I think the reason why a non fan as a producer seems so "threatening" is, because the show has so much history now and continuity (yes, even as losely as DW) and "rules", that a newbie producer/head writer who has no clue about all that couldn't possibly keep it all straight.
A non fan would have no choice, but to take only the basic concept and make his own thing with hardly any relation to what came before.
I'm sorry, but that's just staggeringly wrong. Because writers do a thing called research. If you're hired to write something about a subject you aren't already familiar with, you study it. You learn it. That's what writers do, whether they're hired to take over writing a sci-fi series or decide to write a novel about a hospital. They learn the stuff they need to know in order to write about it.
When I was contracted to write my X-Men and Spider-Man novels for Pocket, I was really only familiar with the TV cartoons and movies. I was sent copies of the Marvel encyclopedias about the characters to give me a grounding, and I did further research of my own, tracking down copies of the comics from the library, finding websites that gave information about the stories I couldn't read, etc. For my Spidey novel, I managed to get hold of the DVD-ROM collection of the entire run of The Amazing Spider-Man and read it from start to finish. And I got reviews praising my Spidey novel for its uncanny attention to detail and continuity -- even though most of the continuity I used was from stories I had never read until after I was under contract to do the novel.
This is what I was saying before, about the folly of confusing a hobby and a profession. Fans only read or watch the things they like, so what they know is contingent upon their prior interest. But writing professionally is work. So the way to think about it is in terms of how you would do your job. Getting a new job often means undergoing extensive training, learning how to do something you've never done before. It means hard work and research and acquiring new skills and knowledge.
And, seriously, in this age of DVDs and binge watching, that's easier than ever. Heck, I'm currently about three seasons into a recreational rewatch of all of classic Doctor Who from start to finish. Thanks to the Web, I'm even watching the reconstructions of the erased episodes, which I'm seeing now for the first time. So it's unaccountably bizarre to assume that someone hired to produce Doctor Who would be somehow incapable of learning about the series's past history. It's not like they'd have to begin shooting the day after they were hired. They'd have time to binge-watch the series to prepare, or at least to read summaries of the past stories from the numerous books and websites that have that information. Even if they hadn't watched the whole thing, they could just get the Beeb to send them scripts or footage of anything they needed to learn about.
That means change.
And we all know how whovians react to that.
Which also makes no sense, because there isn't a franchise in all of SFTV that's more defined by constant change and reinvention than Doctor Who. And there are few franchises that are less concerned with continuity or self-consistency.
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