Your earlier pic with the pink lines doesn't make sense - if the corridor goes all the way around, how is the window in front?
Probably there isn't a corridor all the way around (what purpose would that serve?); there's merely space for one. The windows simply punch through that space in front, in fairly deep shafts. That's the only way there could be two additional windows to the sides of the triplet, after all: otherwise, there wouldn't be space for any sort of a window-equipped room behind the side windows.
An off-center bridge obviously wasn't the design intent when the modelmakers created this wholly symmetric superstructure, with a dome in the very center, and a corresponding ceiling feature in the middle of the circular set...
I disagree. The Kelvin kitbashes are clearly meant to be made of the same components as the Kelvin - just as the Reliant saucer is the Enterprise saucer, the Nebula saucer is the Galaxy saucer, the Centaur saucer is the Excelsior etc.
The
Centaur featured a
Miranda bridge module, out of scale with the
Excelsior saucer. Another fine example of a size discrepancy that can be solved in three ways:
1) Arbitrary size. Not very satisfactory.
2) Size based on saucer. Leaves the bridge size hanging - and a bridge is a better scale-establishing feature anyway, because it gives us deck height and in this case even docking port size.
3) Size based on bridge. Doesn't do squat to saucer size because the saucer has no size-establishing features. It's just a generic shape, and in this case even equipped with new windows on top (even if the windows on the rim stay the same).
The DS9 story furthermore calls for a small ship to fight against Sisko's small Jem'Hadar ship and then flee from three of that kind. An
Excelsior-saucer ship would be a poor choice, then.
IMHO the fleet of seven simply is closer to the
Centaur in nature than to the
Reliant, being a bunch of background ships.
Shorter outboard nacelles on the Armstrong?
The ones on the
Newton don't match those on the two-naceller (
Defiant in original art), either. And the
Newton ventral hulls aren't the exact match of the
Kelvin dorsal one. We don't have detailed views of these ships yet, but the extent of stretching and compacting should be clarified if we ever get those.
If Robau was on the lowest level of the Kelvin's engineering hull, there wouldn't have been anywhere near as much floorspace as we saw. Dig out FJ's old floorplans and take a look at how much room there is in a TOS engineering hull.
So the second-lowest level should suffice...
And that power plant is in there as well as the shuttle hanger!
No problem there if the former is ahead of the latter, rather than side by side. Which I guess we can all agree on.
So again you're telling me that you know better than Bad Robot and ILM, who made the film.
Do you really think that a person named ILM made the film? It was a bunch of artists working with little cross-contact; this sort of thing always happens in such cases.
You also tell me to ignore much of what's seen in the film and only look at the bits here and there that agree with your TOS-friendly assumptions.
The things I ignore aren't "much". They include a connection between the
Kelvin and the
Mayflower, which couldn't exist even if we trusted official figures because the
Mayflower would still have to be twice as large as the 457 m
Kelvin; and the branching corridor aft of bridge, which doesn't match the design intent of a symmetric structure anyway, and can be explained by the spine. That's all.
In turn, believing in a bigger ship would require ignoring window row spacings, the layout of the bridge, the two windows to the sides of the bridge, the implied deck height of the two-tier superstructure, the implied deck height of the saucer rim, and even the size of the shuttle vs. the secondary hull. Basically, every exterior feature would have to be contradicted in order to accommodate an interior scene; we don't do that with the TMP ship, so why do it here?
I don't deny the ship sizes aren't consistant throughout the movie and I don't deny they were designed smaller than they ended up - but I think your assesment of the Kelvin's size is nothing more than wishful thinking, backed up by obselete dogma.
Where's the distinction? The
Kelvin onscreen is about 300 meters long, not over 450, by her shape and detailing. The official size of the
Kelvin isn't mentioned anywhere in the film. There are no onscreen comparisons that would require the
Kelvin to be any specific size, least of all one that is at odds with the originally designed small size. And the original design wasn't altered at all, even if ideas about size were: the
Kelvin is still the
Iowa in that respect.
What possible reason would one have for choosing a figure from a website to define the size of a starship we see onscreen and can judge by that appearance? At the very best, we can examine that website figure and see if it fits - and if it doesn't, disregard it.
Essentially, the
Kelvin is still a consistent design with a consistent scale. The NCC-1701 no longer is. And the fleet of seven plus the
Mayflower can be judged independently of the
Kelvin, although having the seven be approximate NCC-1701 size while the
Mayflower is bigger is what we see onscreen.
It's absurd, really: all you have to argue on is "457 m is official", with nothing else to back up that specific figure, and only a single interior scene to suggest it or another large figure would be needed. Every other bit of visual evidence favors a smaller ship. How devoutly should we worship the official stamp? And is that rational behavior?
Timo Saloniemi