I remember that episode.The 25 percentiverse
I remember that episode.The 25 percentiverse
One of the most annoying and infuriating stories one of the ENT writers told was of the transporter accident in "Strange New World" that fuses rocks, twigs and leaves to the body of Crewman Novokavich and almost kills him. The show's producers wanted to show that early transporters could be dangerous and they wanted to kill somebody off to demonstrate how scary they could be during this timeframe. The network in no uncertain terms told the producers and writers that no, the transporter works just fine. Nobody is going to get killed by it. The writers disagreed strongly, thinking that the whole point of a prequel series set at the dawn of the Star Trek universe we know and love is to show how dangerous and unpredictable exploration and technology were at that point in history, and having a crewman die in a transporter accident would be a way to show that to the audience and up the stakes.
Nope, the suits told them. It works just fine. UPN just didn't care or didn't understand or both.
I'm starting to think this is what Discovery will be remembered forThe 25 percentiverse
Not Klingon genitalia?I'm starting to think this is what Discovery will be remembered for![]()
Not Klingon genitalia?
Trust me, when it comes to the inevitable "is series VIII canon?" threads in 2021, people are gonna be talking about Discovery's 25 percent.Not Klingon genitalia?
Not Spock's sister?
Not Spore drive?
Not Fidget spinner class?
Trust me, when it comes to the inevitable "is series VIII canon?" threads in 2021, people are gonna be talking about Discovery's 25 percent.
Well I kind have (personally) felt it's shut me up a bit, lol. They've basically said they're in the timeline but have had to 'tweak' it here and there. They're owning it!Sadly, despite what I say about seeing the 25% as a gift, I think too many people will boil DSC down to nothing but a number when the time comes. Instead of seeing it as a way to give DSC more freedom, they'll use it as an(other) excuse to dismiss it and any other series that would spin off from it.
CBS deny this.maybe the ownership of trek should come back under 1 roof. then there won't have to legally be a 25% difference rule, which proves to me that STD is actually 25% alternate timeline probably caused by the Kelvin timeline, or is a Kelvin 2.0 timeline..
Sadly, despite what I say about seeing the 25% as a gift, I think too many people will boil DSC down to nothing but a number when the time comes. Instead of seeing it as a way to give DSC more freedom, they'll use it as an(other) excuse to dismiss it and any other series that would spin off from it.
I see the 25% as a gift. The only good thing to come out of the legalese is that whenever someone says "But that contradicts this!", then I can hand-wave the differences as being part of the 25%.
Or, to paraphrase Garak, "You got what you wanted: a way out of arguments about the nitty-gritty details of Canon. You'll be able to explain away any differences you see between Discovery and earlier Trek and all it cost was it having to be at least 25% different. I don't know about you, but I call that a bargain."
I know a deal when I see one, and I'll take it.
A gift? Seriously? Spock's half sister who is human? Klingon genitals? The Spore drive? Canon? You must be joking? really?
I think the argument that you couldn't have artistic freedom in doing a TREK series set in the future, and instead have to rewrite the past because of the 25% rule, is rubbish.
maybe the ownership of trek should come back under 1 roof. then there won't have to legally be a 25% difference rule, which proves to me that STD is actually 25% alternate timeline probably caused by the Kelvin timeline, or is a Kelvin 2.0 timeline..
Now I'm glad I decided to wait a bit until I comment on the 25% thing
“Back in April of 2017 the task of the Enterprise making an appearance came to be and work was to start right away,” Eaves explained (with some of the grammar modified for readability). “The task started with the guideline that the Enterprise for Discovery had to be 25% different, otherwise production would have most likely been able to use the original design from the 60's. But that couldn’t happen so we took Jefferies’ original concepts and with great care tried to be as faithful as possible. We had the advantage of a ten-year gap in Trek history to retro the ship a bit with elements that could be removed and replaced somewhere in the time frame of Discovery and the Original series.”
That guideline, apparently, came from legal, as Eaves went on to explain in a comment below the main post.
“After Enterprise, properties of Star Trek ownership changed hands and was divided,, so what was able to cross TV shows up to that point changed and a lot of the crossover was no longer allowed,” he said. “That is why when JJ [Abrams]’s movie came along everything had to be different. The alternate universe concept was what really made that movie happen in a way as to not cross the new boundaries and give Trek a new footing to continue.”
CBS TV Studios does, in fact, have the right to use the U.S.S. Enterprise ship design from the past TV series, and are not legally required to make changes. The changes in the ship design [for ‘Discovery’] were creative ones, made to utilize 2018’s VFX technology.
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