I disagree, and that's something that does bring confusion to lots of people. It can feel and look like sci-fi without being it. And Star Wars is an example of that. Farscape is another.If it looks like sci-fi, smells like sci-fi, tastes like sci-fi, sounds like sci-fi... well, my friend, it's sci-fi.
Lucas even tried to "science-fictionize?" Star Wars in his prequels adding, for example, the midi-chlorians. He failed miserably has it still just as mythical to how one would posses and affect them, and having this ability doesn't change anything. The Jedis could just be buddist kung-fu masters, the story is the same.
Yes, there are. It's called archeology and history. We might not be 100% precise on a lot of things, but we certainly can eliminate a few. Elves and hobbits are amongst them.Irrelevant. There isn't any grounds to claim with 100% certainty that the Dark Lord Sauron didn't almost destroy the Earth twenty thousand years ago. The only difference is Tolkien didn't intend Lord of the Rings to be read with any degree of even speculative scientific plausibility, hence the genre is fantasy and nothing else.
Yes, it is. It is exactly why it's called science-fiction. It's because it is a fiction that includes one or many pivotal science elements. Otherwise it is pure fiction, fantasy. It's not important that the explanation is included directly but it is important that it be accessible for the corolation to be made and the desired impact to take effect.Again, it doesn't matter if the explanation is actually included in the story, because science fiction isn't actually about the science.
If one's wants to warn us of the danger of computers, the Terminator must have micro-processors and circuits that respect the laws of computing we currently have, even if not directly outlined within the story.
Wrong. The author intent the element he's writting and its purpose, but the story is the sum of its elements, and purposes.Perfect. We agree then that the ORIGINAL INTENT of the author is what defines the genre, not the structure or quantity of technobabble spouted by key characters.
George Lucas never intended to make a science-fiction, he intended to make a movie. Just a story. It's only the story that matters in Star Wars, the individual elements do not as they have no purposes outside of Star Wars. The story itself may have a purpose, a message, a moral.
No, it does not have the affect the story itself. Elements, even those looking sci-fi or even real sci-fi elements may be just for decoration. That's the case with Star Wars. If I take back the example I used earlier, the point of TMP is not that Earth may become destroyed, it is that it may become destroyed by something it created and that makes a huge difference.It doesn't have to affect the story. Inclusion of scientific elements--in any way--portrudes into the genre of science fiction. The importance of those elements only tells you what the emphasis was, or whether or not it's soft or hard science fiction or sci-fi/fantasy.
If TVH's probe just came to destroy earth without any reason, it's fantasy. But it came looking for whales we destroyed. The science element here is not technological, but political, enviromental.
Star Trek IS and always will be Science-Fiction, no debates here. But what makes up a science-fiction isn't just that it has sci-fi elements. It's what these elements do that is important.Which, in the end, goes to the overall point. Star Trek IS a science fiction story because it includes scientific elements--even made-up ones--in a fictional context. Whatever hairs you want to split about whatever else it fails to provide, that it is a science fiction story is not up for debate.