I would read them if the page had better formatting.
Nice read, basically sums up why I think the movie would have been a lot better if had just been a plain & simple reboot from the get go (ala Batman Begins, nuBSG for example), then no one would have any such problems at all.
But they seemed to want to slap Leonard Nimoy in there and so wrote the mess of a plot around getting him in there somehow
That's what I like about him!Kirk was never one to indulge in technobabble.^^ True, and I can't argue that, but what it came down to is that I got nothing from this film because it was all adrenalin and no smarts. And that's not enough for me. It doesn't give me enough for what I like in a good Star Trek adventure.
For me, the only one that really did was TMP--indisputably the smartest Trek movie on record. The thing is, I thoroughly enjoyed the Wrath of Khan for all of the same reasons I enjoyed ST-XI and all of the reasons I enjoyed about thirty minutes of Nemesis. Sometimes, you just want to see some starships Thrown Down.
Anyway, sometimes smarts is overrated. I'd rather watch Jim Kirk bludgeon people with his fists than with a mouthful of treknobabble.
BTW, on the subject of Vulcan's blue skies:
The live-action for the Vulcan drill sequence was, of course, shot outside - which is great for believable outdoor lighting, of course. Watching the movie tonight I was struck by the number of tight, low-angle shots during the landing and fight sequences that included the sky. And of course the camera is in constant motion through these sequences.
It may simply have been time and cost prohibitive to consider replacing the natural sky in all of these shots with an artifical one. That kind of thing may have driven the decision about how Vulcan should appear.
The shot(s) of Vulcan with a blue sky simply were at times when the sky appeared blue rather than the usual red.
BTW, on the subject of Vulcan's blue skies:
The live-action for the Vulcan drill sequence was, of course, shot outside - which is great for believable outdoor lighting, of course. Watching the movie tonight I was struck by the number of tight, low-angle shots during the landing and fight sequences that included the sky. And of course the camera is in constant motion through these sequences.
It may simply have been time and cost prohibitive to consider replacing the natural sky in all of these shots with an artifical one. That kind of thing may have driven the decision about how Vulcan should appear.
That's a real-world/meta explantion. Which doesn't solve anything.
I would read them if the page had better formatting.
technically vulcan should have a blue sky anyway... because there is oxygen in the atmosphereI always had a issue with Vulcan having a red sky personally, especially when they modeled the planet after Mars in TOS and in the later series, and Mars while being red, more often than not has a blue sky.
We shouldn't pick on him too much - a lot of the pictures and info on ex astris scientia are pretty cool, and hard to find elsewhere.
Whenever I want to see the design of a new ship or something, that's usually where I head. Maybe we have to suffer this kind of rant as a trade for the good stuff on there.
I know. I usually feel bad commenting on something like that. But, that one was a bit much. He has forgotten to "suspend disbelief."
Like this one...
The movie plot is built on a chain of coincidences, obviously poised to get the seven main characters of TOS and essentially only these characters together on the Enterprise in some fashion, to link their destinies as if it has to happen again in the parallel timeline, under totally different circumstances. The first link in the chain is when Nero arrives in the past. It is almost the exact place and time where Winona Kirk is heavily pregnant with her son, who would be the best friend of Nero's archnemesis (or so he believes), Spock.
No one has informed him that life is built on coincidences. Also, if he knows anything about JJ and his productions he would know that JJ loves the idea that the timeline tries to course correct itself.
^ People keep saying this. Is this because you didn't want to read all of something you weren't that interested in? Or simply beause you can't read a few paragraphs of text? The way you're all saying it it sounds like the latter.
It's all bullet pointed, it's not one super huge neverending sentence. If you don't like looking at text I hope none of you try reading these things called "books"
Sorry, but I don't give a fuck about "in-continuity" gameplaying; I've had it up to my ass with that foolishness. I'm a little interested, though, in why the filmmakers decided to go with blue instead of red or yellow. They were not against spending money, when they thought it mattered.
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