This topic actually comes up for me via a couple of recent movie rewatches (Eastern Promises and No Country for Old Men) and the game Deadly Premonition. The kind of stories -- otherwise fine stories -- where at certain points you find yourself shouting at the screen because you figured out who the murderer was or how to catch them at least half an hour ago and the master sleuth onscreen is still labouring through it.
It's the kind of thing that makes one want to vent... or is it just me? If it's not just me, feel free to add your own. If it is just me, feel free to reassure me that I'm not crazy anyway. That kind of ego-boost does wonders for crazy people.
My picks in this category:
What are yours?
It's the kind of thing that makes one want to vent... or is it just me? If it's not just me, feel free to add your own. If it is just me, feel free to reassure me that I'm not crazy anyway. That kind of ego-boost does wonders for crazy people.
My picks in this category:
He makes a fine Greek chorus, but as a law enforcer he has apparently never heard of canvassing a neighbourhood, a technique which would have run the large, foreign, menacing and memorable Anton Chigurh to ground inside of a day. The frustrating "What do we circulate? Looking for a man who has recently drunk milk?" scene was what inspired this post.
Yes, he's driven, brilliant, courageous and charismatic. He also has astonishingly bad judgment. Faced with the possibility of having to settle for misdemeanor charges on an armed robbery crew already known to be murderous, does Hanna bite the bullet and settle for getting the killers off the street for a few months and disrupting their current schemes? Hell no, not sexy enough. He cuts them loose... and later tries to take them down by opening fire on them in the middle of a crowd of civilians during a bank hold-up, a decision that leads to a running firefight with multiple police and civilian deaths -- including, incidentally, Hanna's partner, for whom he expends exactly zero seconds of on-screen mourning -- to two of the robbers getting away with their money anyway... and to a spate of further murder and mayhem as he tries to chase down the crew's mastermind Neil. Totally worth it, Vince.
One has to have mad respect for Luzhin, and for Viggo Mortensen's performance; there could be no more harrowing undercover assignment imaginable than infiltrating a gang culture as savage as the Vory v zakone. But it's nevertheless very noticeable that Luzhin takes a huge, needless risk -- having a single girl extracted by the police from one of the gang's brothels -- at one key point in the story that comes very near to scuttling his entire operation. It comes out in his favour... but only after he comes within a hair of being assassinated.
It may seem kind of unfair to put David Lynch's Twin Peaks on a list like this, since the point of a Lynch work is obviously not to deliver a typical police procedural. But I nevertheless came to feel like a lot of what allowed the show to draw out as long as it did was just that Cooper's quirky and intuitive investigative methods just didn't have a hell of a lot to recommend them.
The game obviously borrows heavily on Twin Peaks for a lot of its style and subject matter, and Agent York is clearly a riff on Cooper (though with his own distinct style). But Lynch could leave things genuinely indeterminate in a way that it's harder for a game to get away with, and as a result the mysteries in Deadly Premonition have to be (under all the hallucinatory trappings) rationally solvable, kinda. This unfortunately means that it's possible to figure out certain things -- like what the "inverted peace sign" really represents, who the killer is, and who the real Big Bad is -- many, many, many hours before York is allowed to get there. Which ultimately just makes him look a little bit slow.
What are yours?
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