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Poll Do you consider Discovery to truly be in the Prime Timeline at this point?

Is it?

  • Yes, that's the official word and it still fits

    Votes: 194 44.7%
  • Yes, but it's borderline at this point

    Votes: 44 10.1%
  • No, there's just too many inconsistencies

    Votes: 147 33.9%
  • I don't care about continuity, just the show's quality

    Votes: 49 11.3%

  • Total voters
    434
Here is the problem, you don't have to dumb everything down to absolute garbage to make it popular, this argument has NEVER held true because intelligent science fiction has always been popular. One of the most popular shows is Black Mirror which is vastly more intellegent than Discovery, The Expanse is massively popular, good science fiction movies are very popular, in fact movies like The Martian or Arrival pulled more money in than the Kelvin films.
Ok, if we can't even use facts, this is not an argument worth having. The Expanse is popular AMONG SCIFI fans, but its ratings are anemic at best and is looking like a long shot for season 4 renewal. If it does get renewed, it will be because SyFy likes it as a prestige show and is willing to overlook low ratings. https://www.wired.com/2017/03/geeks-guide-the-expanse-2/ The Arrival made $100 domestic, $102 million foreign for $202 million total. Star Trek (2009) made more than that just in the US ($257 million), and Beyond (the weakest performer) made $158 million domestic and $184 million foreign. The Martian I'll give you foreign, but domestically Star Trek (2009) beat it by about $30 million. SciFi fans like intelligent science fiction, but the broader audience (unfortunately) generally does not, and science fiction is expensive to produce so it NEEDS a broader audience to make it worth while.
 
The Expanse is massively popular
The Expanse is massively dumbed down compared to its source material, and what hasn't been dumbed down has been left unexplained.

The idea that an actual Star Trek show wouldn't be popular, in an era where Science Fiction is actually on the upwards, doesn't hold water to me at all, all the evidence is stacked against the argument.
You literally just argued against it yourself. Discovery is an actual Star Trek show, and you're trying to claim it's less popular than other shows?

Franchise fatigue I believe is really what killed Star Trek in the end, but it's been over a decade since ENT and The Orville shows people want Star Trek again.
So does Discovery. The thing is, what the Orville shows is that there's always a market for more of the same. Star Trek isn't a live performance; if you want to see what it's already done before, you can watch reruns.

Discovery is an attempt to explore what ELSE Star Trek can do that it hasn't already done before. If it works, they'll do it again in a 2nd, 3rd and 4th season. If it doesn't work or if it stops working, they'll stop making new ones, and then the next series will come up with something brand new for you to hate.
 
The Expanse is popular AMONG SCIFI fans, but its ratings are anemic at best and is looking like a long shot for season 4 renewal. If it does get renewed, it will be because SyFy likes it as a prestige show and is willing to overlook low ratings. ... SciFi fans like intelligent science fiction, but the broader audience (unfortunately) generally does not, and science fiction is expensive to produce so it NEEDS a broader audience to make it worth while.
So to hell with the broader audience. I'm not a CBS executive or investor; I couldn't care less if Star Trek is a "tentpole" or "franchise" or the "family jewels" (as Moonves put it). All I want is intelligent science fiction. It doesn't need to be expensive to produce; any show or film only "needs" to be expensive if you want to attract a mass audience with flash and spectacle. Invest in better writing instead. Let it be a prestige product for a niche audience. Why would any fan of the show have a problem with that?

It's cool when something is both popular and good. (Like, say, the early seasons of GoT.) But if I have to choose between the two, I'll take quality every time, and ditch popularity.
 
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So to hell with the broader audience. I'm not a CBS executive or investor; I couldn't care less if Star Trek is a "tentpole" or "franchise" or the "family jewels" (as Moonves put it). All I want is intelligent science fiction. It doesn't need to be expensive to produce; any show or film only "needs" to be expensive if you want to attract a mass audience with flash and spectacle. Invest in better writing instead. Let it be a prestige product for a niche audience. Why would any fan of the show have a problem with that?

It's cool when something is both popular and good. (Like, say, the early seasons of GoT.) But if I have to choose between the two, I'll take quality every time, and ditch popularity.
While I certainly agree with the argument that the writing is what matters most in terms of quality, I can't personally convince myself that Star Trek is some exception to the rules of TV production. CBS invests money in Star Trek and wants it to be profitable. If I owned a stake in the franchise, I'd want it to be profitable too. I just think that profitability and high quality aren't irreconcilable.
 
So to hell with the broader audience. I'm not a CBS executive or investor; I couldn't care less if Star Trek is a "tentpole" or "franchise" or the "family jewels" (as Moonves put it). All I want is intelligent science fiction. It doesn't need to be expensive to produce; any show or film only "needs" to be expensive if you want to attract a mass audience with flash and spectacle. Invest in better writing instead. Let it be a prestige product for a niche audience. Why would any fan of the show have a problem with that?

It's cool when something is both popular and good. (Like, say, the early seasons of GoT.) But if I have to choose between the two, I'll take quality every time, and ditch popularity.
Well, I would love to live in a world where financial considerations do not affect the creation of art, but unfortunately that is not the world we live in. Whether YOU care about it or not, those who actually create these things do. And thus the actual existence of these things is predicated on their ability to make money. IE, if you enjoy this genre, and you want to see more of it, you have to be prepared that it has to appeal to a broader audience, or else like the Expanse (which I love), or Farscape, or any of a billion cancelled properties it will go away. You seem to be saying "I would rather have nothing than something not completely up to my standards, and screw the studios and their desire to make money!" If that is the case, I hope you enjoy the lack of material you get.
 
...If I owned a stake in the franchise, I'd want it to be profitable too. I just think that profitability and high quality aren't irreconcilable.
I completely agree that they're not. If we take EnderAKH's thesis at face value, though, they would have to be. His proposition is that SF is inherently expensive to make (for some reason), and because it's expensive it requires a broad audience to make a profit, and broader audiences don't like intelligent SF, so (QED) we are doomed not to get intelligent SF on TV. I reject his premises, and therefore reject his conclusion.

...the actual existence of these things is predicated on their ability to make money. IE, if you enjoy this genre, and you want to see more of it, you have to be prepared that it has to appeal to a broader audience, or else like the Expanse (which I love), or Farscape, or any of a billion cancelled properties it will go away. You seem to be saying "I would rather have nothing than something not completely up to my standards, and screw the studios and their desire to make money!" If that is the case, I hope you enjoy the lack of material you get.
It's not an all-or-nothing choice. Shows like The Expanse (or pick your favorite) do exist, after all. And every show gets cancelled eventually, no matter what. So even accepting your premises arguendo, the real choice at hand is between fewer seasons of a high-quality show, or more seasons of a lower-quality show. I'll take the former, thank you very much! Let it go away sooner and leave us wanting more, rather than running itself down to the point we want it to go away.
 
While I certainly agree with the argument that the writing is what matters most in terms of quality, I can't personally convince myself that Star Trek is some exception to the rules of TV production. CBS invests money in Star Trek and wants it to be profitable. If I owned a stake in the franchise, I'd want it to be profitable too. I just think that profitability and high quality aren't irreconcilable.
Same here. Money is not some great evil that works against the artistic process the way it often gets portrayed. Money is a real consisderation, and studios have to take it in to account or just fail.

To say that production teams should just shoot for quaility and not popoularity undermines the value of what studios are trying to do which is make their product worth their while. I have friends in Hollywood who do VFX work or work their rear ends off only for their work to be completely ignored and out that time and money. I have friends who wanted to get in to film production, only to realize that they couldn't make enough money to pay rent.

Money is a harsh reality which means, currently, there exists a balance between the quality of work put out and the amount of money studios are willing to put in to it and expect in return.

As a fan, I don't have an appreciation for that cost. If I were running it, I wouldn't care if my studio ran in to the red as long as I produced the show I wanted to do. But, I couldn't keep that going-not for long, any way.
 
Money is not some great evil that works against the artistic process the way it often gets portrayed...
It is to the extent you accept the premise that some critical mass of the audience always prefers expensive-looking productions to well-written productions. I think that premise is a vast overgeneralization, however.
 
It is to the extent you accept the premise that some critical mass of the audience always prefers expensive-looking productions to well-written productions. I think that premise is a vast overgeneralization, however.
Perhaps, but science fiction is a genre that cannot rely on existing sets, props and costumes. Much has to be designed from the ground up and that requires money up front, no matter how you shake it. Just ask a VFX artist to do something for free and discvoer how frustrating that is for them.

It isn't just that people want "expensive looking" productions. Its that it takes time and effort to create these designs out of thin air and put them to screen. That takes money. And then, there will still be complaints about how "cheap" it looks.
 
So to hell with the broader audience. I'm not a CBS executive or investor; I couldn't care less if Star Trek is a "tentpole" or "franchise" or the "family jewels" (as Moonves put it). All I want is intelligent science fiction.
Then you need to stop watching TV. "Intelligent science fiction" is almost exclusively the purview of science fiction literature. TV adaptations are invariably massively oversimplified.

Star Trek is not, nor has it ever been, "intelligent science fiction." The TNG era dabbled with a PRETENSE of being intelligent by having its characters use very big words that were very hard to pronounce, but it's never actually been as smart as it pretends to be.

It's cool when something is both popular and good. (Like, say, the early seasons of GoT.) But if I have to choose between the two, I'll take quality every time, and ditch popularity.
Does the fact that the majority of Discovery's fans have very few problems with its writing overall mean nothing at all to you?
 
It's not an all-or-nothing choice. Shows like The Expanse (or pick your favorite) do exist, after all.
Yes, and The Expanse had to make HUGE compromises to its original premise, storytelling and design in order to sell itself to a TV audience. They have done some things that were patently retarded just to take an otherwise esoteric and complex plot point and dumb it down for mass audiences (Alex slingshotting through the moons of Jupiter is the most gregarious by far; a maneuver that by all rights should take about 6 months is compressed to about 45 seconds). The battle of the ring station, which is easily the coolest thing i have ever seen in a science fiction show, was also massively simplified down from its depiction in the novels. The attack on the Donnager was a lot more true to the source material, and it wasn't nearly as exciting to watch.

This for a show that even YOU recognize as well written and (relatively) intelligent, and they still take some pretty hilarious liberties with basic physics.

Let it go away sooner and leave us wanting more, rather than running itself down to the point we want it to go away.
I offer you a counter proposal: let the people who don't like it go away sooner and leave us to enjoy the show, rather than ruining it for those of us who DON'T want it to go away.
 
Then you need to stop watching TV. "Intelligent science fiction" is almost exclusively the purview of science fiction literature...
No, I just need to stop watching things that I think suck. Which, as a general rule, I do. And of course I read a lot of prose SF; always have.

Star Trek is not, nor has it ever been, "intelligent science fiction."
I emphatically disagree. And I'm not talking TNG here, I'm talking TOS.

Does the fact that the majority of Discovery's fans have very few problems with its writing overall mean nothing at all to you?
First of all, you have no empirical basis for that statement. Second, there's a difference between "fans" and "viewers," and specifying the former would be a biased sample. Third, even if this were actually true... no, of course not! Why should it mean anything to me? The central point of my statement above was that I do not base my aesthetic judgments on whether something is popular with others. (If I did, I'd spend my time watching sports and reality shows, for heaven's sake.)
 
First of all, you have no empirical basis for that statement. Second, there's a difference between "fans" and "viewers," and specifying the former would be a biased sample. Third, even if this were actually true... no, of course not! Why should it mean anything to me? The central point of my statement above was that I do not base my aesthetic judgments on whether something is popular with others. (If I did, I'd spend my time watching sports and reality shows, for heaven's sake.)

Then why is this a point of discussion if what others think means nothing?:shrug:
 
What others think means a lot... if they can express the reasons for their judgments in a way that helps others understand them and, perhaps, revise their own thinking. That's what makes discussion forums like this interesting. What others think doesn't mean anything, on the other hand, when it's merely tabulated in terms of numbers. I don't care how many people think Sunday Night Football or NCIS are the bees' knees, I'm not going to change my opinion of them just because they're popular.
 
No, I just need to stop watching things that I think suck.
Yes. Yes you do.

When can you start?

I emphatically disagree. And I'm not talking TNG here, I'm talking TOS.
Well isn't that special?
:shrug:

First of all, you have no empirical basis for that statement.
Dude, we've had polls on this forum for literally every episode of Discovery so far. Over 60% of responses rated discovery as 7/10 or better. A handful of episodes (Vaulting Ambition) had 40% of respondents give it a 10/10.

Say what you want about the validity of the polls or the opinions of posters here... but the polls ARE empirical evidence, and they demonstrate pretty clearly that your negativity is not universally shared, nor is it the majority opinion.

Second, there's a difference between "fans" and "viewers," and specifying the former would be a biased sample.
It's the sample we have, which is why I pointed it out.

I again offer you a counter-proposal: where is YOUR empirical evidence that the majority of viewers hate Discovery as much as you do?
 
What others think means a lot... if they can express the reasons for their judgments in a way that helps others understand them and, perhaps, revise their own thinking.
An opinion that you cannot justify isn't invalid, and just because you believe something you cannot prove doesn't mean you're wrong. The moment you attempt to add validity to your opinion by manufacturing reasons, you have stopped sharing your opinions and beliefs and have entered the realm of "bullshit." Likewise, the moment someone tells you that not being able to convince THEM of your opinion invalidates yours, they too are engaging in the art of bullshit.

That's what makes discussion forums like this interesting. What others think doesn't mean anything, on the other hand, when it's merely tabulated in terms of numbers. I don't care how many people think Sunday Night Football or NCIS are the bees' knees, I'm not going to change my opinion of them just because they're popular.

This seems like a rhetorical levitation trick at this point. On the one foot, you're saying that personal judgements are meaningful as long as you can give supporting reasons for them that might convince others. On the other foot, you're basically saying that objective measures of judging the quality of a show (critical review, viewer satisfaction, viewer retention, etc) don't actually matter. You can't do both of these things at the same time.

How can you actually argue for or against the quality of a TV show if the only evidence that matters is whether or not YOU decide it does?
 
Dude, we've had polls on this forum for literally every episode of Discovery so far. ... Say what you want about the validity of the polls or the opinions of posters here... but the polls ARE empirical evidence, and they demonstrate pretty clearly that your negativity is not universally shared, nor is it the majority opinion.
Okay, here's what I'll say about them: they are not empirical evidence, not even a little bit, for your assertion that "the majority of Discovery's fans have very few problems with its writing overall." A poll in these forums isn't remotely close to a scientific sample of the show's viewers, or even of fans. It is evidentially worthless.

Beyond that, I'm not sure what "negativity" you're accusing me of. I've posted any number of complimentary things about the show on these forums over the course of its run, and the critical things I've posted have consistently been measured statements backed up with examples and explanations. I don't whine, I don't rant, and I don't have an axe to grind here.

where is YOUR empirical evidence that the majority of viewers hate Discovery as much as you do?
And when did you stop beating your wife? Seriously, what makes you think I hate the show? Why are you trying to make me defend a straw-man position?

Summing up? I think the show has some good designs (e.g., the engineering set) and some bad designs (e.g., the Klingons). I think it has serviceable special effects. I think it's had some very solid acting. I think the writing has been very uneven, but there have been definite good episodes ("Lethe," "Magic," and "Into the Forest" especially stand out), and on average it's probably a better first season than any other Trek spinoff has managed. I also think the show unfortunately peaked mid-season, before the break, and the writing has been on the downslide ever since; in particular I think it jumped the shark with Lorca's heel turn in episode 13, and the season finale was a narrative asspull of ridiculous proportions. Still and all, I think the show has potential — much of it as yet unrealized — that makes me cautiously hopeful about the second season.

Where do you get hatred out of that? The worst Trek show out there was VOY, and I don't even hate that; I'm merely indifferent to it, to the extent that I've never watched most of its run and likely never will. (FWIW, the only Trek material I actively loathe is the two Abrams movies.)

An opinion that you cannot justify isn't invalid...
Yes, it fucking well is. As Harlan Ellison famously put it, "You are not entitled to your opinion. You are entitled to your informed opinion. No one is entitled to be ignorant."

....and just because you believe something you cannot prove doesn't mean you're wrong.
Yes, it fucking well does. Believing something in the absence of evidence is pretty much a defining characteristic of irrationality.

On the one foot, you're saying that personal judgements are meaningful as long as you can give supporting reasons for them that might convince others.
Yes, of course. That's what the art of criticism is all about.

On the other foot, you're basically saying that objective measures of judging the quality of a show (critical review, viewer satisfaction, viewer retention, etc) don't actually matter.
On this point the discussion was about ratings—and nonexistent viewer surveys—not "critical review." (That falls in the category just above.) Surely you don't think anyone has ever proposed that ratings provide "objective measures of judging the quality of a show"? The very notion is absurd! They're a measure of popularity, not quality. The two are not interchangeable, and no reasonable person thinks they are.
 
As Harlan Ellison famously put it, "You are not entitled to your opinion. You are entitled to your informed opinion. No one is entitled to be ignorant."
You’re both wrong. Anyone is entitled to any opinion—ignorant or not. There exists no obligation for anyone to be “informed” in order to express an opinion.

However, NO one’s opinion is entitled to be respected (not even Harlan’s—or yours [or mine, for that matter]). No matter how informed or expert it might be.
 
ENT didn't hit it's stride until Season 3, nor did TNG and DS9. VOY didn't achieve true greatness until Seven came onboard.

We can only hope that most of the problems of the show were freshman year bugs.
 
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