Vina is an example of a misogynistic trope of the seductress, the Jezebel come to tempt the male hero away from the righteous path.
The idea that men and women are equal is not a "worldview of notions with no connection to reality."
Not myself, but yes. The character referred to only as "Number One" in "The Cage" was first given the name "Una" in the 60th anniversary novel trilogy Star Trek: Legacies (2016); the authors named her Una for exactly that reason (and also as a tip of the hat to fellow Star Trek novelist Una McCormack). The producers of Star Trek: Strange New Worlds chose to use the name Una for the same character after its use in Legacies was brought to their attention.
"The Cage" asks us to feel titillated by the idea of sexual slavery, codes the alien Orions as Orientalist visions of Arabic belly dancers, contains dialogue that literally dehumanizes Orion women, contains dialogue casually establishing that "good" girls don't enjoy sex ("they actually enjoy being taken advantage of!"), features Pike casually remarking that having women on the bridge other than Una makes him uncomfortable, asks us to believe that literally every single woman in the episode is secretly pining for Pike, and then concludes by asserting that Vina is too ugly as a result of her injuries to return to human society. The entire episode, from start to finish, is a misogynistic male power fantasy.
Per se? Of course not. In this narrative context? It sure is.
The naive waif eager to please her older male boss can also be a misogynistic trope depending on how it's executed. Colt is a textbook example of a misogynistic version of that.
There literally are no other women under Pike's command -- not on the bridge at least.
"The Cage" is generally considered canonical. Of course, it is also full of elements that are out of continuity with later canonical installments; "I can't get used to having a woman on the bridge," like the reference to "breaking the time barrier," is best ignored and treated as out of continuity with everything else.
Y E P.
False. Star Trek had had a recurring misogynistic streak from its inception up until the premiere of DIS in 2017. I can't tell you how many time I would try to introduce the franchise to female friends, only for them to roll their eyes at me and tell me they had no interest in watching a show that pretends at intelligence while treating women like sex objects.
Only if you define "racism" or "homophobia" to mean something other than systems of power that favor one race over others or that favors cisgender straight people over queer people. That is to say, only if you define "racism" and "homophobia" as something other than what they actually mean.
This sophistry is completely irrelevant to the question of how we evaluate a narrative that depicts slavery.
And the narrative asks us, the audience, to feel titillated at the idea of a woman's sexual enslavement along with Pike. It presents us with the Jezebel trope, asks us to take pleasure in the Jezebel figure being sexually objectified, and then codes that Jezebel character as a threat to Pike's moral purity.
This is all incredibly misogynistic writing.
You know, I thought that this was a forum for people who loved TOS. Obviously, I was mistaken.