Shik said:Three pages & no mention of Riker's penchant for trying to ram through doors with his forehead (or, from S5 on, fivehead)? Tch.
I just want to know if the thing with the chairs is something HE normally does, or something that he decided Riker would do./\ Lol. Someone should question Frakes about his acting choices at the next con he's at. Be interesting to see what he says.![]()
I just want to know if the thing with the chairs is something HE normally does, or something that he decided Riker would do./\ Lol. Someone should question Frakes about his acting choices at the next con he's at. Be interesting to see what he says.![]()
TheGoodStuff said:I think, perhaps, some of you are somewhat over-analyzing this.![]()
"They" clearly being on your side of the pond....he is the 'cheeky chappy' as they say.
His smile isn't wry. It's smarmy.For me, Frakes is injecting as much charm and humour into the character as he can. Riker is supposed to be a bit brash, young, perhaps egotistical, sly, with a good heart and a wry smile.
His smile isn't wry. It's smarmy.For me, Frakes is injecting as much charm and humour into the character as he can. Riker is supposed to be a bit brash, young, perhaps egotistical, sly, with a good heart and a wry smile.
I wonder why the writers chose the trombone as his instrument of choice? Saxophones are certainly smarmier...maybe Frakes already knew how to play, or the trombone was somehow supposed to represent something Riker was missing?
I think Riker is more of a Kenny G type, he needs a perm and a soprano sax.
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