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Do you think Star Trek needed a reboot?

How about the new direction of all the characters not standing around chattering superficially but at length about alleged Big Ideas while boring the audience to tears?

That post does not provide any evidence that you actually saw TOS

The new direction of them all sat in the Enterprise saving the Earth?
It was just like the original with all the running, battles, swordfights and gun fights all cut together in a fast paced and exciting way.

So less of a new direction and more of a new editor then.
Given that 99% of the scenes were the crew standing and talking or sitting and talking, I doubt that would work. The fight scenes could work, but the stunt guy looking nothing like Shatner might come up.
 
Some of us find sci-fi ideas more interesting than "FIRE EVERYTHING!" lens flare shenanigans.

If you're looking for "science fiction ideas" worth thinking about then you're looking for them in the wrong place by watching Star Trek. Even Doctor Who - of all things - presents more novelty, despite being pretty vapid with regard to that kind of content.

Try reading.

Anyway, you posted that you loved Abrams's first Star Trek movie; the lens flare didn't bother you at the time, so it's impossible to take that seriously as a criticism of the movie.
 
TMP is my fav too, but it's Changeling with the serial numbers filed off. Hardly original.

Star Trek has rarely been original to those who know their sci-fi. It's all about the execution and the execution in TMP is superlative.
No its plodding and slow and tries to wow with SFX to make up for a weak storyline.

What SF ideas were explored in TMP?
I've discovered that it is impossible to watch sober. I'm convinced that if you removed all the spaceship porn it would be roughly 20 minutes of people looking at things.

Still, that's a bit different than saying the movies need to get back to ideas and exploration.

Well I'm not necessarily averse to starting things off with a bang. It just came off as hollow due to its lax narrative, and even more so when we are TOLD IN THE MOVIE that we're literally watching some alternate universe characters. May as well have been a feature-length mirror universe episode.
You'd hate Fringe then. It deals a lot with alternate universes and differences in the characters. It isn't like they're the evil universe, just different. So they are just as developed as the version you've been following so far. They just went through slightly different experiences. With Fringe you get to see the cast may multiple versions of what is supposed to be the same person, displaying their range and making the storyline interesting because you don't always know how some characters will actually behave.

Some of us find sci-fi ideas more interesting than "FIRE EVERYTHING!" lens flare shenanigans.

Still, I think it's best to judge JJ-Trek on the following film really. Star Trek 2009 made Star Trek a sell to the public again and that's what it's best to consider it as. It's up to this next film to deliver on ideas and exploration.
Well I found the aspects of time travel, alternate universes with familiar yet different versions of characters and the characters knowing that they are branch of another timeline and that their lives were radically altered by a single event. Yet, they all seem to come together as if despite the different pasts, there is a certain fate for those characters. Kirk is meant to be captain, Pike is meant to be injured and Spock is meant to work with Kirk and eventually become Kirk's friend. You also have Spock dealing with the near extinction of his people as well as the personal trauma of seeing his mother killed in front of him.

I'm fairly sure those were ideas.
You know how the movie felt, a little--anyone that's into anime will know what I mean, one of those anime movies that condenses down and retells the story of the series but in a 2 or 3 hours movie instead of multiple episodes. It was Do You Remember Love (not as good mind you), the same concept: Condense and retell the series in a movie format.
Not really, it was a self contained and original story. Something that was nice in comparison to all TNG movies which were stretched out episodes that should have been resolved 30 minutes in.
 
The difference is though, we'd had season after season of different types of stories and ideas. The creative teams had 'earned' the right to let their hair down when it came to the movies.

JJ's Trek does not have that luxury and as such feels superficial.


Huh? I don't get this at all. Why do you have to "earn" the right to make a fun, entertaining movie? Either the movie works or it doesn't work. Whether the filmmakers had "earned" enough Star Trek street cred doesn't make a bit of difference with regards to the finished product. All that matters is what's up on the screen.

And, just to belabor the point, did Harve Bennett and Nicholas Meyer have to "earn" the right to make THE WRATH OF KHAN? Or maybe they just knew how to make what is still the best Trek movie to date . . . .
 
Star Trek has rarely been original to those who know their sci-fi. It's all about the execution and the execution in TMP is superlative.
No its plodding and slow and tries to wow with SFX to make up for a weak storyline.

What SF ideas were explored in TMP?
I've discovered that it is impossible to watch sober. I'm convinced that if you removed all the spaceship porn it would be roughly 20 minutes of people looking at things.


You'd hate Fringe then. It deals a lot with alternate universes and differences in the characters. It isn't like they're the evil universe, just different. So they are just as developed as the version you've been following so far. They just went through slightly different experiences. With Fringe you get to see the cast may multiple versions of what is supposed to be the same person, displaying their range and making the storyline interesting because you don't always know how some characters will actually behave.

Well I found the aspects of time travel, alternate universes with familiar yet different versions of characters and the characters knowing that they are branch of another timeline and that their lives were radically altered by a single event. Yet, they all seem to come together as if despite the different pasts, there is a certain fate for those characters. Kirk is meant to be captain, Pike is meant to be injured and Spock is meant to work with Kirk and eventually become Kirk's friend. You also have Spock dealing with the near extinction of his people as well as the personal trauma of seeing his mother killed in front of him.

I'm fairly sure those were ideas.
You know how the movie felt, a little--anyone that's into anime will know what I mean, one of those anime movies that condenses down and retells the story of the series but in a 2 or 3 hours movie instead of multiple episodes. It was Do You Remember Love (not as good mind you), the same concept: Condense and retell the series in a movie format.
Not really, it was a self contained and original story. Something that was nice in comparison to all TNG movies which were stretched out episodes that should have been resolved 30 minutes in.

I got the feeling we got the condense version of Kirk's life. As if in the original timeline--minus Vulcan getting sucked into a intergalactic hoover--the same events would have played out on a longer scale. This wasn't retelling TOS, so much as hitting the important background notes, and then moving on.
 
No its plodding and slow and tries to wow with SFX to make up for a weak storyline.

What SF ideas were explored in TMP?
I've discovered that it is impossible to watch sober. I'm convinced that if you removed all the spaceship porn it would be roughly 20 minutes of people looking at things.


You'd hate Fringe then. It deals a lot with alternate universes and differences in the characters. It isn't like they're the evil universe, just different. So they are just as developed as the version you've been following so far. They just went through slightly different experiences. With Fringe you get to see the cast may multiple versions of what is supposed to be the same person, displaying their range and making the storyline interesting because you don't always know how some characters will actually behave.

You know how the movie felt, a little--anyone that's into anime will know what I mean, one of those anime movies that condenses down and retells the story of the series but in a 2 or 3 hours movie instead of multiple episodes. It was Do You Remember Love (not as good mind you), the same concept: Condense and retell the series in a movie format.
Not really, it was a self contained and original story. Something that was nice in comparison to all TNG movies which were stretched out episodes that should have been resolved 30 minutes in.

I got the feeling we got the condense version of Kirk's life. As if in the original timeline--minus Vulcan getting sucked into a intergalactic hoover--the same events would have played out on a longer scale. This wasn't retelling TOS, so much as hitting the important background notes, and then moving on.
I can see that. To me it was a little like the beginning of Star Wars. We meet Luke before he discovers his destiny and get a glimpse of his life. The movie actually follows some of those beats. There is even that shot of Luke watching the setting suns imagining his future which is similar to Kirk seeing the Enterprise being constructed while imagining a future in Starfleet. I can forgive them skipping nearly all of his time at the Academy because it would have turned in space Harry Potter without the interesting bits. So we get to see him cheat on the Kobayashi Maru test, which provides conflict between him and Spock. If they had decided to make them BFFs from the start, they probably would have never shown it all.
 
I've discovered that it is impossible to watch sober. I'm convinced that if you removed all the spaceship porn it would be roughly 20 minutes of people looking at things.


You'd hate Fringe then. It deals a lot with alternate universes and differences in the characters. It isn't like they're the evil universe, just different. So they are just as developed as the version you've been following so far. They just went through slightly different experiences. With Fringe you get to see the cast may multiple versions of what is supposed to be the same person, displaying their range and making the storyline interesting because you don't always know how some characters will actually behave.


Not really, it was a self contained and original story. Something that was nice in comparison to all TNG movies which were stretched out episodes that should have been resolved 30 minutes in.

I got the feeling we got the condense version of Kirk's life. As if in the original timeline--minus Vulcan getting sucked into a intergalactic hoover--the same events would have played out on a longer scale. This wasn't retelling TOS, so much as hitting the important background notes, and then moving on.
I can see that. To me it was a little like the beginning of Star Wars. We meet Luke before he discovers his destiny and get a glimpse of his life. The movie actually follows some of those beats. There is even that shot of Luke watching the setting suns imagining his future which is similar to Kirk seeing the Enterprise being constructed while imagining a future in Starfleet. I can forgive them skipping nearly all of his time at the Academy because it would have turned in space Harry Potter without the interesting bits. So we get to see him cheat on the Kobayashi Maru test, which provides conflict between him and Spock. If they had decided to make them BFFs from the start, they probably would have never shown it all.

I think you hit on something: The reason it feels--for me at least--like TOS condensed is that we already have a history with these characters. With Star Wars, it was an all new character and franchise and part of the story was the audience going along with him on his adventure. I think '09 balance both aspects well enough.
 
Did Star Trek need a reboot? This is the same question I posed many months ago. The answer? Truthfully, no. I also don't believe that anyone can justly argue against the answer of no. Here's why...I'm sure that there are writers out there that could come up with many, many new and exciting stories set in the prime timeline. I'm sure there are also producers and directors that could have taken Trek into new and exciting eras, all the while staying in the prime timeline, be it before Star Trek Enterprise, after Star Trek Nemesis and everything else in between. With all that said, the reboot did work in resurrecting a stale franchise. It gives Trek the ability to do new and different things that they might not have been able to do in the prime timeline. I'm not against a reboot at all, but I know, and I think everyone else could admit that given the right circumstances, writers, ideas, etc...there could have been many, many great stories and such told in the prime timeline that would have pumped new and exciting life into the Trek franchise. I also don't buy the argument that sticking to continuity would be a bad thing in making Trek exciting again. Let's be honest, the current Trek movies are sticking to certain continuities even now and that's not at all a bad thing. I think that if they had made more Trek in the prime timeline, the best idea would have been to move forward past the TNG era. Even in a timeline past the TNG era, certain continuities didn't necessarily have to be mentioned or written about. For example....let's say a version of Trek set 80 years after the TNG era was made and the story was about future Klingons who have denounced their warrior ways and embraced something like...let's say kindness and helping others. With that said, do we really need to mention anything about how many centuries ago, Klingons at one point had no ridges due to an attempt at genetic engineering? I just believe that given all the correct circumstances, Star Trek has a lot of life left in it, without having a reboot, but as I've said before, I'm not against it, and the reboot has worked and I enjoy the re-imagined Trek just as much.
 
Did Star Trek need a reboot? This is the same question I posed many months ago. The answer? Truthfully, no. I also don't believe that anyone can justly argue against the answer of no.

You are by no means speaking for everyone . . . as the five zillion threads arguing this point suggest. Lots of us think a reboot was the right way to go, as we've "justly" argued until we're blue in the face. (Insert Andorian joke here.)

Do we know that sticking to the same continuity would work just as well? Not necessarily. Are there definite advantages to starting over again? So it would seem.

Besides, you seem to be working on the assumption that reboots are a bad thing to be avoided at all costs. That's also not necessarily the case. Reboots worked for BSG, for Batman, for Planet of the Apes, for The Addams Family, for Sherlock Holmes (three times recently!) . . . .

Granted, not all reboots works (Dark Shadows and The Night Stalker come to mind), but there's nothing wrong with the theory in practice. The Night Stalker reboot failed because it was done badly, not because it was trampling on the sacred memory of Dan Curtis or Darren McGavin or whatever. Or because it "violated" the continuity of the earlier version.

Preserving the "canon" of previous decades is not the be-all and end-all of storytelling. It makes for fun trivia contests, but not necessarily better movies . . . .

Trek was arguably overdue for a reboot . . . and where's the harm in that?
 
Did Star Trek need a reboot? This is the same question I posed many months ago. The answer? Truthfully, no. I also don't believe that anyone can justly argue against the answer of no.

You are by no means speaking for everyone . . . as the five zillion threads arguing this point suggest. Lots of us think a reboot was the right way to go, as we've "justly" argued until we're blue in the face. (Insert Andorian joke here.)

Do we know that sticking to the same continuity would work just as well? Not necessarily. Are there definite advantages to starting over again? So it would seem.

Besides, you seem to be working on the assumption that reboots are a bad thing to be avoided at all costs. That's also not necessarily the case. Reboots worked for BSG, for Batman, for Planet of the Apes, for The Addams Family, for Sherlock Holmes (three times recently!) . . . .

Granted, not all reboots works (Dark Shadows and The Night Stalker come to mind), but there's nothing wrong with the theory in practice. The Night Stalker reboot failed because it was done badly, not because it was trampling on the sacred memory of Dan Curtis or Darren McGavin or whatever. Or because it "violated" the continuity of the earlier version.

Preserving the "canon" of previous decades is not the be-all and end-all of storytelling. It makes for fun trivia contests, but not necessarily better movies . . . .

Trek was arguably overdue for a reboot . . . and where's the harm in that?

Well obviously I'm speaking for myself, but I'm not saying that a reboot is a bad thing at all. I have no problem with a reboot. It worked. But was it NEEDED? Meaning nothing else would have worked to put some energy back into this franchise? Again, please understand and remember what I'm saying...I have no problem with the reboot. I enjoy it. I like it. IT WORKED and I'm all for that, but I think given the right people, right place, right time, right circumstances, a prime timeline story, saga, series, or what ever could have worked as well. That's all I'm saying. I mean can you or anyone else say that no matter what, a prime timeline movie, series, etc...couldn't have worked at all?? But again, I love the reboot and I have no problem with it and most of all... it was the right move and IT WORKED. :)
 
Did Star Trek need a reboot? This is the same question I posed many months ago. The answer? Truthfully, no. I also don't believe that anyone can justly argue against the answer of no.

You are by no means speaking for everyone . . . as the five zillion threads arguing this point suggest. Lots of us think a reboot was the right way to go, as we've "justly" argued until we're blue in the face. (Insert Andorian joke here.)

Do we know that sticking to the same continuity would work just as well? Not necessarily. Are there definite advantages to starting over again? So it would seem.

Besides, you seem to be working on the assumption that reboots are a bad thing to be avoided at all costs. That's also not necessarily the case. Reboots worked for BSG, for Batman, for Planet of the Apes, for The Addams Family, for Sherlock Holmes (three times recently!) . . . .

Granted, not all reboots works (Dark Shadows and The Night Stalker come to mind), but there's nothing wrong with the theory in practice. The Night Stalker reboot failed because it was done badly, not because it was trampling on the sacred memory of Dan Curtis or Darren McGavin or whatever. Or because it "violated" the continuity of the earlier version.

Preserving the "canon" of previous decades is not the be-all and end-all of storytelling. It makes for fun trivia contests, but not necessarily better movies . . . .

Trek was arguably overdue for a reboot . . . and where's the harm in that?
Well for starters, there might be two correct answers to a trivia question now!!!!!!!:klingon::scream::mad:

;)
 
Trek was arguably overdue for a reboot . . . and where's the harm in that?
It was the only way to even make it interesting. As far as I know, no other franchise has to hire people to research its own fictional history so they don't contradict anything. It's a rich history and full of detail, but at a certain point it becomes a prison and the number of interesting stories become limited.

A part of me thinks that a series set in the prime universe's future could work. Maybe have the Federation collapse or focus more on alien races, but it really wouldn't be Star Trek anymore. The series was at it's best when it was humanity dealing with something, but never letting our worst aspects control us.
 
As someone who saw TOS first run (I was 6); and grew up with it in syndication, my reply:

Yes.

Why:

1) TNG and the 24th century era Star Trek was too reconned from the original series; and the creative staff for that era ran out of steam. I also think that TNG era Star Trek was missing MANY elements that made the original series so good.

2) The original TOS actors were just too old to continue; and there was in fact A LOT of baggage with Trek's 'Prime Universe.'

Thus, I had no issues with and was happy to embrace a reboot with Kirk, Spock, and McCoy (and the original Star trek era) effectively revitalized.

YMMV.
 
To answer the question. Did it need a reboot? No. Did it work? Yes.

They could make a new TV series post Nemesis if they wanted. They could make a damn good one. Bring in real Sci-Fi writers, do whatever you want. You wouldn't need a gimmick. Shit...have season one be the voyages of The Enterprise-E commanded by Picard, and then kill him. WHAM!

Get real writers (and a producer) GD so the show hits the ground running and we don't have to mess with anymore of this 'finding their feet nonsense'.

Edit: By gimmick (rereading i see killing Picard after one season could be called a gimmick) I mean the premise is to boldly go where no man has gone before. Not, "Cadet years" or "Delta Quadrant"..no bloody a,b,c,d or nil. Just E.
 
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How about the new direction of all the characters not standing around chattering superficially but at length about alleged Big Ideas while boring the audience to tears?

That's certainly been an improvement. :cool:

Well, I guess you only watch Star Trek for the pictures. ;)

I think you hit on something: The reason it feels--for me at least--like TOS condensed is that we already have a history with these characters.

Yes, with all those Easter eggs and whatnot, it is a kind of Reader's Digest Trek, but excluding the most important bit: A sense of optimism based on a better, though not overly idealist view of the future.

...
Besides, you seem to be working on the assumption that reboots are a bad thing to be avoided at all costs.
...
Trek was arguably overdue for a reboot . . . and where's the harm in that?

A good question. A reboot, by it very nature, emphasises that what we are looking at is just a commodity, like an updated version of brand X washing powder. It takes away the alot of the idea that this is something of value with it's own internal history. Indeed something pretty rare, given it's longevity. From that point of view, what they actually did was one of the writer’s better choices IMO, with no real down-side (if you believe it is worthy of the name). Of course to take advantage of that we would have to stop pretending that it is a reboot. It isn’t, even though it accomplishes many of the same goals. The causal connection (in universe) prevents it from being one, of course.

Yes, I know people will keep calling it a reboot. That's just too convenient a word, and I doubt there's another one.


A part of me thinks that a series set in the prime universe's future could work. Maybe have the Federation collapse or focus more on alien races, but it really wouldn't be Star Trek anymore. The series was at it's best when it was humanity dealing with something, but never letting our worst aspects control us.

And yet I have read people claim TNG didn't make enough references to TOS. Without computers a little fact checking could have been a pain, but it should be pretty easy nowadays, especially if your future is 100 years along from TNG.

Oh and maybe we could compare notes on why something might not be Star Trek any more (see above). :p
 
If people want an exploration of sci-fi ideas don't look for it in a Star Trek movie or in just about any mainstream sci-fi movie but instead pick up a novel by Alastair Reynolds, Iain Banks or Asimov and other writers. And maybe some Star Trek novels as well. It's easier to explore these ideas in print. Film is too much of a visual medium to do it effectively (though I'm sure some of you can come up with movies that do). Star Trek especially TOS was about telling cool action adventure (and the occasional comedy) storylines with some superficial ideas thrown in to the mix to give it some substance.
 
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