those rules.
There’s high brow sci-if like 2001. There’s low-brow like Transformers. And then there’s middle-brow that has mostly been Star Trek, occasionally swinging from one pendulum to the other depending on who’s making it.
t has had to be accessible and welcoming to a broad audience.
I love how the given example in #5 was violated heavily by the Berman Gang with the NX Enterprise grappler.
More like Strip Steak smothered in A1 Sauce with a side of a Bloomin' Onion.I don't know if I would compare any Trek to a New York cut.
I love how the given example in #5 was violated heavily by the Berman Gang with the NX Enterprise grappler.
That kinda blew the whole Roddenberry premise out of the water long before Mr. Kurtzman came along.
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Because they're guidelines not rules; hard to write thinking about those things, best for the showrunners and story editors work and polish the piece as they read the 1st draft.It always amazes me the Berman era largely ignored those rules.
OH Yeah, right ...No, because they obviously meant the kind of grappling hook that goes with a sword.
Because they're guidelines not rules; hard to write thinking about those things, best for the showrunners and story editors work and polish the piece as they read the 1st draft.
OH Yeah, right ...
Cause TOS never, ever went there....
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