I don't care about the Vulcans. It was a plot point to drive Spock's actions.
Yup, we don't want to waste any screen time on any unnecessary emotional stuff relating to the nearly total annihilation of one of Star Trek's most famous races when it takes time away from all the "kewl" space Pew Pew and esplosions.
STID was an original story and not even a partial remake of anything. Just because Khan was in it, it was no more TWOK than "The Dark Knight" was partially Tim Burton's "Batman" just because the Joker was the villain, again.
We saw plenty of character interaction in STID. And why is, "action, action, action," a bad thing? Big budget summer movies are not about talking heads.
I don't want to come off as snarky, but sorry the writers didn't make the story you wanted. That happens.
In what universe is STD an original story? It is at least a partial remake because it remakes one of TWOK's most memorable scenes, except for the characters roles reversed.
Khan is out for Revenge, again (although Khan's revenge isn't against Kirk personally, so that's something I guess) but all Star Trek movies in the past couple decades are about revenge.
Kirk and Khan face off in ship to ship combat, except, instead of Khan being in a smaller Starfleet ship, he has a Big Black Evil Ship just like the last 4 Trek movies.
I could go on but I don't care enough anymore. I will reiterate what I said after I saw
Into Darkness though. It's like the writers took the scripts for TWOK, TUC and the DS9 episodes
Home Front and
Paradise Lost, sprinkled in some Section 31 references, put it all in a blender and poured the resulting goop on screen.
As for your
Batman,
Dark Knight comparison, that's not quite right. Having the Joker in both Tim Burton's
Batman and
The Dark Knight does not make
The Dark Knight a remake of the 80's
Batman, that's true. The same way TWOK was not a remake of
Space Seed, simply because they both had Khan in it. However, if the Batman comics that were used in the script for
The Dark Knight (specifically,
The Killing Joke,
The Man who Laughs and
The Long Halloween) had been made into movies prior to 2008, then one could say that
The Dark Knight was a remake of those hypothetical movies. The same way
Into Darkness was a remake of TWOK, since it lifts scenes and lines of dialogue directly from the earlier (some would say superior) work.
I wish there were more novels being done in the AU. I wonder if the marketing and publishing writes are a factor.
Apparently, Bad Robot is blocking them for the time being.
Well, the NuTrek toys, video game, and the few books that have been released didn't exactly fly off the shelf. So that's probably why Bad Robot isn't bothering with releasing much merchandise.
There's also the possibility that the target audience for the JJ Trek movies aren't too keen on the whole "reading" thing.
My comments were in regards to his show running ability, and proficiency in managing a writing team though. Roddenberry was good at it, and I think he mentored Moore well. I don`t think Berman & Braga learned how to do it.
Berman probably spent more time with Moore than Roddenberry ever did. Braga was Moore's writing partner.
Roddenberry was good at it, and I think he mentored Moore well. I don`t think Berman & Braga learned how to do it.
That was a pretty good trick by Roddenberry since he wasn't hands on with the show by the time Ron Moore arrived.
Ron Moore joined the writing staff in season 3, Roddenberry was still "hands on" until he became too sick to be in season 5.
Michael Pillar was Head Writer from season 3 onwards. But by all accounts he was a rather stern disciplinarian type figure. Jerry Taylor was more of a mentor to the young writers like Moore, than anyone. Rick Berman was really just a liaison between the studio and the production, who helped smooth out the problems they had in season 1. He stepped into Roddenberry's job as Roddenberry started to fall ill.
Not that it matters really. Manny people feel that Ron Moore was one of the best writers Star Trek had. Some think he is one of the worst (most of whom seem to post regularly on the Star Trek Movies XI+ forum). Some think Ron Moore's departure from Star Trek started Star Trek's decline. Some think Star Trek's decline started when TMP came out. Others when TWOK came out. Then TSFS, TVH, TFF, etc... Some think with the premiere of each spinoff series. Others think that Star Trek declined due to "Franchise Fatigue" and over saturation.
Then there are those who think it was because of the beginning of digital cable and the end of first run syndication shows. Terrible creative decisions by UPN on
Voyager and
Enterprise. And tired, cliché ridden, formulaic scripts for the movies. Trying to appeal to a mass audience, while alienating the core fans. Thinking the audience is stupid. Making movies for the lowest common denominator. But having too small of a budget to make up for the writing shortcomings. All of which still applies to the last two movies, except for the budget thing, obviously. That's, partly, what I think caused Star Trek's downfall.
In the end though, who cares? Over thirty years later
Star Trek II: The Wrath of Khan is widely regarded as the best Star Trek movie ever. It is still referenced in pop culture, and even people who have never seen a Star Trek movie (not even the JJ ones) know of at least parts of TWOK. Compare that with
Into Darkness which is only one year old and has already been largely forgotten. Except for a few of us Star Trek nerds still debating it's merits on a Star Trek discussion board.