TFF could greatly benefit from a VfX overhaul. I agree entirely.
Fully agreed. Nemesis is leaps-and-bounds a more competent and engaging film that Insurrection.
Smallness is fine if the story makes you care about the stakes. Unfortunately there's virtually nothing that I care about in Insurrection. The stakes are low and uninteresting. That's it's greatest flaw. One single life as a stake can be epic (example:Saving Private Ryan). But this is not the case here.
Insurrection isn't just "small..." It's fucking bland and embarrassing. Thats its greatest sin. You don't make "Masterpiece Society" or "Haven" into major motion pictures for a long-running sci-fi adventure franchise. That's basically what Insurrection was: "Let's make 'Ensigns of Command' into a fucking film!!!" Holy shit, what an awful idea.
And that is why it's a shit movie. It took TNG's bland mediocrity and made it into a major motion picture.
Do you know Picard? Q summarizes TNG, and the 24th Century quite nicely:
"You are about to move into areas of the Galaxy containing wonders beyond imagination...and terrors to freeze your soul!...It's not safe out here! It's wonderous, with treasures to satiate desires both subtle and gross, but it's not for the timid."
Jean-Luc Picard is a "dreamer...imaginatively." Rene is the Jean-Luc of his youth, the man who looked to the stars and dreamed of new worlds. Why Rene shows up after the Borg is because Jean-Luc is questioning everything he has done He found wonders, but his soul froze when he was forced to destroy 39 ships and 11,000 Federation citizens (Drumhead) as a member of the Borg. How anyone can appreciate Shinzon as Picard's dark half, and trash Insurrection as "uninteresting" is beyond me.
In Generations, Picard struggles not just with loss of Rene and Robert (his solace shall his soul freeze, again), but with age (I realized their are fewer days ahead than there are behind). He has discovered a fountain of youth. His dreams, in the stars, were channeled into being a Starfleet Captain. Starfleet is betraying the principles at its founding by destroying a culture, one that Picard finds heals him from playing Ahab during First Contact, and ordering men into battle that never returned, off-screen, in the war.
So, with all this loss and trauma, he is searching for peace. He finds it with people who do not value him as an explorer. Like his father, brother, his wife, and nephew.
Ensigns of Command? Led by the duckblind, I see. This is "Family." Data gets back to a simpler time by imagining what it is like to be a child. The child, told to mistrust Data, remains curious about him. Data saves the boy many times over and earns the respect of the Ba'ku. Think "Family." Rene and Jean-Luc's curiosity as their fathers warn to not be curious, to keep them safe.
The stakes are merely The Federation's soul versus 300 year lifespans and an end to disease. The stakes are Picard and crew committing crimes to save exploration. The reason for entering the Briar Patch was just to save Data, who starts his own moral pickle about the consequences were he to go rogue.
And with one piece of dialogue "The Diplomatic Corps is busy with Dominion negotiations..." the war is over, or at least, at cease-fire. Blame Paramount for ruining the mystery, and skating it for release before DS9's final season ends.
This isn't a script problem, outside of action. It's not a stakes problem. It's a marketing and comprehension problem. And, if you ever go through trauma, and I hope you don't, you will find this movie healing. As you have Star Trek fandom, I would suggest watching it. This is how to heal, when the Federation isn't threatening it.