But it IS star trek. Just not to your taste (this again).
No, it's Star Trek in name only, to use an old but accurate cliche.
So write it yourself, in outline form. Prove to me that one can create a great Star Trek origins movie without Old Spock and the Alternate Timeline, and tell me how this would help get Star Trek out of the post-Nemesis slump.
This is something that would require considerable time and effort on my part, and I don't really have the time to do so. And considering my audience, I'm not really willing to make the time, either. Presuming I ever get the time, I'd probably do it simply for my own enjoyment.
How exactly SHOULD they be introduced?
Probably as children. Ironically I probably would have done something with Spock being bullied, too, but instead of having him beat the crap out of the bully I would have done something along the lines of what Amanda described in "Journey to Babel" in order to pull on the heart strings a little. Really I'd have to give it more thought, though.
Shaky cams? Most shots were not THAT skaky. Lens flare overload is one I'll give you. I wasn't annoyed by them, but JJ has admitted that he overdid it.
It was shaky enough that at times I felt nauseous. Between that and the lens flares, it took me further out of the story than I would have been by all the cliches by themselves.
Not to me. If anything it felt like the Star Wars prequels to me.
Star Trek as a whole has had many different styles over time. This film took some bold risks, and for me, most of them paid off.
The different styles can actually help to divide Star Trek up into different eras, at least as far as ship and set design go. Other than that, DS9 was the only real risk-taker.
It was an action-adventure movie with a lot of character. Generally in line with what TOS was.
Well, you're half right. It was an action-adventure movie, generally in line with movies like Star Wars and Starship Troopers.
No, they didn't. They remade Star Trek into something that was a shell of its former self. The only things left that are similar are the names.
You just didn't like WHAT and HOW they did.
No, I didn't.
That was before franchise overload, Nemesis, and the masses of Star Trek Canon became offputting to general audiences.
What ruined Star Trek was bad writing, bad production decisions, and executive meddling from UPN and Paramount, not "franchise fatigue" or whatever catch phrase people are using these days. In point of fact a lot of the problems I have with this movie I also had with NEM.
This move, IMHO, is aimed at both fans and non-fans alike. A Trek move made for fans alone would not have cut it (Insurrection, Nemesis), and going to TV didn't help much (Enterprise).
This movie was mainly aimed at non-fans; Abrams said as much himself. The thing is, if you're going to make a Star Trek movie you should do so, and you just do a good job with it. It isn't "aimed" at anyone that way, and if you hype it up enough and market it well enough, people are going to go see it.
That element has been in Star Trek since TWOK. Action Adventure is what Star Trek has been since TOS. Over TIME it gained more depth, but that's the format. Kirk got into a lot of fistfights, right from Where No Man Has Gone Before. So arguing the movie should not be a SciFi Action/Adventure film does not hold.
And yet things only ever go bad when they try to go over the top with them, like they did with this movie. They did it with NEM, too, but with that one the people willing to go see the TNG movies had swindled thanks to the previous outings.
Of COURSE it matters. Non-fans seeing the TOS Enterprise, or something that isn't impressive visually, will blast the film for being some lame, unimaginative fanwank.
Which is why the design would have to be updated, but that doesn't mean redesigned.
Or as something that was really too minor a detail to actually matter, or really affect the quality of the movie to any significant degree.
No, it did, just not as much as everything else. It was one more lame thing to add to the list of lame things.
Fine. Enjoy the river in Egypt.
I could say the same.
It was NOT something that was obvious, because the Kelvin was something we simply had never seen before, or anything from that time period,
Actually we have, and it should have been more consistent with the TOS era if it was meant to be a new ship, or more consistent with the ENT era if it was meant to be an old ship. What it was consistent with was the design they came up with for the new
Enterprise. But the
Kelvin was hardly the only thing that indicated this was already an AU. Both Vulcan and Earth are inconsistent with what we know about them from that era. Ironically we know more about Vulcan than Earth during this time, but Nero's attack on one Federation starship doesn't explain the changes in the planet, its culture, or its dress. Really that attack doesn't explain much in as far as the changes seen in this universe anyway.
the Narada was from post-Nemesis, and nothing contradicted Canon, once the Alternate Reality was explained as the cause of the change of events.
The giant space octopus doesn't make any sense as anything other than the terror weapon it apparently was supposed to be, and even as that it doesn't make a whole lot of sense. Spock's ship is also supposed to be from the future, but manages to contradict one of the basic tenants of Trek ship design, which is that the engines do not give off a rocket plume in order to propel the ship. That was one of the things that made the ships seen in TOS so innovative at the time it came out, because everything up until then looked like rockets. Looking at other contemporary designs, while they no longer look like the classic missile shapes, pretty much all other sci fi tends to use rocket engines as the main propulsion of their ships. Speaking of, I noticed that they also quite inappropriately added a rocket-like engine to the back of the warp nacelles. At first I thought it was just supposed to be a different take on what was done in TOS before the sphere end-caps, but when George Kirk hit the throttle it turned out to be a bloody rocket. And this is just a small fraction of it.
Note that this was a side benefit that has ACTUALLY HAPPENED. There is no Both Ways. There is only the truth.
And how many? Do we have any statistical data?
You will get people in both camps. It simply hilights that stylistic tastes do change. However, in your hands, you might easily have your audiences walk out bored.
Or not.
Sometimes, you assume too much.
When you claim that everything had to be redone in order to keep audiences interested, isn't that a pretty big assumption itself?
We already HAD this conversation in another thread that was closed, and now we are having it again.
From what I saw, the reason the other thread got closed is because it got too personal and too off topic.
Do I bring up both critical and financial success?
Do I bring up the majority of fans who loved the movie?
No. Because despite the fact that they point to this being considered a good film, all of this is somehow irrelevent.
Yes, because what I saw was clearly a bad movie.