No, they describe utter nonsense that has nothing to do with what has been suggested at any point in this thread.
100% agreed. Feels more like a strawman than an anthology show.
No, they describe utter nonsense that has nothing to do with what has been suggested at any point in this thread.
Welcome to Hopwood, a large/small town/farm in the suburbs/countryside/remote mountains/another planet - depending on who wrote this episode. Meet lead character Zo, a man/woman/to be decided of possibly Earth origin but we're not sure, depends on what's to hand in the make-up department that day, who's the local law / doctor / landowner / meh, whatever...
because we don't believe continuity is important, so we're not going to be consistent but refuse to admit it is really a series of stand-alone dramas/comedies/mockumentaries because of it.
.
It doesn't really surprise me. The kind of fans who'd join the Trek BBS are obviously more into this stuff than someone who just watches Trek casually. Remember, most people just watch the show and that's the end of it. This place is the fringe, not the mainstream. (Not a criticism, just a statement of fact.)Not gonna lie, kind of despairing about how many here are obsessed with continuity. Kind of explains a lot of what goes on here, I guess.
Indeed, I have created my own:And that enthusiasm (or obsession) can come out in lots of different ways
Indeed. KamenRiderBlade and Deks have a technical acumen that would do well outside of Trek.Damn, okay. At that point I'm thinking maybe you should find-and-replace all the trademarked Star Trek terms in your document and start writing your own novel series based on it.
Which makes sense until it becomes exclusionary, which sticks out to me more. I know a lot of the fan activities done are coming from a place of wanting more but it comes across as quite protectionist.And that enthusiasm (or obsession) can come out in lots of different ways, from continuity debates, to creating timelines, to writing fan fiction, to creating cosplay, to figuring out precise deck plans for the Starship Enterprise. Some people even go pro with their fandom, by writing tie-in novels like @Greg Cox, or creating digital ships for CBS/Paramount like @Donny. It all comes out of the same impulse: We want more of the thing we love, and we want to feel like we're a part of it in some way.
I don't care to. I'd rather just apply it to Star Trek and work with the creative staff as a BTS guy on continuity and in universe technical lore. I'm a Trekkie at heart.Damn, okay. At that point I'm thinking maybe you should find-and-replace all the trademarked Star Trek terms in your document and start writing your own novel series based on it.
Just breaks my heart though.I don't care to. I'd rather just apply it to Star Trek and work with the creative staff as a BTS guy on continuity and in universe technical lore. I'm a Trekkie at heart.
It'd break my heart even more if I had to use it outside of Star Trek.Just breaks my heart though.![]()
Fair point, I guess.It'd break my heart even more if I had to use it outside of Star Trek.
I'm that much of a Trekkie.
Thank You!Fair point, I guess.
Still would be an incredible work and one that I miss even though it doesn't exist. I'm that much of a fan of your technical skill.
Well, he only wrote the one. WNMHGB and TAS' "Beyond the Farthest Star" were both written by Samuel L. Peeples.1965 or 1966. Gene Roddenberry has been working for hours on one of his pilot scripts.
Or a shredderWell, he only wrote the one. WNMHGB and TAS' "Beyond the Farthest Star" were both written by Samuel L. Peeples.
But if you mean "The Omega Glory"... Yeah, Gene should've put that one through another draft on his typewriter.![]()
I'll work on the changedotorg petition.Thank You!
But I would be happier if I could be a part of the Star Trek Technical writing staff and help iron out their Technical In-Universe Lore issues.
I don't think that's a job.Thank You!
But I would be happier if I could be a part of the Star Trek Technical writing staff and help iron out their Technical In-Universe Lore issues.
Then they should create one, similar to how they have that position for Star Wars.I don't think that's a job.![]()
Keeper of the Holocron. Loremaster. Continuity Cop. The “Ask Lobot” Guy. All of these have been used to describe my role at Lucasfilm managing the Holocron Star Wars continuity database. But for me, there’s only one fitting description – Dream Job. I knew all my life I wanted to be a “Star Wars expert” but was it realistic for me to think that such a job could really exist? It’s mind-boggling to think of all the myriad little decisions and circumstances that had to transpire for me to get to where I am. I think about jobs I’d gotten in past and, perhaps more importantly, the ones I didn’t get that would have taken me down a different career path. What if that friend from college never told me about a QA opening at LucasArts? What if someone else was chosen as lead tester on Behind the Magic? What if I didn’t have database experience? What if George Lucas made the Prequels a decade earlier? What if George never made the Prequels?
But somehow – call it perseverance, fate, luck, or some concoction of all of these – I got here. And I am grateful for this, each and every day. I hope I can convey some small amount of this gratitude with this blog. I can provide unique insight into Lucasfilm, the Holocron, and the Star Wars universe as both an insider and as a fan. And if you’re into Indiana Jones, I’ve got that covered too. So stay tuned to this blog, and maybe, just maybe, I’ll answer a continuity question or two.
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