I posted this one Facebook a week or so ago, but I think it bears repeating here.
I just want to take a moment to thank everyone who worked on Nemo. Firstly, a very big thank you to Leo Tierney, without whom this would probably never have been finished. He took some truly dreadul greenscreen footage and made that terrible lighting actually look stylish. I have no idea how he did it, but he did an incredible job, and a lot of what's on screen is really down to him.
This wasn't the easiest shoot, we had to re-locate from the planned train tunnel (it was abandoned, don't worry) because of the weather (cold, windy, typical Scottish day to be honest) to a green screen shoot and hammer through a lot of pages on a very tight schedule. That we finished it at all is a miracle, and a testament to the hard work the cast and crew put in on the day. So a huge thank you to everyone who busted their asses on the day Alan Johnston, Steve Hammond (Director extraordinaire), Michael Cugley, Stephen Pasqua, David Reid, Lucita Faria, and David Lees and the greatly missed Gordon Dickson.
I also want to thank Steven Gilson, who put a hell of a lot of the early work into trying to get Nemo keyed, and also produced a number of effects shots which very much defined the final look of all the space VFX.
And while I'm talking VFX, a shout out and thank you to the always helpful Jon Carling who produced two excellent panel animations for me in double-quick time.
I mentioned Gordon Dickson up thread. It's hard to believe he's been gone for two years, and he still remains very much in our thoughts. When we initially shot this, his character of Kashid-Zar was referenced but not seen. We very much wanted to give Gordon his "flying off into the sunset" moment, and thanks to some existing footage, and a little rotoscope magic from Leo Tierney, I think we managed that.
Thank you also to Jared Cowing for gracing us with a wonderful score. There are moments in there that is really felt like an episode of TNG or Voyager, and I'd be foolish to ignore just how much the score adds to the tone of the whole thing. It literally isn't the same without it.
And of course, I can't thank everyone without mentioning the wonderful work Bodo Hartwig did on the sound effects and final mix. Bodo always gives it is all, and he always delivers.
So again, thank you to everyone who contributed to this. My sincere apologies if I've missed anyone off, it's been a while since we shot this so it's entirely possible someone has slipped my mind. If I've missed your name off the list, please know I am still very grateful for you help.
And last but not least, thank you to everyone who has taken to time to watch, share, or comment. We're really very happy to hear that most people seem to be enjoying this one. We've never claimed to be one of the big boys, but we do appreciate the feedback, both the positive and the negative.
And on that note, I'll shut up.
