The Gorn was not manipulated when they slaughtered the entire colony of Cestus 3.
Finney was not an exaggeration. He faked his death to ruin his career and then moved to destroy an entire ship to exact revenge of Kirk.
I think one of the whole
points of "Arena" is that neither the Gorn nor the Federation were villainous; they were just defending competing interests.
And yeah, whoops, I was thinking of Finnegan, not Finney. Understandable mistake, I hope. Finney wasn't a villain either, though; he was a guy with an untreated mental health problem, and (frankly) mostly just an offscreen plot device to put Kirk's career in jeopardy.
Hmmm...I seem to recall mentioning the creators intent. That's weird, isn't it, since it fits the definition of "Word of God" and yet why would that be objectionable when I said it at the beginning?
I didn't mean to suggest anything was objectionable about it. I just honestly don't remember ever reading about any of the show's creators (Roddenberry or otherwise) saying the changed look was explained by "multiple species of Klingons." This was a commonplace fanon explanation, but nothing more, AFAIK. So if you're aware of something official, I'm genuinely curious as to when, where, and how this was stated.
Villains can be complex and interesting too (see "Khan"), it's just that half the time they AREN'T. And thank you for using the Jamie Lanister example, because this illustrates this perfectly: one of the first things Jamie Lannister does in GoT is push a ten year old boy out of a window; the second thing he does is try to kill Ned Stark for arresting his brother.
And yet, it's clear from the show (or book series) as a whole that Jaime is
not a villain; he's a complex character in his own rights, wrestling with conflicting motivations, on what appears to be a personal redemption arc.
The thing about "villains" is nobody EXPECTS them to be multi-dimensional or dynamic with complex motivations, because villains are supposed to be defeated, not reasoned with, not sympathized with. But film and literary history is FULL of people who are straight up villains who wind up having far more complex motivations in the end but still have to be defeated and destroyed just because they're too big of an asshole to ever see anyone else's point of view.
Yeah... even allowing for some occasional nods at giving them "complex motivations" (sadly too often just a tissue-thin veneer, at least in Hollywood product), this is a pretty solid definition of fictional villains. And it's why they're generally boring and disappointing, and a sign of lazy writing. (Not to mention teaching counter-productive moral lessons about real-world conflicts.) Someone who can only be defeated and destroyed, not talked to or reasoned with, is
much less interesting than the alternative.
(I will allow for occasional outlier exceptions here. IMHO Star Wars was much more interesting when Darth Vader was a completely black-hat villain, and got deadly boring when Lucas designed to turn the whole saga into a redemption arc for the character. But I think one of the reasons for this is that from the start, the SW reality has been a simplistic fantasyverse full of moral absolutes, not a place suitable for exploring any kind of sophisticated ethical conflicts.)
At any rate, even playing games with words, that means Discovery has had all of three villains in its first season, compared with (according to you) seven on TOS. Considering the smaller number of episodes in Discovery, Star Trek seems pretty consistent in this case.
I'm not trying to play "games with words" here; no sophistry intended. This whole sub-discussion started when Serveaux opined that the DSC Klingons were [emph. added]
"one-dimensional... here the treacherous power-hunfry villain, there the speechifying religious fanatic. No subtlety, no imagination, no depth of motivation or plausible cultural context,"
and fireproof78 responded,
"So, Star Trek vilians, with slightly different clothes. Got it."
I replied with the objection that this was unfair to Trek, which overall has seldom resorted to that kind of clichéd villain, and usually tries to tell stories involving more sophisticated motivations and challenges.
I'll stand by this. I can't claim that Trek has
never resorted to using villains with "no subtlety, no imagination, no depth of motivation," the kind that by your words "have to be defeated and destroyed just because they're too big of an asshole to ever see anyone else's point of view." But it's disappointing when it does happen, precisely because that's never been a central focus of the show, and at its best it has always aspired to more sophisticated storytelling.
(And no, the Keeper and Trelane and Kor and so forth don't qualify as this kind of simplistic villains, either. Nor do the Talosians or Gary Mitchell.)
A lot of those moments you cite from past Trek episodes were just one-offs. That's very different from trying to revive a Star Trek series strictly replicating the look of a 1960s set.
Again, a straw man. This is not what anyone has been suggesting. There is a vast range of alternatives between this, and the approach that DSC has taken so far.
Where Trek fans would find something like that endearing, many would just find hokey. I'm not slamming TOS when I say that, and if you can't understand that then I'm not sure what else to tell you.
Yeah, you really kinda are. Never mind any attempts to recapture the look or feel of TOS within a contemporary TV paradigm; there are people out there,
even some who consider themselves fans, who think of
the original show itself as "hokey," as inherently campy and cheesy. Fuck 'em, they're wrong.