That's true, although I believe he was paid residuals for the eleven episodes in which he received story and/or teleplay credit, in addition to residuals for his "created by" credit.
Not an expert on the ins and outs of whatever deals the WGA had in place in the 1960s, though. Anyone here have knowledge as to how episodic television residuals (if any) were set up back then?
Not an expert on the ins and outs of whatever deals the WGA had in place in the 1960s, though. Anyone here have knowledge as to how episodic television residuals (if any) were set up back then?