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I am watching DS9 for the first time (some observations)

That's also why the Quark-Odo tension works well in so many episodes.

Profit and Lace was pretty bad, but I still don't think it sinks to the level of Move Along Home. Leeta had some worthwhile lines.
 
A little over a year ago, I started this thread in the DSC forum:
https://www.trekbbs.com/threads/should-i-give-discovery-another-chance.292885/

I asked if I should consider giving DSC another chance, having quit six episodes into Season One. Despite a litany of opinions on either side of the matter, I ultimately never revisited DSC. Whether technical achievements the show has going for it, the storytelling felt very superficial. I wasn't invested in the characters or their stories the way I ideally should be.

So, what does that have to do with DS9?

Until last night (May 19th, as I write this), I had never seen an enitre episode of DS9 beyond "Emissary". I distinctly remember watching it with my dad on the old TV in my parents' bedroom when it first aired in January 1993. I didn't remember anything about the plot other the opening scene at Wolf 359. I seem to recall liking it, but Dad and I didn't hang with show. I remember years later catching part of Take Me Out to the Holosuite, while doing some chores. Until now, that was the extent of my DS9 viewing experience.

Yikes. Of all the stories to try out after a limited season one run and it's the horrid baseball apocryphally-misused Vulcan story!

After being disappointed with DSC, I realized I still had an entirely new series to watch from the beginning. Admittedly, I wasn't sure about how much I would enjoy DS9, as my disappointment with DSC made me wonder if there was anything left in Star Trek worth finding.

Proving even a misfire with one spinoff can lead to finding another spinoff for a revisitation. :D I too was hyped with DSC as it was going to be dark and compared to DS9... erm, they're light years apart, pardon the pun...

Being only two episodes in, I can say that DS9 has managed to grab me in a way DSC had been at most partially successful after six episodes. The storytelling and the characterizations feel sharper; DS9 uses its' storytelling to make its' points, whereas DSC often felt like storytelling was sacrificed in order for the point to be made.

That was my DSC impression as well. And fanservice, especially bringing in TOS characters and even re-introducing them into the canon as canon, and even worse the fanservice's fanservice of the mirror universe. It all felt hollow, at best.

DS9's first year does have ups and downs but not for the same reasons.

I plan to keep this thread ongoing, if only perhaps to record my own experience with a new (old) series that made me think Star Trek still had something to offer when DSC made me question that.

Sweet! Am looking forward to the updates!

I just finished watching "Q-Less". I've never been a fan of the Q episodes, but I didn't hate this one. That said, I understand why it was a one-and-done story. Q doesn't really fit the DS9 storytelling mold. He's usually at the center of the action, whereas in this episode, he's mostly on the sidelines.

I do agree, Q did not fit into DS9 and the format it embraced and ran with. But, IMHO, the biggest goal was to differentiate DS9 from its predecessors and on that level Q-Less is a masterpiece. They showed sides of Q that TNG could not begin to do. Like Q taking away the cure he gave Vash and she's limping in the Promenade and nobody gave a rat. If that's not an eye-opener about how this station isn't the galaxy's version of the Brady Bunch house or anywhere on the NCC-1701-D, then nothing will be.

EDIT: Some notes on the previous six episodes:

1. I had forgotten how "Emissary" is really just set-up for what's to come, since Sisko being Emissary hasn't really come into play yet. Opaka refers to Sisko possibly being the one to find the Celestial Temple, but otherwise it is at this point merely the portal to the Gamma Quadrant.

I liked the story as a whole, even if the second half devolved into some faff about looooooooove by these Prophet shiny light things. I recall Picard could have been used a little more in the second half as well, but he's used wonderfully at the start. I also recall how Sisko did to Quark unlike what Picard did to Sisko, which made things even sweeter - about staying on station and help build. Picard... needed to stay on the "D" where he told the ideals instead of having to live them. But the premiere was meant to make Sisko be the better captain and who better than Picard to set the stage? That's the brilliance that made up for the exploration of luuuuuurve, which felt more like a throwback to TOS'67 mixed with any cheesy soap opera than DS9'93.

2. When Bashir first meets Garak, it's so awkward that it feels almost like a meet-cute. When Andrew Robinson says he played Garak as gay, he definitely means it. Knowing that Bashir will later be drawn into Section 31, there's something about him that seems to attract people that are not entirely trustworthy.

It's a common trope in sci-fi, for actors to play aliens as stereotype gays (e.g. AlphaCentauri from Doctor Who's "The Curse of Peladon".) But until earlier today I had no idea Andrew Robinson was trying to make the character actually gay. For audiences that want the shipping, some of them would be happy just for that shallow amount of fluff to be shown. For me, Garak's depth of personality, complexity and intrigue as shown throughout the 7 seasons (as with most characters on DS9 because it's panache is with complex characters of some depth) is far more interesting and engaging than who he hops into bed with and there's no problem with Garak and Bashir being best friends or married or anything else either. Because nobody really cares who I hop into bed with unless it's with them and as such I don't care why anyone else hops into bed with unless it's with me. And if they do care, that's even better. Just not for the same reasons but this is getting past a certain point and leading too much into tangent territory. Incidentally, I'm Kinsey 4 and am simply a lot more complex than that but before we get even more into tangent territory I'll course correct:

I also found the Bashir/Kira introduction to be astoundingly good. He's all shiny happy for new experience in the frontier and meets someone who'd lived through hell and is understandably very bitter. It's another gem that TNG couldn't even begin to do yet DS9 nails it off the bat, so even while finding their ground in that first season they had a lot that already worked or was already deeply thought out.
 
Agreed. And then there's Profit and Lace which achieved a singular level of "bad" that stands alone in DSN.

That's also why the Quark-Odo tension works well in so many episodes.

Profit and Lace was pretty bad, but I still don't think it sinks to the level of Move Along Home. Leeta had some worthwhile lines.

"Move Along Home" is an oddball, designed to (IMHO and I'm probably wrong :D ) make the viewer feel awkward, especially with the Wadi game with song everyone bloody hated but was supposed to be awkward so the audience gets that alien situation feel, as well as really establishing Quark/Odo and letting Quark be a three-dimensional character, breaking the comedy routine mold TNG set Ferengi up as being.

"Profit and Lace" was so awful that they brought in some of the cast of 1968's "Rowan & Martin's Laugh-In" to try to hype up the comedy aspect. P&L is indeed a singular level of "bad" that stands alone and with no other episode coming even remotely close.
 
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I also found the Bashir/Kira introduction to be astoundingly good. He's all shiny happy for new experience in the frontier and meets someone who'd lived through hell and is understandably very bitter. It's another gem that TNG couldn't even begin to do yet DS9 nails it off the bat, so even while finding their ground in that first season they had a lot that already worked or was already deeply thought out.

It's funny. To this day, readers sometimes complain that Kira is too mean to Bashir in the opening of my DS9 novel, but at that time I wrote that chapter, the show hadn't aired yet and all I had to go on was an advance copy of the script for "Emissary," in which she rips him a new one, so I picked up on that and ran with it.

Years later, of course, readers expect them to be on friendlier terms. :)
 
Just a quick update:

Sorry, I've been busy the past couple of weeks but my schedule is slowing down for the next few days. I intend to get back to watching Season 2 in the next day or so.

I have left off partway into "Cardassians", in the scene where Rugal first reunites with his Cardassian father, Kotan Pa'Dar.
 
I was born in 82 and somewhat grew up with TNG, thus, it was my favorite. In fact, although I watched DS9 I really did not care much for the series. However, I came back to it as an adult as I decided I needed to give it another chance. Being a Trekker, I felt one chance hadn't been fair; I had to be fair to my Trekker heart. haha. Although TNG is still my favorite series, DS9 comes SOOOOOO close to tying them for that title. I've watched the entire series, probably... 2 or 3 DOZEN times in the last 5-years and I still love every single episode with just as much excitement as the last time. As for ST:DSC... I tried. I really did, but I just can't. To me, it's too generic and hasn't claimed a right, or rather, a place, in the Trek family. My goodness, even the Orville has inadvertently accomplished that task. ;)
 
That's also why the Quark-Odo tension works well in so many episodes.

Profit and Lace was pretty bad, but I still don't think it sinks to the level of Move Along Home. Leeta had some worthwhile lines.

I have a soft spot for Move Along Home. I think it was poor execution of a good idea. Profit and Lace on the other hand. It comes off like the writer has never met a woman.
 
TNG or DS9 at least the women aren't dressed like sex toys.
I tried to watch a TOS episode Last night, the one with KHAN!
I just couldn't keep watching it. I just can't ignore/ get past/ forgive the asinine women's uniforms.
And although I love Picard:adore:
Sisko sure ain't bad either!:luvlove:
But DS9 to me is so much more how I would expect living in space to be. I wish they had done more background aliens and more of ones that aren't human looking. (Saw a few minutes of Sector 9 the other night, cool aliens)

As we see with Quark, Julian's dad and Jake not everyone is the premier expert perfectly all knowing, Shakespeare quoting
Expert musician, top notch foil fencer like everyone seems to be on The Enterprise.
And because you're not all of the above they don't drop you off on a class H planet alone. :lol:
 
Even then Roddenberry apparently wanted the women to be in stuff that was as close to “next to nothing” as he could get.
He may have had great hope for the future, with regards to what humanity will accomplish, but he was still a man of his time, which would've coloured how he approached making the actual show.

Miniskirts were a sign of women's liberation in the 60s, which for a show made in the time was a statement, though in universe makes little sense. It's a shame Uhura, Rand or Chapel never had trousers on at least once during the show, just as Picard, Riker, Data, La Forge or Worf never rocked the skant in TNG.
 
Yea,:barf:
but not for 40 year olds.
Many old Men on TOS, not so many old women on TOS.

McCoy and maybe Scotty could be counted as old. I'm not sure two is many.

No reason the fashion cycle couldn't be on miniskirts in Kirk's time, or that they might be on burqas for that matter.
 
He may have had great hope for the future, with regards to what humanity will accomplish, but he was still a man of his time, which would've coloured how he approached making the actual show.

Miniskirts were a sign of women's liberation in the 60s, which for a show made in the time was a statement, though in universe makes little sense. It's a shame Uhura, Rand or Chapel never had trousers on at least once during the show, just as Picard, Riker, Data, La Forge or Worf never rocked the skant in TNG.
I still remember from Bob Justman and Herb Solow’s book “Inside Star Trek” how in the episode “What Are Little Girls Made Of?” Justman and Solow had to step in and overrule Roddenberry when he was trying to make Sherry Jackson’s costume tooo revealing, since he wanted even more material removed from the upper part of her costume. According to Solow and Justman, Jackson couldn’t even wear a bra under her costume on screen because there wasn’t enough material to cover the bra.
 
Women wear much less clothing today than they did in the 60's.

Really? Seems about the same to me. Girdles stopped being worn at the beginning of the 60s and skirts raised high above the knee. Maybe it depends which women and under what circumstances - middle class 22 year olds at a dance club vs upper class women in their 50s at the opera?
 
In the end, the so-called Sexual Revolution benefited business far more than women. TOS' mini-skirts are more or less an artifact.

I am not sure you realize how restrictive the world was for women before the sexual revolution. It wasn't just that women ought to be virgins on their wedding night. Women working outside a handful of traditional fields were seen as stealing a job that should be going to a man, and a poor investment in college or on-the-job training because they would probably quit as soon as they got married. In some small ways businesses figured out how to make money on it, but the beneficiaries were women and to a smaller extent the whole society.
 
I am not sure you realize how restrictive the world was for women before the sexual revolution.
I believe not only that mu comment takes this into account, but is also consistent with a lot of women's history of the 1960s.
 
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