"...is at least as important as how we deal with life, wouldn't you say, Lieutenant?"![]()
Seeing you quote that I'm amazed no one had already done so, me, even though it's from my favourite Trek film, I clean forgot about it.
"...is at least as important as how we deal with life, wouldn't you say, Lieutenant?"![]()
"...is at least as important as how we deal with life, wouldn't you say, Lieutenant?"![]()
Seeing you quote that I'm amazed no one had already done so, me, even though it's from my favourite Trek film, I clean forgot about it.
I didn't mean that Trek should remain in the 60's but keep it's premise as a show about a better future for mankind and also keep good characters and good storytelling in the way it has done and not sell out to the "gloom and doom scenario" which some fans seem to like.
A recent common theme of ST novels seems to be that (even when times get very tough), comradeship, loyalty, the importance of clear communication, and the setting lofty goals in exploration and information exchange, are still important in resolving dilemmas. How is that not positive?
Noooooooooooooooooo^But they saved her brain!!!!
^ "Final Destiny" = The "Spock's Brain" of Trek Lit.![]()
^But they saved her brain!!!!
One of the reasons why we did Wildfire in S.C.E. was precisely because death had become so devalued in Star Trek. I wanted to show that death isn't a minor condition that you eventually recover from, and I wanted to show the characters actually dealing with the consequences.
(Also: I wanted, for once, a character who goes on a suicide mission to actually, y'know, die....)
Pretty much every story told after Wildfire had at least some leftover trauma from the events of that story, because that's how it generally works.
I didn't mean that Trek should remain in the 60's but keep it's premise as a show about a better future for mankind and also keep good characters and good storytelling in the way it has done and not sell out to the "gloom and doom scenario" which some fans seem to like.
TOS was set in the 23rd century and commented on contemporary issues of our century, particularly the 60s, the time it was being produced. TAS commented on contemporary issues of the 70s. TNG was set in the 24th century but commented on contemporary issues of the 80s. DS9, VOY and ENT's stories reflected the early 21st century.
If you see that recent ST series and novels have spent too much time on "doom and gloom", that is perhaps because the early 21st century isn't anywhere near as rosy as people would like it to be, and even ST finds it hard to tackle the big issues. However, Lynx, since you readily admit to having a very narrow focus on what you find to be acceptable as good ST (ie. episodes and novels with Kes in them), most ST stories are not going to be satisfying to you, even if all sweetness and light.
A recent common theme of ST novels seems to be that (even when times get very tough), comradeship, loyalty, the importance of clear communication, and the setting lofty goals in exploration and information exchange, are still important in resolving dilemmas. How is that not positive?
Let's take your comments from my perspective, just as a fun exercise.
Well, we're talking about novels here, so that doesn't count at all.I'm sure that yo actually know that I didn't mean that Trek should remain in the 60's but keep it's premise as a show
That future looks pretty good to me, really. Great technology, good ideals, a powerful force for good unable to be taken down by anything, strong enough to take on the universe and make it a better place. That's just about the best possible future I can imagine.
In order to be a better future for you, it's necessary that no one ever die? That seems rather unrealistic to me.
Check; check.
Why? Why must they continue to tell the same stories they already have? They already told those stories. Hell, were you upset when DS9 was announced, because it took place on a space station, and Star Trek hadn't ever told stories on a space station before? That wasn't doing things "in the way that it has [been] done" either.
Sell out - to give up artistic integrity for money; to let the fans dictate one's work. Seems to me like that's what you WANT them to do. What they DID was much more edgy and true to themselves.
Man, lemme tell you. Star Trek is not "doom and gloom scenario", and is absolutely nothing like BSG.to the "gloom and doom scenario" which some fans seem to like. After all, we do have BSG and similar series for those who like that sort of entertainment.
This is basically like me saying "I wish Star Trek would stop publishing optimistic books; we have Stargate and similar series for those who like that sort of entertainment." It's a completely useless point. Star Trek shouldn't define itself by what other shows aren't doing any more than by what a vocal minority of fans wants.
So basically, your entire rant is spurious and hysterical. You don't like the stories, fine, but that's a personal preference. It has nothing to do with BSG, breaking tradition, or selling out.
I think that you have misunderstood some of my points.
The books are actually based on the TV series so I guess that the premises for the series are the same for the books.
Yes, I do have some doubts about humanitys ability to survive and develope. Just look at the current crisis which is a result of sheer stupidity and greed.
No, I have never stated that people shouldn't die in the real future. What I've reacted against is unnecessary character destruction in the Star Trek TV episodes, movies and books.
No, I didn't react against DS9 taking place on a space station, I thought it was an interesting concept. I'm not against changes as long as Star Trek keep its premise.
The fine art of changing is to change within given parameters. That's what many great rock bands are doing and certain writers, TV series and movies too.
As for selling out, there is a difference between changing style in order to attract new fans just for the sake of it and to simply keep a finger in the air to figure out what the loyal fans want. I'm sure that killing off Janeway will alienate many loyal fans of Star Trek and I'm not sure if such a move will attract fans outside the Star Trek fanbase or the Voyager fanbase or how loyal those new fans will be.
What I see as a possible sell out is the attempts to turn Trek into something more "dark" in order to attract fans outside the Star Trek fanbase, thus more and less abandoning the original premise for Star Trek which might cause a loss of longtime loyal fans. That is not a good scenario.
Finally I agree with you that Star Trek is not "doom and gloom scenario" and I hope that it won't become that either.
^But they saved her brain!!!!
One of the problems that I have long had with Star Trek is that it is really stingy with death. People are so used to heroes getting out of impossible situations that they forget that the situations as depicted are dangerous. In the real world, heroic figues die doing heroic things. In my opinon Star Trek needs to get into the habit of reminding people that being in Starfleet is dangerous. Some times people don't come back. I think that this is one areaa where the books have definately improved over the TV series.
We use essential cookies to make this site work, and optional cookies to enhance your experience.