That would be Debt of Honor by Chris Claremont. And it's pretty clear that they are still just friends. Kirk is there to see Gracie the Whale give birth. And Gillian is well aware of Kirk's "reputation" and notes that the rest of the crew is worried about her.One of the graphic novels strongly suggests that subsequent to the events of TVH, Kirk and Gillian have an affair. The novel open with Kirk and Gillian aboard a sailboat and they're more than friends.
(Non-canon) sex partners?
But she looked about 25. Actually, actress Barbara Anderson was only 20 (born November 27, 1945) when “The Conscience of the King” was filmed.As to "mature' - Lenore was only 19!
With the possible exception of the android Rayna, who wasn't particularly mature-looking. Then again, Kirk might have faked that one, too: he'd realize that Rayna was key to defeating Flint's constant delaying and stonewalling, and that all other venues (such as those pursued by McCoy and Spock) would be dead ends. Sure, he's also emotionally moved, but not the way one would at first assume. At the end, he doesn't mourn Rayna the machine, he explicitly mourns Flint the man...
Now, that is the story but I have always found it so incredibly unrealistic that a man of Kirk's years and experience could fall so hard so fast for someone (android or not). I always felt that aspect of the plot was a bit forced.
Now, that is the story but I have always found it so incredibly unrealistic that a man of Kirk's years and experience could fall so hard so fast for someone (android or not). I always felt that aspect of the plot was a bit forced.
The less-successful episodes like "Requiem for Methuselah" really remind us of how tough it can be to tell a convincing love story in 40-60 minutes. The writing has to be pretty top notch and the actors have to have a convincing chemistry on top of that. When it works, you get something great like "City on the Edge of Forever." When it doesn't...
Ladies, take note: The way to a man’s heart is a dance and a game of pool!With RFM, they are there for a matter of hours, the crew is dying, and all he really did was have a short dance with Rayna and play some pool with her.
The less-successful episodes like "Requiem for Methuselah" really remind us of how tough it can be to tell a convincing love story in 40-60 minutes. The writing has to be pretty top notch and the actors have to have a convincing chemistry on top of that. When it works, you get something great like "City on the Edge of Forever." When it doesn't...
True, but in COTEOF, Kirk had spent quite a bit more time there (I think it is estimated at about a couple of weeks), plus a part of him had resigned himself to the possibility that he might spend the rest of his life in the past with Edith. He was also taken by Edith's "futuristic" views on humanity which were in keeping with the philosophy and dominant discourse of his own time (the 23rd century). In other words, his mindframe was quite different and the conditions were more conducive to falling in love. With RFM, they are there for a matter of hours, the crew is dying, and all he really did was have a short dance with Rayna and play some pool with her.
You know that's not outside the realm of possibility. Some men (and women) can be quite guarded and usually in control, but when they do fall they fall hard.I think when it comes to women, Kirk falls hard and fast. And when he loses he takes that hard too.
But although it isn't spelled out in the episode the only way the episode makes sense is if Kirk is being manipulated on some other non-obvious level.
Or being manipulative.But although it isn't spelled out in the episode the only way the episode makes sense is if Kirk is being manipulated on some other non-obvious level.
In their first encounter, Kirk stands off and observes while McCoy falls head over heels for Rayna. When Flint then continues to push Rayna into the collective arms of our heroes by suggesting social intercourse, Kirk waits to see what Flint has in mind, then when nothing happens confronts Flint once more for the rhyetalyn, and when it becomes clear that the socializing is more important for Flint (he basically invites Rayna to dance with Jim on Jim's behalf!) than the medicine, only then does Kirk dive for the girl. After filing a log entry where he expresses doubt that his previous approaches would ever work!
It sounds like a very deliberate stratagem for Kirk. He sees through Flint's ploys and dismisses the ideas of Spock and McCoy as being of secondary import because he knows Rayna is the key here.
The first time we might say Kirk is being emotional over Rayna is his line "I don't like the way he orders her around". But basically Kirk is just listing Flint's many peculiarities, trying to find a pattern. And he finds one: Flint is playing games in which the only winning move on Kirk's part is to goad Flint with things relating to Rayna.
That first line of emotion is also the very last one: Kirk and Rayna don't really interact romantically at any point, and Kirk doesn't long for her in any scene...
...Least of all the final one. Not a single mention of Rayna. Not a single reference to the putative romance. Plenty of references to Flint, tho. McCoy is clearly making a big mistake in thinking that Kirk ought to forget about Rayna - the android has probably slipped Jim's mind already!
Timo Saloniemi
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