I may not be entirely clear - I'm obviously not a professional editor and I don't understand or judge it the way a professional would. I agree IM2's pacing was worse, but I make some distinction between editing and pacing (even though editing obviously leads to pacing). IM2 was a moved that flowed reasonably well, nothing stood out to me as jarring or weird, it just didn't really flow in any logical overarching direction and that dragged the movie down. Ultron had a much better throughline and everything went in one logical direction, but it definitely did not flow smoothly. There were strange stops and starts and the whole thing just felt very choppy and awkward. IOW, the same basic problem as BvS and especially Suicide Squad. But, like I said, Ultron still wasn't nearly as bad in that respect as either of those two.
I'm not a pro editor either. I'm not sure I agree with you, but it's an interesting question. (I generally like IM2 and Ultron, so I don't exactly have a stake in proving one to be better.)
Nonsense. For such a teary-eyed Marvel fanboy, you forget that Spider-Man was defined by his villains--no analysis of the character's growth exists without large sections dedicated to the long-lasting, defining influence of his villains. From the Green Goblin (father & son), Dr. Octopus, The Punisher, Jackal or the Kingpin, they were both the structural supports and thrust to the very identity of Spider-Man.
Having read a bunch of
Spider-Man comics and actively collecting some of them, I'm going to say "no." The villains were foils to him and there are certainly stories where the villains do force changes on him. However, in general, that's not really what defines Spider-Man. Cases in point, Doc Ock isn't that important to Peter's attempts to figure his life out in
Spider-Man 2. In the
Ultimate Spider-Man comic series, it's arguably Peter's friends and loved ones -- His aunt and uncle, Mary Jane Watson, Gwen Stacy, Kitty Pryde, etc. -- that define him and change his character. Also, you can give Spider-Man new villains and the character remains essentially the same (unlike say how Joker defines himself in contrast to Batman). On top of that, in the case of the Spider-Man character, the superhero identity is kind of secondary. The story is about Peter, who happens to be Spider-Man, unlike how Batman stories primarily focus on Bruce Wayne's calling as a superhero, with his personal life being secondary.
...and that is not an isolated case, so your "DC copied Marvel" line was more exaggeration.
Both DC and Marvel have ripped each other off countless times in the past and will continue to do so (which is why we get fan theorizing that DC
Convergence was to jump on Marvel
Secret Wars 2015's bandwagon, and that Marvel's upcoming
Amazing Spider-Man: Renew Your Vows ongoing is to cash in on DC's
Lois and Clark material). Not really sure how debating who came up with the idea first is as useful as examining why one version worked better than the others (like how
X-Men is a household name, while
Doom Patrol is virtually unknown).
No, but in your lie-zone where you think anyone wanted that, it would still be preferable to what you desire: the superhero equivalent of The Expendables: mindless action, paper-thin characterizations and explosions from frame one to the last.
Can't speak for the other guy, but one of the reasons I like the MCU movies is that they aren't just mindless action. I like the characters and get invested in their struggles. So, even if
Avengers 1 was just a simple beat-the-bad-guy story, the characters elevated it and made it worth watching. (Bear in mind, my favorite superhero movies of all time are
The Incredibles and the original
Spider-Man trilogy. That's my yardstick for what good superhero movies look like.
Your statement reveals a resentment of films that win Oscars, as they represent the polar opposite of the worst of the MCU you worship.
Can't speak for the other guy, but not all worthwhile movies win Oscars, so I'm not too worried about the fact that few superhero movies do.
2. I'm not buying a word you say about "war zone" family members, as real veterans are not saying they were in brutal situations cracking jokes and make making self-effacing wisecracks like the junk movies you love. Again, you simply disrespect the reality and struggle innumerable combat veterans experienced--all to support idiotic cartoons posing as live action superhero movies.
Can't speak for the other guy, but there is a difference between real life and fiction.
Serious, big plot points be damned! We gotta get to more explosions, jokes and nerd-porn!
Can't speak for the other guy, but not all good movies need to be about big things. At the end of the day, there's no one size fits all formula for a good movie. Some are good because they're a serious drama. Others are good because they're a more lighthearted story with fewer stakes.
Poor excuses do not remove the colossal failings of so many Marvel movies.
It might help the discussion if we knew what failings you're taking about, since then we could respond to specific points, rather than blanket statements.
Can we please get away from the proof of repeated assertion regarding the nuke? We know you don't like the nuke thing. There are ways to no-prize it, if you wish. If you still don't like it, that's fine, but the MCU doesn't fall apart because of that one little oversight, esp. given that they're generally very good about building off of stuff like that.