I think the breaks are mainly because it airs on TV in Canada. They likely could just break at any moment if just CBS AA was the only factor.Because CBS All Access has commercials. Unless you pay for the commercial free tier.
This situation suggests the Canadian market has outsized influence, though, as it is the ONLY market in the world where it was broadcast...
As for the Canadian situation, I fully expect it's because the network it's being broadcast on (and owned by Bell Canada which does have a sizeable influence) bid the highest to have the rights to broadcast it and put it on their own streaming service. That's the only reason why it isn't also on Netflix for us like the rest of the International markets. The situation would very much be different otherwise.
Yes.How did Canada handle the 37-minute episode? More commercials?
How did Canada handle the 37-minute episode?
There's no doubt that this show will join all the previous Treks on regular TV. First-run syndication may be dead as far as scripted shows in the US, but second-run syndication has never been bigger, IMO. The edits on DIS would probably only be noticeable for those who had seen it first on CBSAA, otherwise it could seem as if the episodes were filmed that way for those that didn't.Discovery would not have been different at all. The episodes probably averaged 44-48 minutes. Most commercial breaks were planned, and the too-obscene-for-tv content accumulated probably accounts for <30 seconds of screentime.
I have a feeling this show was made to eventually air on TV, or at least to have that option left on the table.
Meh, those weekly ratings would be an indication of where less invested fans interest lies. I always remember having a ratings 'box'One of the reasons I'm glad DSC is on the internet in America is that Les Moonves has less to do with it. Not having to see those weekly ratings posts in the episode threads certainly doesn't suck, either. But the main reason is because the show can do storylines and character stuff that broadcast shows just can't. There are still some challenges with this, mainly because there are stil a fair number Trek fans who really don't want to see anything different in a Trek show.
But, just knowing there is the possibility of actually seeing something new each episode (because of streaming vs broadcast), is pretty exciting.
Sez who? Back in the mid-sixties there were WAY fewer one hour dramas and sitcoms being broadcast. There were even fewer GOOD one hour dramas and sitcoms. There were only 3 networks and even though those networks offered first run shows 7 days a week in some cases, there was still slim pickings in terms of quality compared to today. The number of screenwriters in Hollywood back then was probably miniscule compared to the number who are in Hollywood today, if for no other reason than there are so many more TV (or small screen) networks and shows.Moreover, in 1959 Hollywood was chock-full of talented writers who knew how to write one-off anthology stories; that's a distinctive kind of talent, and today it's a lot thinner on the ground.
I don't think the talent pool is an issue. Writing good stories that will engage people is the real issue. I thought Get Out was one of the most unique horror stories I've seen in many years, but remains to be seen if Peele can present a good TZ season. As for the comparison of a show you've never seen to a show you have, this is not unexpected.And to the extent that there is a talent pool to produce that kind of show and an audience to watch it... what exactly is special about a new TZ that, say, Black Mirror isn't already offering?
That's when you make up swear words, like Joss Whedon or nuBSG (shudders) or Farscape.I can just picture a really awkward dub edit where tilly say "that's really..frickin..cool." "That's right ensign. It is..frickin..cool." Someone should make on and post it to Youtube.
This is just wrong, just because Netflix dumps all episodes at once for their shows doesn't mean that this is the way a show is "designed for online viewing".If it was really supposed to be completely designed for online viewing, they wouldn't have released it episodically as well.
Frick is a real word... right?That's when you make up swear words, like Joss Whedon or nuBSG (shudders) or Farscape.
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