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DC Comics is doing new versions of The Flintstones, Johnny Quest, Scooby Doo, Wacky Races

Crossovers aren't going away any time soon either. Everybody's trying to make that "shared universe" buck - even if few producers are patient enough to do it the way Marvel did. This is the comic book version of DC trying to catch up.
 
Yes, DC did that with "Crisis on Infinite Earths" - and that messed so many titles up as far as I'm concerned! My favourite title, (the Legion of Super Heroes - now there was a team where adding new members - and occasionally removing others - really did work)! seemed to come off worse, with seemingly endless reboots, long, convoluted storylines which got nowhere fast, and increasingly "arty-farty" artwork. Some things just do not work together.
 
(As a note beforehand, I hate this quoting system, how it deletes nested quotes and only gives what you're directly quoting. Hates it precious.)

What stopped you? I was hooked after the first minute of the first show.

Lack of nostalgia in general for it (like with the Flintstones or Jetsons for example) combined with the, well, 60s-ish H-B animation nature of it.

It's an offhand spoof of Jonny Quest, with two cowardly sons who get in trouble every week and have to get saved by their loser scientist father and their insane bodyguard. And they're teenagers.

Ah, well... is funny? Could be funny?

That depends on the situation. Hadji's origin story starts with him saving Dr. Quest's life. Yes. Their publishers never stopped publishing them. That doesn't mean they're as popular now as they were in their heyday, and the age of the characters has jack to do with it.

Combining these. Generally the age of the kid makes certain roles/stories more believable or reasonable. And I'd be willing to bet the protagonists' age is absolutely a factor in why the Bobbsey Twins stories died out while the Nancy Drew/Hardy Boys continue.

As someone who spends all day with teenagers and young adults, allow me to tell you: No it isn't.

So do I, and I absolutely stand by my point.



And why would you not count the gargoyles? Brooklyn, Broadway, and Lexington absolutely had your standard teenager/young adult issues.
 
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You want a dark & gritty Space Ghost?

Try the Kelly & Olivetti DC mini-series.....

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In this article they talk about "The Impossibiles"

http://www.vulture.com/2016/04/future-quest-shaner-parker.html
With Buzz, the Impossibles, and Birdman, how have you updated those characters?
Parker: [...] The Impossibles, we go more into how they’re connected to the mysterious [character] Big D, [whom] they answer to, and their cover as a band, even though they’re being groomed as special agents with abilities. The world sees them as a novelty band that uses special effects, and that distracts from their powers. Big D is actually more concerned about keeping them out of mischief, but does hope they’ll prove to be world-class operatives one day. The main thing is, we keep the tone the same. We don’t really have anyone acting out of character. We took some liberties with Birdman because he generally just hung out in a volcano and talked to a big TV on the show. We’re playing a little close to the vest about his origins right now. What’s more interesting is to show that he’s kind of a relatable guy instead of the stoic figure you might expect.
 
H'mmm - thanks - I have in fact seen that article and I wonder how true to the originals they will actually be? I always liked the fact that their origins, connection to Big D, etc., were a mystery!! And adding Token Female Girl will hardly be keeping the tone the same, at least where The Impossibles are concerned.
 
Lack of nostalgia in general for it (like with the Flintstones or Jetsons for example) combined with the, well, 60s-ish H-B animation nature of it.

The limited animation was a compensation for the artwork, which was groundbreaking for H-B at the time. The only character with a cartoony design was Bandit, and all the artwork, foreground and background, contained an amazing amount of detail. It was actually the least H-B-ish of the toons H-B was putting out at the time.



Ah, well... is funny? Could be funny?

Only if you're one of those people who think you're twice as smart as anyone who isn't laughing.



Generally the age of the kid makes certain roles/stories more believable or reasonable.

I'm not saying Hadji "wrassled a bear when he was only three." The circumstances were believable enough.

And I'd be willing to bet the protagonists' age is absolutely a factor in why the Bobbsey Twins stories died out while the Nancy Drew/Hardy Boys continue.

A factor maybe, but not the overwhelming one.



So do I, and I absolutely stand by my point.

Then we agree to disagree.



And why would you not count the gargoyles? Brooklyn, Broadway, and Lexington absolutely had your standard teenager/young adult issues.

Which I duly ignored in favor of concentrating on watching them beat up Xanatos's robots.
 

I can't say I'm impressed. The characters are rather unlikeable so far. And I'm surprised that Scooby actually talks. I thought the idea behind the emoji-projector goggles was that it was a more plausible interpretation of his power of speech, that he'd just be a normal dog wearing a "translator" device like the dogs in Up. If he's still a ralking rog rike rusual, it makes the emoji goggles kind of redundant.
 
I couldn't make out the dialogue, is it that bad?
I do agree that having Scooby talk and use the Emoji thing does seem redundant. The earlier interviews made it sound like they using the Emoji device instead of talking.
 
I couldn't make out the dialogue, is it that bad?

More legible pages here: http://comicsalliance.com/scooby-apocalypse-preview/

I do agree that having Scooby talk and use the Emoji thing does seem redundant. The earlier interviews made it sound like they using the Emoji device instead of talking.

I wonder if maybe they had second thoughts and added in the Scooby dialogue after the fact. The art actually makes it pretty hard to recognize what the emojis represent, so maybe they decided it was too unclear without dialogue.
 
"We noticed there wasn't really an origin story for the characters,"

And they lost me.

Cartoon Network did a live-action origin-story movie seven years ago, Scooby-Doo! The Mystery Begins. It starred Robbie Amell as Fred and CSI: Cyber's Hayley Kiyoko as Velma.

But really, this comic reminds me more of the theatrical films with Freddie Prinze Jr. and Sarah Michelle Gellar, in that it portrays them as adults and Daphne as a TV (or Internet-video) host.
 
They're still publishing traditional Scooby comics for the people who want that.
 
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