It's just a story but if you were going to rule just on what the canon tells you, you can't make a bunch of assumptions.
Yes they are.It's just a story but if you were going to rule just on what the canon tells you, you can't make a bunch of assumptions.
Why not? People have gotten lazy. A good book is supposed to let you fill in the lines and make assumptions. It forces you to think. Too many people expect TV and movies to answer everything and leave no space for individual interpretation. God forbid have a contradiction that you have to think through and draw your own conclusion.
Star Trek started contradicting itself by the third episode of TOS. What I don't understand is why people that cannot handle it keep watching it? Are ST canon freaks really just masochists?![]()
It's just a story but if you were going to rule just on what the canon tells you, you can't make a bunch of assumptions.
Why not? People have gotten lazy. A good book is supposed to let you fill in the lines and make assumptions. It forces you to think. Too many people expect TV and movies to answer everything and leave no space for individual interpretation. God forbid have a contradiction that you have to think through and draw your own conclusion.
Star Trek started contradicting itself by the third episode of TOS. What I don't understand is why people that cannot handle it keep watching it? Are ST canon freaks really just masochists?![]()
It's just a story but if you were going to rule just on what the canon tells you, you can't make a bunch of assumptions.
Why not? People have gotten lazy. A good book is supposed to let you fill in the lines and make assumptions. It forces you to think. Too many people expect TV and movies to answer everything and leave no space for individual interpretation. God forbid have a contradiction that you have to think through and draw your own conclusion.
Star Trek started contradicting itself by the third episode of TOS. What I don't understand is why people that cannot handle it keep watching it? Are ST canon freaks really just masochists?![]()
I'm not much for justifying errors with errors..
I expect a TV show and or movie to tell a complete story without errors or missing (necessary) information. That's why it's called story "telling" not story guessing.
The imagination of a good book isn't interpreting what is being related by events, it's interpreting the environment the realm, the personalities. It's not untill late 80's 90's and 2000's that story telling has taken a huge slump.
Rather than tell a good story with the time available movies and shows would rather sensationalize with sex and violence and eye popping displays of SFX. Most movies are looking for that "X" factor that will draw the masses.
I never forget that TV and movies are just an industry for the means to an end: Money. The quality of the product is usually poor and lack luster in all the important ways untill a person that is willing to take their time to tell a story, flush out important details and spin a tapestry worth being retold.
I'd agree to some degree, but... I've seen much lazier storytelling. I've seen pandering to the masses, blow ups, endless pointless blood battles, titty monsters, exploding heads, and it's all justified by loose story and sensless plot... but not in Star Trek. No format is perfect, no fictional story is water tight. Often non-fiction has it's share of holes. But Star Trek just wants to be Star Trek, and they do a great job keeping the universe moving and even challenging itself. It's good quality TV sci-fi... especially compared to all the other cheese that gets spread over the genre.
WAIT, THERE'S MORE:
In my mind, a sci-fi story that spans so many real years, and fictional centuries, could never be a perfect line. And, I know what some say about Enterprise and it's seeming disregard for TOS and even some aspects of the other Treks, BUT, I can't really let that bother me too much, and that's my preference. But, I also think the creatives working on Enterprise did a good job at maintaining continuity in Trek while also trying to expand the universe, and maybe a few times some things don't gel with what came first. But I wouldn't want the show to be TOO limited by anything that restricts a good story, and in the end it's the story that wins. Give me a good story, and I can forgive small inconsistancies.
I'm sorry that so many let these things ruin their enjoyment of a show or movie, I know what it's like to be obsessed with something that no one else can understand why, but don't worry; you're safe here, you are among friends, even if we disagree.
I love you all !!!![]()
Well, that's goodI don't think it's a matter of ruining for me.
TrueI can't speak for anyone else.
No such thingI've read too much good Sci Fi.
I want those who read this to understand that ENT didn't do as to it's counterparts. It didn't separate itself from the rest. It didn't boldly GO where no one had gone before. Sisko, Janeway, the Diverse crews of the TOS and TNG. Rather, Enterprise rather unboldly went back to 24th century in spirit if not literally with the last episode.
Some people call this "high concept" - a premise that will make potential viewers react with, "I gotta see that!" Sometimes high concept can override effective story structure.Most movies are looking for that "X" factor that will draw the masses.
Keep in mind that there can be a great many cooks besides the original writers stirring up a story as it's being written. Some of these cooks don't know as much about effective story structure as folks who have been well-trained in it (but don't have final say). The end product can suffer as a result. When I see a well-told story, I am always appreciative -- not just because of the storytelling, but because the good story survived the complex and convoluted development and production process.I never forget that TV and movies are just an industry for the means to an end: Money. The quality of the product is usually poor and lack luster in all the important ways untill a person that is willing to take their time to tell a story, flush out important details and spin a tapestry worth being retold.
Happiness = Reality / Expectations.I don't think it's a matter of ruining for me. I can't speak for anyone else. I've read too much good Sci Fi. I think that ENTERPRISE fell far short of my greater expectations.
Some people call this "high concept" - a premise that will make potential viewers react with, "I gotta see that!" Sometimes high concept can override effective story structure.Most movies are looking for that "X" factor that will draw the masses.
Keep in mind that there can be a great many cooks besides the original writers stirring up a story as it's being written. Some of these cooks don't know as much about effective story structure as folks who have been well-trained in it (but don't have final say). The end product can suffer as a result. When I see a well-told story, I am always appreciative -- not just because of the storytelling, but because the good story survived the complex and convoluted development and production process.I never forget that TV and movies are just an industry for the means to an end: Money. The quality of the product is usually poor and lack luster in all the important ways untill a person that is willing to take their time to tell a story, flush out important details and spin a tapestry worth being retold.![]()
Happiness = Reality / Expectations.I don't think it's a matter of ruining for me. I can't speak for anyone else. I've read too much good Sci Fi. I think that ENTERPRISE fell far short of my greater expectations.
Enterprise did work for a lot of folks. Everyone has his/her own level of expectations going in, and interprets the material from their own unique perspective. Enterprise isn't perfect - I think perfection is an ideal, rather than a reality - but I think Enterprise told some really good stories that were compelling, thought-provoking, and emotionally evocative.
Back to canon: here is an interview with Michael A. Martin, one of the writers for the Enterprise Relaunch books. (WARNING: elements of the Enterprise books and the Destiny trilogy are revealed, so consider this a "spoiler" interview if you haven't read them.)
Martin discusses canon from a Trek writer's perspective -- acknowledging the "inalterable"-ness of canon while finding continuity loopholes that can be mined for a written story. Also how different writers working with the same characters sometimes compare notes in an effort to keep their stories consistent with each other.
I'd go opne step further and remind everyone that in the end, Trek is a business and it only goal is making money. Therefore what becomes canon (or it's flaws) is what TPTB figure will draw an audience and thus revenues. Playing to the "Canonistas" (for lack of a better term) wont bring in enough of an audience to recoup costs, much less make a profit.
However, there is a very vocal segment of the fan base who refuse to accept what is the obvious and must be spoon feed. They can't see the forest for the trees.
Trust me, the producers dont give a damn or waste a second of thought about what constitutes " the Original Core Trek Time Line".
Paramount/CBS will let them and us know what isn't canon. Because in the short and long run the producers are just employees and we are just consumers. As such we do not get a vote.
Also, flaws are irrelevent to canon as are disagreements between folks on staff. Every "flaw" from laughing Spock to James R Kirk to the Class of '78 and every other one is canon.
What I mean was that if they strictly follow canon they are at risk of loosing audience because they can't freshen things up when they become old and tired. After 35 years Trek was getting old and tired. I mean look what happend because of the canonistas, they rebooted the franchise and threw out 40 years of that precious canon. (I wonder how many people out there were slicing their wrists after they saw the movie)Middle Man:
So, are you saying that if the writers were to follow canon exactly they would lose revenue?
I never feel the need to justify my opinion when it comes to something as trivial as entertainment. Just accept that this is how I feel. You don't have to agree with me or even like what I say; just respect the fact that I have it.Where is your evidence of this?
And much larger groups of people would applaud those same directors, writers, and producers for entertaining them. Those who strictly follow the canon of a franchise are generally small in number. certainly not the size audience today's Hollywood needs to get a return.Actually, to my knowledge: fans of certain different franchises applaud directors, writers, and producers for getting the little things right.
I'm not making excuses for anything. I thoroughly enjoyed Enterpise despite it's obvious flaws. I discovered the Enterpise 2 1/2 years after it's cancellation and It was responsible for bringing me back to Trek after a 17 year absence. I gave up on the franchise around 1990 because Patrick Stewart and Jonathan Frakes just bored me to tears. It's a funny thing, TNG bored me, but I don't go to any TNG boards trashing the series.I mean, to me: It sounds like your just making excuses for Enterprise based on the fact that we should cut the producers a break because they are having such a hard time in trying to just make money with it.
Sounds to me like you have an ax to grind against this series. Why don't you just accept that there are a lot of people out there who liked the series and that its fan base keeps growing now that it's in syndication. We don't want to defend it and we don't care about the precious Trek canon, which is gone now anyway. We just want to discuss the series with like minded people. After all, it's not our fault that B&B wrote Archer as a more important character in Federation history than Kirk (after all, that's what all this canon stuff is about anyway).Well, there are plenty of series that have quality characters and writing and have done well in the TV numbers. And Enterprise deserved the fate it got because it truly didn't deliver like it was supposed to from day one.
One that your entitled to and I respect, but also one that I think is wrong.But that's just my opinion.
That shows he cares about continuity, not "The Core Star Trek Timeline" Any smart producer cares about it. but knows it is malable and ever changing. The "Core Star Trek Timeline" is some sort of fannish construct that would result in blank stares and shaking heads.Nerys Myk:
So that is why Branon Braga debated with fans in this article then?
http://talk.trekweb.com/articles/2003/08/21/1061438460.html
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And you'd be wrong. because the "studio is in charge of what is canon and what is not canon".LutherSloan said:Nerys Myk said:Paramount/CBS will let them and us know what isn't canon. Because in the short and long run the producers are just employees and we are just consumers. As such we do not get a vote.
Yes, I know the studio is in charge of what is canon and what is not canon. But you were the one who brought up producers in the first place. I was merely commenting on your original post; and I was basically trying to tell you that canon is not to be determined by what the producers felt outside of the actual series (but what was in the series itself).
And you'd still be wrong because the "studio is in charge of what is canon and what is not canon"LutherSloan said:Nerys Myk said:Also, flaws are irrelevent to canon as are disagreements between folks on staff. Every "flaw" from laughing Spock to James R Kirk to the Class of '78 and every other one is canon.
I never suggested that flaws within a series in not canon. I said that...
"the only real basis for canon is not in what this producer said or that producer said, but what it is in the series itself (flaws and all)."
I was suggesting that the real basis for canon, flaws and all is within the series and is canon. I didn't say that the flaws were not canon.
What I mean was that if they strictly follow canon they are at risk of loosing audience because they can't freshen things up when they become old and tired. After 35 years Trek was getting old and tired. I mean look what happend because of the canonistas, they rebooted the franchise and threw out 40 years of that precious canon. (I wonder how many people out there were slicing their wrists after they saw the movie)
And much larger groups of people would applaud those same directors, writers, and producers for entertaining them. Those who strictly follow the canon of a franchise are generally small in number. certainly not the size audience today's Hollywood needs to get a return.
I'm not making excuses for anything. I thoroughly enjoyed Enterpise despite it's obvious flaws. I discovered the Enterpise 2 1/2 years after it's cancellation and It was responsible for bringing me back to Trek after a 17 year absence. I gave up on the franchise around 1990 because Patrick Stewart and Jonathan Frakes just bored me to tears. It's a funny thing, TNG bored me, but I don't go to any TNG boards trashing the series.
Sounds to me like you have an ax to grind against this series. Why don't you just accept that there are a lot of people out there who liked the series and that its fan base keeps growing now that it's in syndication. We don't want to defend it and we don't care about the precious Trek canon, which is gone now anyway. We just want to discuss the series with like minded people. After all, it's not our fault that B&B wrote Archer as a more important character in Federation history than Kirk (after all, that's what all this canon stuff is about anyway).
One that your entitled to and I respect, but also one that I think is wrong.
That shows he cares about continuity, not "The Core Star Trek Timeline" Any smart producer cares about it. but knows it is malable and ever changing. The "Core Star Trek Timeline" is some sort of fannish construct that would result in blank stares and shaking heads.
And you'd be wrong. because the "studio is in charge of what is canon and what is not canon.
As for who brought up the producers, I'd direct you attention here: http://www.trekbbs.com/showpost.php?p=3987977&postcount=38
Canon is determined by the episodes, which are in turn determined by the writing staff, producers, et al.
Nerys Myk:
So that is why Branon Braga debated with fans in this article then?
[URL="http://talk.trekweb.com/articles/200...061438460.html"]http://talk.trekweb.com/articles/200...061438460.html[/URL]
Braga was talking about continuity not canon or "The Core Star Trek Time line." Dont really care about the fan comments. Especially the ones that say things like "The plague infesting Star Trek are you and your bitch Berman; Moron with a captial 'M'. or "You're an idiot"That shows he cares about continuity, not "The Core Star Trek Timeline" Any smart producer cares about it. but knows it is malable and ever changing. The "Core Star Trek Timeline" is some sort of fannish construct that would result in blank stares and shaking heads.
Nerys:
I will be posting about Trek canon that I believe was either put into serious question or broken on Enterprise soon. But the very things Brannon was concerned about with the fans are indeed tied to the "Core Star Trek Timeline". Read what he posted in the link I sent you. Then scroll down, and read the fan's opinions.
And you'd be wrong. because the "studio is in charge of what is canon and what is not canon.
You are either misreading my posts or you are claiming opinions that I do not share. So no. I am not wrong. Just because I said a certain series is canon doesn't mean I don't believe... " the studio is in charge of what is canon and what is not canon."
I don't have time to go into a long response over issues such as canon, which as I explained earlier, means much less to me than it does to you. I do however, want to say something about the time line because I've heard your position from others as well: The "Old Time Line Is Dead". The only place it will continue to exist is in the "soft canon" of the CBS/Paramount novels. I seriously doubt that either you or I will live long enough (at least I wont) to see the day the old time line returns to the big or small screen. Why? Because JJ "reset the time line" so he doesn't have to pay attention to the previously established canon. He and his creative staff can now pick and choose what canon they prefer to follow and they now have the creative freedom they need to move their vision of Trek forward. When the canonistas start whining, they just say, hey, it's the time line.Canon is gone now? When did that happen?
Anyways, I just find it funny that people would close themselves off to what the other Trek episodes originally meant when they aired. I also find it funny that they can just turn their brains off whenever it suits them for something that is supposed to make them think and expand their knowledge and imaginations in the first place.
But that's just me.
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