Overextending yourself doesn't seem to be a problem for Marvel. Two films every year and a TV series (with 4 more coming) on the air.
But we're yet to see the effect of so much Marvel on TV, however.
Overextending yourself doesn't seem to be a problem for Marvel. Two films every year and a TV series (with 4 more coming) on the air.
^Well, all I seem to hear about Prometheus is negative. I thought it was a widely hated film. But I just checked Rotten Tomatoes and it's at 74%. Weird.
We've had plenty of space shows on TV in the past
We've had plenty of space shows on TV in the past
So why then are they not being made today?
Yes, they're certainly capable of creating such shows, but for what returns? They do have the technology to put something competent together, but can it compare to the movies?
Last I heard, the biggest hurdle for a Star Wars live action show was the budget and trying to maintain a level of quality associated with their brand.
^Well, all I seem to hear about Prometheus is negative. I thought it was a widely hated film. But I just checked Rotten Tomatoes and it's at 74%. Weird.
Ryan8bit said:Last I heard, the biggest hurdle for a Star Wars live action show was the budget and trying to maintain a level of quality associated with their brand.
I'm sure one of the big hold-ups for a new Trek tv show was the fact that the studio surely wanted to set the new show squarely in the new JJ universe, but JJ kept fairly tight control over his particular corner of Trek.
Compare in what sense? Yes, movies can do more impressive visual effects, but that's not the only reason people are interested in stories. TV is generally much better at storytelling, at writing and characterization and the kind of long, unfolding arcs that grab audiences. TV and movies don't try to tell the same kinds of stories, so it doesn't make sense to compare them one-to-one. There are things -- mainly superficial things -- that movies do better, but there are other things that TV does better, or that movies can't do at all because they're too short.
No, the biggest hurdle was that George Lucas had gotten too full of himself and too cut off from reality and forgotten how to make the kind of compromise that any intelligent, non-ego-blinded filmmaker understands the need to make. The Lucas who made the original film in 1977 knew how to make creative use of limited resources and make a production look more expensive than it was, but the Lucas who'd been absolute master of his domain for decades had gotten greedy and spoiled and forgotten how to bend. Now that he's finally retired and turned the franchise over to more sensible people, there's more movement on the TV front.
But we're far from being in a position to conclude that SF television "fizzled out" due to a lack of interest. A few very long-running brands ran their course -- like Stargate, which persisted in various forms for an obscene amount of time -- but all evidence is that television can profitably sustain a range of televised SF, and I wouldn't be surprised to see something new happening on Netflix in the near future. It's not necessarily the case that a show has to deliver movie-scale spectacle in order to succeed.
I think it's more than those shows just running their course. They just weren't pulling in the ratings for the type of expense they had. Consider all these shows from the last 15 years: Farscape, Firefly, Crusade, BSG, Enterprise, SGU, and Andromeda. They all struggled with ratings in some respect, and most were cancelled or forced into ending prematurely.
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