A little over a year ago, I started this thread in the DSC forum:
https://www.trekbbs.com/threads/should-i-give-discovery-another-chance.292885/
I asked if I should consider giving DSC another chance, having quit six episodes into Season One. Despite a litany of opinions on either side of the matter, I ultimately never revisited DSC. Whether technical achievements the show has going for it, the storytelling felt very superficial. I wasn't invested in the characters or their stories the way I ideally should be.
So, what does that have to do with DS9?
Until last night (May 19th, as I write this), I had never seen an enitre episode of DS9 beyond "Emissary". I distinctly remember watching it with my dad on the old TV in my parents' bedroom when it first aired in January 1993. I didn't remember anything about the plot other the opening scene at Wolf 359. I seem to recall liking it, but Dad and I didn't hang with show. I remember years later catching part of Take Me Out to the Holosuite, while doing some chores. Until now, that was the extent of my DS9 viewing experience.
After being disappointed with DSC, I realized I still had an entirely new series to watch from the beginning. Admittedly, I wasn't sure about how much I would enjoy DS9, as my disappointment with DSC made me wonder if there was anything left in Star Trek worth finding.
Being only two episodes in, I can say that DS9 has managed to grab me in a way DSC had been at most partially successful after six episodes. The storytelling and the characterizations feel sharper; DS9 uses its' storytelling to make its' points, whereas DSC often felt like storytelling was sacrificed in order for the point to be made.
I plan to keep this thread ongoing, if only perhaps to record my own experience with a new (old) series that made me think Star Trek still had something to offer when DSC made me question that.
I just finished watching "Q-Less". I've never been a fan of the Q episodes, but I didn't hate this one. That said, I understand why it was a one-and-done story. Q doesn't really fit the DS9 storytelling mold. He's usually at the center of the action, whereas in this episode, he's mostly on the sidelines.
EDIT: Some notes on the previous six episodes:
1. I had forgotten how "Emissary" is really just set-up for what's to come, since Sisko being Emissary hasn't really come into play yet. Opaka refers to Sisko possibly being the one to find the Celestial Temple, but otherwise it is at this point merely the portal to the Gamma Quadrant.
2. When Bashir first meets Garak, it's so awkward that it feels almost like a meet-cute. When Andrew Robinson says he played Garak as gay, he definitely means it. Knowing that Bashir will later be drawn into Section 31, there's something about him that seems to attract people that are not entirely trustworthy.
Agreed. And then there's Profit and Lace which achieved a singular level of "bad" that stands alone in DSN.
That's also why the Quark-Odo tension works well in so many episodes.
Profit and Lace was pretty bad, but I still don't think it sinks to the level of Move Along Home. Leeta had some worthwhile lines.
I also found the Bashir/Kira introduction to be astoundingly good. He's all shiny happy for new experience in the frontier and meets someone who'd lived through hell and is understandably very bitter. It's another gem that TNG couldn't even begin to do yet DS9 nails it off the bat, so even while finding their ground in that first season they had a lot that already worked or was already deeply thought out.
It's not always "honor"... sometimes it's "vengence"![]()
That's also why the Quark-Odo tension works well in so many episodes.
Profit and Lace was pretty bad, but I still don't think it sinks to the level of Move Along Home. Leeta had some worthwhile lines.
Yea,In the late 1960s when TOS was made, mini skirts were all the fashion.
Even then Roddenberry apparently wanted the women to be in stuff that was as close to “next to nothing” as he could get.In the late 1960s when TOS was made, mini skirts were all the fashion.
He may have had great hope for the future, with regards to what humanity will accomplish, but he was still a man of his time, which would've coloured how he approached making the actual show.Even then Roddenberry apparently wanted the women to be in stuff that was as close to “next to nothing” as he could get.
Yea,
but not for 40 year olds.
Many old Men on TOS, not so many old women on TOS.
I still remember from Bob Justman and Herb Solow’s book “Inside Star Trek” how in the episode “What Are Little Girls Made Of?” Justman and Solow had to step in and overrule Roddenberry when he was trying to make Sherry Jackson’s costume tooo revealing, since he wanted even more material removed from the upper part of her costume. According to Solow and Justman, Jackson couldn’t even wear a bra under her costume on screen because there wasn’t enough material to cover the bra.He may have had great hope for the future, with regards to what humanity will accomplish, but he was still a man of his time, which would've coloured how he approached making the actual show.
Miniskirts were a sign of women's liberation in the 60s, which for a show made in the time was a statement, though in universe makes little sense. It's a shame Uhura, Rand or Chapel never had trousers on at least once during the show, just as Picard, Riker, Data, La Forge or Worf never rocked the skant in TNG.
Women wear much less clothing today than they did in the 60's.
In the end, the so-called Sexual Revolution benefited business far more than women. TOS' mini-skirts are more or less an artifact.
I believe not only that mu comment takes this into account, but is also consistent with a lot of women's history of the 1960s.I am not sure you realize how restrictive the world was for women before the sexual revolution.
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