Agreed.
Why would he expend the effort, and per his own statements limit his storytelling, by doing that sort of thing? If you're going to say you're beholden to canon and also the non-canon, how did you just not make the latter canon anyway?
Besides which, he doesn't really distinguish between shows, books, and comics in his answer in the way you suggest. He lumps it all into fifty years of continuity.
Direct negation alone cannot possibly serve as a rational standard. It is fundamentally illogical to demand that there be proof of a negative. Otherwise no one can debate this:
That's wordplay. The Final Countdown doesn't contradict Star Trek but that's a far cry from being in continuity with it. To be in continuity means to be part of the story. I can write a story that seeks to maintain continuity with Star Trek, but it isn't in continuity, in a continuity, or whatever. It is a non-contradictory work *based on the canon I am seeking to follow*.
Kurtzman identifies the books and comics as *part of what he seeks to follow*.
If you're trying to maintain continuity with it, what is it to you? It's canon, that's what.
Looks like he defines them as being part of the continuity to me.
That's upside down. I don't care about the universes of the novels. Hell, each one was supposed to be its own, in my day. What's relevant here isn't how things downhill were, though, but how Kurtzman has now elevated them.