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Spoilers Game Of Thrones’ Spinoff ‘House Of The Dragons’ ordered to series

Why? Because vision after vision after vision has been seeing Daemon come to terms with his own self - his flaws, his pride, his manipulations, everything except his murder of his first wife anyway - and everything was perfectly set up for Daemon to realize that in fact he was changed and supported Rhaenyra for Rhaenyra's sake and his love for her and his brother's memory.

But no, apparently human emotional growth isn't good enough, there has to be a damned weirwood vision and a needless cameo of Brynden Rivers, the White Walkers, and even Daenerys herself before Helaena shows up (?) and apparently that is what he needed. So it's not about anything more than the (Old) Gods Will It and Daemon decides to accept his fate. Bah. If all that had happened after his reuniting with Rhaenyra and having the Rivermen publicly declare for her, that would be one thing but as it is, felt like the writers saying "Oh no, it's really all about Prophecy and not that he's had a change of heart."
I disagree. I think his time in Harran Hall *has* changed him for the better and his bending the knee to Rhaenyra was more about him loving her and realizing he loved his brother than about his future vision. Not that it had *no* effect, but his humbling last week before the bannermen was a sign (to me) of his changing. Or maybe it's simply in how I interpreted how Matt played it.
 
I disagree. I think his time in Harran Hall *has* changed him for the better and his bending the knee to Rhaenyra was more about him loving her and realizing he loved his brother than about his future vision. Not that it had *no* effect, but his humbling last week before the bannermen was a sign (to me) of his changing. Or maybe it's simply in how I interpreted how Matt played it.

I completely agreed... last week. I was excited to see the culimation of it this, and if they'd simply deleted that vision or moved it to after his bending the knee to Rhaenyra I think it would have been fantastic.

As it is, it comes across that what ultimately made the final difference was Prophecy.
 
As it is, it comes across that what ultimately made the final difference was Prophecy.
Not prophecy, the realization of what the responsibility of the throne truly is.

Even after being humbled last week, Daemon still WANTS the throne. He realizes that it may not simply be given to him by right, and that he may need to work for it, but he still thinks that sitting that chair is his destiny.

He has to be shown that the chair isn't a gift, it isn't a birthright. It's the biggest, the heaviest of all responsibilities. Not just to the lords and smallfolk of today, but to all those yet to come. The burden of that crown is the future.

Daemon doesn't want that. He's never wanted that. He wants acclaim, honor, glory. He doesn't want to have to save the whole damn world, or to do the work necessary so that someone in 200 years can do it.

The vision just shows Daemon what he is finally ready to hear. That he has never truly understood what that chair really means or what it does to people. That he can never be the person who can truly handle and perform that job. What the vision finally does is show Daemon that he can be truly happy without the chair, because he will never be happy IN the chair.
 
Not prophecy, the realization of what the responsibility of the throne truly is.

He has to be shown that the chair isn't a gift, it isn't a birthright. It's the biggest, the heaviest of all responsibilities.

What the vision finally does is show Daemon that he can be truly happy without the chair, because he will never be happy IN the chair.

All of that, yes. That was the whole point of Viserys' point in the last episode that the crown crushes those who wear it. That's character-changing.

Making it a matter of "you must do it because the End of the World" is exactly what happens when he sees a vision of Brynden in the Weirwood Tree, of the White Walkers, and of Daeny. It's reductionist because "the end of the world" is a much bigger deal than "you'll never be happy with the responsibility." Making it about an existential threat is a perfectly good motivation in general, but in this particular story that's about a family tearing itself to pieces? It would be as though Hamlet suddenly realized he needed to kill Claudius because Prussia would invade and destroy Denmark otherwise.
 
All of that, yes. That was the whole point of Viserys' point in the last episode that the crown crushes those who wear it. That's character-changing.

Making it a matter of "you must do it because the End of the World" is exactly what happens when he sees a vision of Brynden in the Weirwood Tree, of the White Walkers, and of Daeny. It's reductionist because "the end of the world" is a much bigger deal than "you'll never be happy with the responsibility." Making it about an existential threat is a perfectly good motivation in general, but in this particular story that's about a family tearing itself to pieces? It would be as though Hamlet suddenly realized he needed to kill Claudius because Prussia would invade and destroy Denmark otherwise.
I mean, I don't agree that they made it about the end of the world. They explicitly show him that what is going to happen will happen well after his own lifetime. There is nothing that he, personally, can do to stop what's coming. Except to make way for the person who perhaps can steer the realm in the direction that points towards salvation, which is not him.

Rather, it's that even seeing Viserys last week and hearing that message wasn't enough to get through Daemon's pride and certainty. Enough to open him to the message, perhaps, but not enough to make him believe it.

He had to feel it for himself. The weight. The hopeless duty. See with his own "eyes" that following his path leads only to his pointless end, outside his control.

As he himself acknowledges when he talks to Rhaenyra when she arrives, they must, ultimately, somehow defeat the undefeatable AND HE HAS NO IDEA HOW. For all his bluster and self-assuredness, the vision finally breaks through and makes him realize he has no clue how do this job that he was so sure he was made for. And that it's too important to dawdle and play at destinies just because of his pride.
 
A question about the Cole and Gwain scene. How did Gwayne find out about Cole's affair with his sister?

And also shout out to Abigail Thorn, from Philosophy Tube, for playing that crazy Triarchy Admiral.

Well Cole was sat looking mournful and blatantly holding Alicent's hankie, hence a Lady's Favour and there's likely only one reason he'd have that. Likely Gwayne had his suspicions already, the favour was perhaps the final piece of the jigsaw.

If only Rhaenyra and Alicent knew Larys had already convinced Aegon to flee the Seven Kingdoms...

Alas.

That said, I am rather amused how ruffled so many people are about this cliffhanger. I think it makes perfect sense to end on this note. The marching of armies to great and terrible battles next season. I'm fine with waiting for that. The spectacle has never been that much of interest for me in this show.

But I realize I'm in the minority.


Honestly, I'm glad for it, even as I finally come aboard fully. Better to have a clear and near end goal to this conflict instead of dragging it on and on for seasons. I say this as someone who has no clue how this plays out (other than lots of blood and fire, of course).


While I understand your complaints here (and at least io9 agrees with you), but Daemon's story arc this season has been one of my favorites. I love the weird and murky and the questioning of ones self-confidence and self-worth. I was rather baffled by Matt Smith's casting during the first season (spoken as a massive Eleventh Doctor fan) but I quite loved what he had to work with this season.

But, again, I realize I'm in the minority on this point.

As I was throughout most of season one about just everything.

Not alone in that minority. I loved the last episode. Any excuse to get D'Arcy and Cooke in the same room. Daemon's redemption (probably not quite the right word but it will do) works because of the time they spent on it. I don't think the vision was what changed his mind, it was just the final nudge.


I loved Ser Alfred sneaking away while everyone was cheering for the Queen! :lol:


I'm guessing Ulf will turn tail at the first sign of having to fight another dragon!


Guessing we're in for a big sea battle next season!


For a moment I thought Helaena had been recast because she looked different, I don't know if that's because Phia Saban was playing her differently, she definitely seemed more grown up, less passive.
 
Oh yeah I had another query. Why is Otto Hightower imprisoned and who is holding him? The last I thought we heard Aemond had recalled him to be his Hand? Have I missed something?
 
In a sign of hell freezing over and time healing all wounds, I'm actually contemplating doing the (personally) unthinkable and rewatching Game of Thrones (minus the 'Inside the Episode' codas) once I finish HotD S2 in a couple of weeks.
 
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"Dude, a forklift with a flamethrower! I feel like I'm at home."

Yet again, I love Adam's unabashed nerdiness and love for special effects craft. Tested is truly the perfect continuation of MythBusters.

With special effects technician Julian Butterfield's accent, I also felt like I was watching an episode of Doctor Who Confidential. Excuse me, it's called Unleashed now.
 
I didn't know where else to put this, so it's going here.

I started my (never-thought-it-would-happen) rewatch of GoT yesterday (two episodes at a time) and wanted to share some thoughts:

* There's a part of me that wishes that the opening credits for the show (despite how cool and evocative they are) hadn't been attached to Episode 1 just for the sake of symmetry with House of the Dragon

* Having just come off of HotD Season 2 and Rhaenys briefly acknowledging her acceptance of Alyn and Addam as Corlys' bastards, I really found myself looking sideways at Catelyn Stark for how she treated Jon, especially knowing that he's not actually Ned's kid at all

* Despite knowing where her story ultimately leads, I really couldn't stop myself from despising Sansa at the beginning

* Even though I know that he's not actually a Baratheon and therefore isn't related to either of them, I found it hard not to draw parallels between Joffrey and Aegon II and Aemond Targaryen

* There really was no need for the series to emphasize distances and treat characters' journeys as if they were happening in 'real time'; this is especially apparent with Episode 2, "The Kingsroad", where the writing doesn't really accomplish much other than having Bran wake up and starting to seed Arya's list of grudges (knowing where Dany and Jon's stories end up has unfortunately made me reticent to care as deeply about their respective plotlines as I had before)

* I did smile at the scene of Dany being given her 3 Dragon Eggs, though, since I just came off of HotD where we saw both their 'origin point' and a glimpse of Dany herself (in silhouette) in Season 2

* Joffrey's not the only character that I was comparing to Aegon II and Aemond, though, as I really couldn't stand their descendant Viserys III this time around and can't wait for what I know is coming for him in Episode 6 (despite my reticence to actually care as much about Dany's story this time)

* Because I now know that the Catspaw dagger has part of the Song of Ice & Fire inscribed on its blade, I have a feeling it's going to be hard to go through the rest of the series and not think about how much simpler some plotlines would've been if somebody had just known to thrust it into a fire

* Given my current hesitation when it comes to investing as heavily in Dany and Jon this time around, I have a suspicion that this rewatch could definitively cement the Lannister siblings as my favorite characters

* Coming back to GoT immediately after finishing House of the Dragon has me wondering if there might not be some lost, distant bloodline link (in the show's universe) between the Stark and Targaryen houses given the importance of the Song of Ice and Fire in HotD and Bran and Arya's eventual connections to its fulfillment
 
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