I forgot to add Michael Keaton as being one of the better MCU villains. Jake Gyllenhaal was also good, though the “wronged by Tony Stark” trope is getting tiresome.
I liked that movie but Keaton's Vulture was so-so. Just didn't buy the character.
I forgot to add Michael Keaton as being one of the better MCU villains. Jake Gyllenhaal was also good, though the “wronged by Tony Stark” trope is getting tiresome.
The MCU's success should speak for itself and require no defending.Yes--a constant protest is a defense--admitting that the MCU so often represents the worst of the source medium, instead of its best (which comes in different forms). The MCU does not represent superhero comics as a whole genre, and anyone truly confident in their entertainment choices would not need to defend it every waking second of the day, while attacking the work of other publishers/studios, as if doing so protects/elevates the MCU. It does not.
I liked that movie but Keaton's Vulture was so-so. Just didn't buy the character.
I'm going to have to strongly disagree with you here, the MCU does a pretty good job of recreating what I like in the comics, the big epic adventures, with great characters. Now obviously they don't recreate every type of superhero comic, but I definitely don't feel that they represent the worst of them.Yes--a constant protest is a defense--admitting that the MCU so often represents the worst of the source medium, instead of its best (which comes in different forms). The MCU does not represent superhero comics as a whole genre, and anyone truly confident in their entertainment choices would not need to defend it every waking second of the day, while attacking the work of other publishers/studios, as if doing so protects/elevates the MCU. It does not.
It was okay, but as an accepted AU. They did Harvey Dent rotten in that flick.
No, they drew from various bits. Even him "retiring" to be a farmer.
It isn't, but it has been getting the most opposition for daring to think outside the box compared to how the Reeves and Burton movies were done back in the day.
Whenever a new Batman movie comes out, there's next to no criticism of the core concept. Because it's always "grounded" thus acceptable. Whenever a new MCU movie comes out, no matter how successful the series as a whole has been, there's always criticism of the concept because the audience doesn't think the plot will work because it's too comic-booky and not grounded.
Now why is that? Why, after all the success, can the audience still not accept non-grounded stuff?
Yeah, as much as some people might not want to admit it, the MCU really has changed a lot of stuff from the comics. The main reason I'm not to bothered by it is because I think overall they do a pretty good job of capturing the feel of the comics and the characters, even if the details are changed.
Yeah, the villains have been a pretty consistent weak point in most of the MCU movies. Most of the time they have seemed to end up being not much more than someone for the hero to fight at the end of the movie.
I'm going to have to strongly disagree with you here, the MCU does a pretty good job of recreating what I like in the comics, the big epic adventures, with great characters. Now obviously they don't recreate every type of superhero comic, but I definitely don't feel that they represent the worst of them.
MCU so often represents the worst of the source medium, instead of its best (which comes in different forms). The MCU does not represent superhero comics as a whole genre
So, why is it so hard to understand that "Joker" is basically another AU? Because, as the tagline to Alan Moore's "Whatever happened to the Man of Tomorrow" said: "This is an Imaginary Story, but then, aren't they all?" Was it really necessary for you to have a label like "Elseworld" or "Black Label" put underneath the DC logo in the end credits?
Maybe, but being in love with Death, that was really his thing in the comic, wasn't it? Like, the whole reason he snapped in the comics was to impress Death. So, why did they change that? Why change such a core aspect of the character? Was it that they were ashamed of that aspect? Did they think that having Death as an actual character was too out there for a mainstream audience?
Is an R-rated alternative origin movie of the villain out of the box enough for you?
So, I'm a DC guy, but I do enjoy a lot of Marvel movies. Also a lot of MCU movies. Keep that last part in mind, please. Because I need to tell you, your perception seems to be incredibly slanted.
You are part of probably the biggest fandom in the world right now, with a near-flood of new installments coming for years to come, with more merch than you could ever buy, and with millions of like-minded people all around the world.
So, why do you take it so hard and so personal when some people don't like the MCU? Or even if they merely don't hold it in as high regard as you do? Relax. Enjoy your favorite movies. Let those who like other approaches enjoy those. Live and let live. It really is that easy.
It’s fine to not enjoy a less fantastical adaptation of a “comic book” but your personal dislike doesn’t make such adaptations wrong in and of themselves. There’s no “supposed to be” in any art, commercial or otherwise. There’s just a willingness to do something and the risk of acceptance or rejection (or a muddled middle). The attempt itself—more or less fantastical—is not illegitimate on its face.This movie seemed to want to be "realistic," which for me, is the death knell of comic book movies. Comic book movies are not realistic. They aren't supposed to be realistic. This was my big problem with the Nolan Batman movies. I didn't feel like I was watching Batman. I felt I was watching Batman if he were real. Batman isn't real.
It’s fine to not enjoy a less fantastical adaptation of a “comic book” but your personal dislike doesn’t make such adaptations wrong in and of themselves. .
It’s fine to not enjoy a less fantastical adaptation of a “comic book” but your personal dislike doesn’t make such adaptations wrong in and of themselves. There’s no “supposed to be” in any art, commercial or otherwise. There’s just a willingness to do something and the risk of acceptance or rejection (or a muddled middle). The attempt itself—more or less fantastical—is not illegitimate on its face.
But the idea of Batman's biggest nemesis being a chain smoker in his 70s is utterly ridiculous.
Coming in 2020: the crossover event of the year: Batman v Keith Richards
After the last post, I did a little googling and it seems I am far from the only one who feels that Arthur can't be THE Joker.
Funny thing happened with Joker. I went to the theater and had an enjoyable experience.
We use essential cookies to make this site work, and optional cookies to enhance your experience.