I figured out the Keyser Soze thing pretty much right away. At the end, I was like, "Where's the big shocking twist everyone talks about?"
Yeah, me too. Except, while you probably saw it back in the day, I saw it for the first time pretty recently, so I constantly wonder whether the only reason I was so sure the whole time was that I had read it on the 'net and then forgot about it, but my subconscious tipped me off, or if all the constant remarks of "Kevin Spacey is teh kewlest in that movie" just made my mind zero in on him. Who knows. Either way, it kinda damaged my opinion of Bryan Singer (who I wasn't crazy about anyway), because it's kinda hard to like a movie built around its twist ending when you've seen it coming the whole time.
The whole movie falls apart because of it. The Usual Suspects was entertaining when I first saw it as a teenager, but the logic of the movie just disintegrates because of the so-called twist. The middle is just muddled and not well put together, which is actually the problem with a lot of Singer's movies. The middle always seems to drag longer than it should and the beginning seems rushed with the ending either coming too fast or coming too slow. That's my major beef with Singer is that he doesn't seem to have a good sense of pacing. From his X-Men movies to Superman Returns, Singer's films seem a bit lopsided in terms of story distribution.
This is really going out on a limb here, but can somebody, anybody, tell me that I'm not the one and only person on Earth who liked X-Men 3 better than the Singer ones?
It wasn't even that it was darker. It's that Spacey's idea of "threatening" was suddenly shouting really loudly and just kind of acting like a schoolyard bully. Luthor should be much more cool and collected; in control of the situation and himself. Spacey's Luthor lost it far too often.And I don't quite get what the big deal is about Kevin Spacey either.
On that we have full agreement. And might I add that I thought his Lex Luthor was a total joke.
Yeah, he was just playing a darker version of Gene Hackman's Lex. It just didn't convey the threat that Luthor can be.
I noticed that in M:I3, there's a similar scene to one in S:R where the villain is beating up the completely helpless hero. Compare the way the two actors play this scene. Spacey plays it like the little bully who needs to beat Superman up to feel like a man. Hoffman plays it like he's been in total control the whole time and this is just another manifestation of that. Hoffman was a ton more menacing, in my opinion (not that I'm saying he should've played Luthor, just that Spacey did a bad job).
In defense of the fine Hackman version, I should point out that this version of Luthor did not exist at the time of Superman: the Movie.Then again, the movies always miss the boat on Luthor's character. I like my Lex to be the smartest man on Earth, a brilliant scientist whose used his inventions to become the richest man in Metropolis who is jealous of Superman because of his huge ego. Someone that can woo you then stab you in the back.