In fact, this is what I'd like to see: returning to the "lone-ship-on-the-far-edge-of-the-frontier" setup like they had in TOS, with a series set in the Abramsverse. It's an old formula, but the thing is as a formula it's still only the bare bones of what "Star Trek" is all about. It's about trekking through the stars -- the rest is all wide open.
If they actually do remember that
Star Trek is about being "on the frontier," then that would be great. They're not inside the Federation but they're also not a billion miles away, where the Federation doesn't count.
TOS wasn't just visiting unexplored worlds, it was also fighting Rommies/Klingons/other threats, visiting Fed outposts - looney bins, mining operations, colonies - and doing Fed-related work such as dealing with diplomats, sussing out new potential member planets and cleaning up Prime Directive snafus.
Add to that all the virus-loose-on-the-ship and personal stories of the main characters, and it turns out pure exploration was a small percentage of TOS episodes, and for the most part not the best ones. It's time for
Star Trek to get back to the basics for the first time since 1969.
CBS already owns Star Trek and can do a new series any time they bloody well please, if they were to base it on JJ's little overbudgeted student film, that means having to pay Paramount, whereas if they stick to established timeline, they don't. Advantage: established timeline.
How will Paramount be able to determine what timeline it's in? It would be simple to create a series that doesn't identifiably belong to either timeline. The presence of Vulcan means nothing - it could be the world that the Vulcans settled after their original one was destroyed, giving it the same name as before.
And congrats to Abrams for producing the most successful student film in history.
Plus, television viewers generally love lots of history in their shows.
If they've been watching the show faithfully. But Trek lore has vanished from the popular imagination on TV now, so any TV show would need to proceed from the assumption that it's all new to the audience.