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ENTERPRISE design in the new film? (How many changes?)

That design is sweet. I don't see why it wouldn't be somewhere along those lines. Why is it that people tend to jump at all of the reports that say, "The ship will be redesigned," but they completely ignore the reports from the writers that the ship will will not have drastic changes?
 
I Grok Spock said:
What you all fail to recognize is that Gene Roddenberry was already dead by 1964. He was killed by an extended episode of boozing, pot smoking, and early LSD experimentation following the cancellation of "The Lieutenant." Roddenberry's body was preserved at the direction of Eileen Roddenberry by the efforts of Fred Phillips and fitted with rudimentary armatures for manipulation by the Howard Anderson Company. In this way she could still receive residuals from possible future airings of the "Lieutenant" and "Dragnet."

It didn't take long for Mrs. Roddenberry's ambitions to move beyond the occasional modest monthly cheque. Through an intricate and elaborate plot involving Lucille Ball (Eileen's long-time Canasta partner), Herb Solow, Bob Justman, writers, actors, film and television crews, convention organizers, and an assortment of simulated mistresses it was made to appear that Roddenberry was still "alive" and "created" and "produced" television "shows." Despite a number of incidents in which this scheme was nearly discovered (why else would Gary Lockwood be cast in the second Star Trek pilot, and what do you really think happened to Jeffrey Hunter?), the plan worked as intended until the cancellation of the original Star Trek series.

At this point, Eileen handed over day-to-day operation of Roddenberry to co-conspirator Majel Barret, who had discovered the true condition of the deceased producer when she attempted to sit in his lap during a casting session. In subsequent years, the Roddenbot was brought out of storage for convention appearances and the occasional "production meeting" for The Motion Picture. Cost overruns on the first Trek film gave Barret the ideal excuse for "retiring" the puppet producer, which was by this point becoming decidedly tatty and bloated.

Further near-discoveries notwithstanding (why do you really think Gates McFadden was brought back to The Next Generation) the operation continued beautifully for six films and a spin-off series with "Roddenberry" increasingly disappearing from day to day running of the franchise.

Finally, in 1991, the Gene-machine was refurbished for one last appearance to commemorate Star Trek's 25th anniversary. Immediately thereafter, with the future of the franchise apparently well-established without the need for his personal involvement, the long-ago passing of Roddenberry was made public.

Therefore, as you can see, nothing that we now know and/or love as "Star" and/or "Trek" had anything to do with Gene Roddenberry.



Why do people feel the need to change everything when something is wrong. The Enterprise was one of those things that was right. TOS got almost everything right. That's why we love it. Now can it be done again ? Why not. We have the technology. It's rocket science, that's all. Even GR couldn't do it again.
 

I like it too. I like Gabe's as well (not nearly as much, I must admit). But I like them as fan art. The original is more than just a sweet design (it is--damn near perfect) but it is also iconic and has strong sentimental value to a great many people. I just can't see how a rational cost/benefit analysis which takes that factor into account along with the likelihood that most non-fans won't care one way or the other yields up: "Hey, I got a better idea! Let's sex her up!"
 
Nostalgia and sentiment will not earn the studio back its 150 million, much less break even on marketing or turn a profit.

An analysis that would lead to a redesign would be one that concludes that the old look of Trek will not attract any attention publicity-wise or seem intriguing to youngsters. We don't know whether they have, in fact, reached that kind of conclusion but what is pretty obvious is that the studio and producers aren't betting on Trek's "sentimental value" this time out.
 
Brutal Strudel said:

I like it too. I like Gabe's as well (not nearly as much, I must admit). But I like them as fan art. The original is more than just a sweet design (it is--damn near perfect) but it is also iconic and has strong sentimental value to a great many people. I just can't see how a rational cost/benefit analysis which takes that factor into account along with the likelihood that most non-fans won't care one way or the other yields up: "Hey, I got a better idea! Let's sex her up!"

I'm the crazed old-skool fan who would squeal with absolute ecstasy if Vektor's 1701 glided onto the silver screen.



If she's going to be "updated," let a genuine artist take the reins. As was the case with the original.
 
Starship Polaris said:
...but what is pretty obvious is that the studio and producers aren't betting on Trek's "sentimental value" this time out.

Exactly!

Which is why, rather than create a completely original crew, setting, time period, etc., they've decided to go back to the beginning and set this movie during the origins of the franchise, using characters and concepts that people are most sentimental and nostalic about.

Wait a minute... Which side was I on again? :confused:
 
Number6 said:
xortex said:
Doesn't classic means it doesn't change and shouldn't ? What part of that don't you understand. Less is more. Stop messin' with a work of art else we'd all be changing
Beethoven symphonies into Salieri concertos.
Since Salieri was a contemporary of Mozart, I don't see how your analogy works. Especially considering that Beethoven was born in 1770, at the height of Salieri's best recognized works.

As I am sure you already know..;)

Best recognized works ? :guffaw:
I think you get my drift.
 
Samuel T. Cogley said:
Starship Polaris said:
...but what is pretty obvious is that the studio and producers aren't betting on Trek's "sentimental value" this time out.

Exactly!

Which is why, rather than create a completely original crew, setting, time period, etc., they've decided to go back to the beginning and set this movie during the origins of the franchise, using characters and concepts that people are most sentimental and nostalic about.

Wait a minute... Which side was I on again? :confused:

"Error! Error! Analyze! An-a-lyze!"

"You're logic was impeccable, Captain. We are in grave danger."
 
I can go with this design; at least it would make the spotlight effects from TMP somewhat historically consistent. For me, it would be much better to leave the Enterprise alone (just add the FJ phaser ports to the saucer!).

James
 
Mariner Class said:
Brutal Strudel said:

I like it too. I like Gabe's as well (not nearly as much, I must admit). But I like them as fan art. The original is more than just a sweet design (it is--damn near perfect) but it is also iconic and has strong sentimental value to a great many people. I just can't see how a rational cost/benefit analysis which takes that factor into account along with the likelihood that most non-fans won't care one way or the other yields up: "Hey, I got a better idea! Let's sex her up!"

I'm the crazed old-skool fan who would squeal with absolute ecstasy if Vektor's 1701 glided onto the silver screen.



If she's going to be "updated," let a genuine artist take the reins. As was the case with the original.

No offense to Vektor, but that design doesn't jive for me; turrets? Also, why the slices of saucer missing, and an inner/outer ring? That looks more like wasted space that could be filled with crew quarters, science labs, etc.

James
 
Samuel T. Cogley said:
Starship Polaris said:
...but what is pretty obvious is that the studio and producers aren't betting on Trek's "sentimental value" this time out.

Exactly!

Which is why, rather than create a completely original crew, setting, time period, etc., they've decided to go back to the beginning and set this movie during the origins of the franchise, using characters and concepts that people are most sentimental and nostalic about.

Right! Because movies trading on nostalgia for 1960s TV shows make so much damned money at the box office. The producers of the film revivals of "Beverly Hillbillies," "Dukes Of Hazzard," and "Mod Squad" have all said that they regret not having budgeted their movies somewhere north of 100 million apiece.
 
Starship Polaris said:
Samuel T. Cogley said:
Starship Polaris said:
...but what is pretty obvious is that the studio and producers aren't betting on Trek's "sentimental value" this time out.

Exactly!

Which is why, rather than create a completely original crew, setting, time period, etc., they've decided to go back to the beginning and set this movie during the origins of the franchise, using characters and concepts that people are most sentimental and nostalic about.

Right! Because movies trading on nostalgia for 1960s TV shows make so much damned money at the box office. The producers of the film revivals of "Beverly Hillbillies," "Dukes Of Hazzard," and "Mod Squad" have all said that they regret not having budgeted their movies somewhere north of 100 million apiece.

Well, it looks like we're fucked, then! :eek:
 
JJohnson said:
Mariner Class said:
Brutal Strudel said:

I like it too. I like Gabe's as well (not nearly as much, I must admit). But I like them as fan art. The original is more than just a sweet design (it is--damn near perfect) but it is also iconic and has strong sentimental value to a great many people. I just can't see how a rational cost/benefit analysis which takes that factor into account along with the likelihood that most non-fans won't care one way or the other yields up: "Hey, I got a better idea! Let's sex her up!"

I'm the crazed old-skool fan who would squeal with absolute ecstasy if Vektor's 1701 glided onto the silver screen.



If she's going to be "updated," let a genuine artist take the reins. As was the case with the original.

No offense to Vektor, but that design doesn't jive for me; turrets? Also, why the slices of saucer missing, and an inner/outer ring? That looks more like wasted space that could be filled with crew quarters, science labs, etc.

James

Science labs? NERD! Give me some damn turrets!
 
Starship Polaris said:
Samuel T. Cogley said:
Starship Polaris said:
...but what is pretty obvious is that the studio and producers aren't betting on Trek's "sentimental value" this time out.

Exactly!

Which is why, rather than create a completely original crew, setting, time period, etc., they've decided to go back to the beginning and set this movie during the origins of the franchise, using characters and concepts that people are most sentimental and nostalic about.

Right! Because movies trading on nostalgia for 1960s TV shows make so much damned money at the box office. The producers of the film revivals of "Beverly Hillbillies," "Dukes Of Hazzard," and "Mod Squad" have all said that they regret not having budgeted their movies somewhere north of 100 million apiece.

Actually, every one of those projects tried manfully to have the cake and eat it too in precisely the manner you seem to advocate for Trek XI, "it's the same but different!" Besides, every one of those projects was based on source material far inferior to Star Trek.
JJohnson said:
Mariner Class said:
Brutal Strudel said:

I like it too. I like Gabe's as well (not nearly as much, I must admit). But I like them as fan art. The original is more than just a sweet design (it is--damn near perfect) but it is also iconic and has strong sentimental value to a great many people. I just can't see how a rational cost/benefit analysis which takes that factor into account along with the likelihood that most non-fans won't care one way or the other yields up: "Hey, I got a better idea! Let's sex her up!"

I'm the crazed old-skool fan who would squeal with absolute ecstasy if Vektor's 1701 glided onto the silver screen.



If she's going to be "updated," let a genuine artist take the reins. As was the case with the original.

No offense to Vektor, but that design doesn't jive for me; turrets? Also, why the slices of saucer missing, and an inner/outer ring? That looks more like wasted space that could be filled with crew quarters, science labs, etc.

James

I don't think he'd mind: Vektor designed that as an April Fools gag (yes, that level of skill and effort represents his idea of a joke--why hasn't Paramount hired him already, for crissakes? :mad: ) intended to be believable enough to fool people but dumb enough to piss the fans off.

For the record, I think it is another great piece of fan art, a great jazz riff on the original.
 
Mariner Class said:
Brutal Strudel said:

I like it too. I like Gabe's as well (not nearly as much, I must admit). But I like them as fan art. The original is more than just a sweet design (it is--damn near perfect) but it is also iconic and has strong sentimental value to a great many people. I just can't see how a rational cost/benefit analysis which takes that factor into account along with the likelihood that most non-fans won't care one way or the other yields up: "Hey, I got a better idea! Let's sex her up!"

I'm the crazed old-skool fan who would squeal with absolute ecstasy if Vektor's 1701 glided onto the silver screen.



If she's going to be "updated," let a genuine artist take the reins. As was the case with the original.

Ugh, that's ugly! That's exactly what I do NOT want to see. For one thing, the original Enterprise has no blue strips of sequential warp coils - the red tips and white tips at the end, are the space-time sinks, aka warp coils.
 
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