Gene Roddenberry engaged in a ton of personal myth-making, to portray himself not only as a singular creative genius, but also as a supposed fighter for women's equality (!) and a uniquely enlightened visionary whose job was to teach the rest of us how to think about society and religion.
In addition, he told self-serving anecdotes for years, stories that later came up short of the truth, and also failed to give credit where it was due. For instnace, he would mention Forbidden Planet, but only to say that he hadn't wanted to copy its abstract music (and granted, he made a good call on that). He didn't acknowledge the creative contributions of Herb Solow and others behind TOS.
It all combined to put him under a critical light later, when more people behind Star Trek had told their side of things, and more documents had been made public. His own myth-making, his attempt to lead a personality cult, led to the bounce-back in how he is perceived.
The worst ones are "Am I the Only One Who...?"
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Yep.Is it because Roddenberry subsequently presented himself as an enlightened/humanitarian visionary while Shatner admitted he's just an (egotistical) actor who loves being the star?
It is however more disappointing, even abhorrent, when someone you see who has played a character you like is a grubby little excuse of a human being after all.
Roddenberry to me comes across as totally hypocritical. Pushing equal opportunities while sexually exploiting actresses. Pushing no greed for possessions and money but writing lyrics (and pretty poor ones at that) he never intended to use just to steal 50% of the royalties. Pushing all that perfected humanity while being a coniving, manipulative liar.
Love TOS but do not like its creator.
I have personally felt for some time that Roddenberry created Star Trek not just as an idealized view of humanity, but as an idealized view of himself, knowing full-well what his own failings and weaknesses were and wishing he grew up in a better place that would have isolated him from all that.He also felt that there would be no smoking in the future, though he himself was a smoker.
Kor
Say hello to George Takei; for all of his "Star Trek family" speeches he's given since the early 1970s, to constantly making the Vulcan hand salute, that was all dressing in conflict with his constant trash talking about Shatner / blaming him for his inability to be some greater player in ST, when he was just playing a recurring role and should not have expected more.
Sure it was a supporting/recurring role but he would have had more dialogue and opportunity to impress if Shatner hadn't taken it away.
Shatner didn't torpedo Takei's career and chances but he did literally reduce them.
Sure it was a supporting/recurring role but he would have had more dialogue and opportunity to impress if Shatner hadn't taken it away.
Shatner didn't torpedo Takei's career and chances but he did literally reduce them.
DeForest Kelley made a place for himself in the permanent cast because he was so damn good. He took what he was given and made it into more than what was originally on the page. (And if you don't believe me, look at how unmemorable Paul Fix and John Hoyt were in what was essentially the same role.) And once the writers started writing to what Kelley was performing, McCoy became a essential part of the ensemble.I see Takei's role for what it was--a somewhat recurring guest spot. No one promised him the DeForest Kelley treatment as the seasons moved forward...
Sure.
Just like Tom Brady didn't torpedo Matt Cassel's career and chances, but he did literally reduce them.
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For the betterment of the overall product, though.
Just like Tom Brady didn't torpedo Matt Cassel's career and chances, but he did literally reduce them.
The same can be said of Nimoy--but some fans seem to paint him as his character or a saint, when he was maneuvering and pressing throughout his time on the series, but that did not have any negative impact on anyone else? I see Takei's role for what it was--a somewhat recurring guest spot. No one promised him the DeForest Kelley treatment as the seasons moved forward, and he needed to face facts about series with large casts in the 60s: aside from ensemble series such as Bonanza, My Three Sons, Mission: Impossible, Dark Shadows, Peyton Place and others, most series of this kind had the supporting players never developed much beyond their formatted, series bible's two line character description (if that) or whatever was required. This is apparent on Gunsmoke, Lost in Space, The Big Valley, and other series, where the handful of leads had the expected lion's share of camera time and development while the rest were not much better than or on the same level of Takei.
Takei's whining has never been justified in the face of TV series practices of that period, and he started fooling himself with the early 1970s convention explosion with its "Star Trek family" talk that he was meant for greater things.
Did he? I thought one of the reasons William Shatner was living in a Truck for many years after the cancellation; and taking ANY entertainment related job that paid he could get (IE narrating various small documentaries done for public schools); was BECAUSE he took a lump sum payment (and had to give most of the money he banked to his Ex-wife in a divorce around the same time the series was cancelled) as opposed to a percentage of the show's profits because he figured no one would ever see Star Trek again, once it was cancelled?Honestly, could the titles of these threads be a little more descriptive?
Shatner had a percentage of the show so of course he had incentive to try to make it successful, and he was the star.
Did he? I thought one of the reasons William Shatner was living in a Truck for many years after the cancellation; and taking ANY entertainment related job that paid he could get (IE narrating various small documentaries done for public schools); was BECAUSE he took a lump sum payment (and had to give most of the money he banked to his Ex-wife in a divorce around the same time the series was cancelled) as opposed to a percentage of the show's profits because he figured no one would ever see Star Trek again, once it was cancelled?
[And don't you LOVE run on sentences?]
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