Which is ironic, given that discovery is back on something like regular TV in many countries, where you don’t have the option of pausing and going back if you miss something.
100% back to the 90s, uh? Well, there are easier bays -I mean ways!- to rewatch these days.Unless they have a DVR...
No, DVRs don't work with that app. I tried.Unless they have a DVR...
I want a Trek show that has the modern techniques of filming and budget but captures the positive vibe of 90's Trek. So basically more Orville.
"How close do you wanna get? First date, or third date?"
"Blind date."
"Yes, sir. Proceeding with caution."
This is worth a few minutes of reading time.
https://mythcreants.com/blog/six-misogynist-messages-from-the-orville/
I feel like viewers in the 90s were dying for Trek to evolve and become something with a bit more serialisation. Where the universe could change over time, characters could remember the technology they'd found and the torture that happened to O'Brien last week, and the reset button has a note on it saying 'out of order'.
^And the manner of the serialisation became one of the most criticised elements in modern Trek.
Well, the first year of DIS had a complete change at the top, with even the creator fired, after the first part was outlined. The new showrunners, perhaps under studio pressure, completely changed the next part. The same thing happened in the second season! Things were more stable at the top in the third season, but it was not until the fourth season that they had a satisfactory conclusion (especially if you don't count the epilogue). Picard, after a messy end to its first season, seems to have tried to regain confidence by showing its concluding moments at the start!Yes, because serialized storytelling requires somewhat different skills. Not all material lends itself to it. Not all writers are good at it, certainly not inexperienced writers. But every television writer in the business became serial storytellers in a fairly brief span of time.
Go out and find a beginner's guide to fiction writing that spends a lot of chapters examining and teaching long-form drama. I'll wait ( I don't doubt that by now there must be a few. There sure aren't many).
Some of the most popular recent serialized shows have angered and disappointed their most fervent fans by the inability of the writers to provide what they considered adequate resolutions to their story and character arcs. I'll bet anyone reading this topic can come up with a fast list of at least four examples.
The first year of STD is a textbook example of how to do it poorly.
For Better or Worse that's essentially what Seth MacFarlane's The Orville effectively is (not to mention it has many TNG production alumni on staff.) So I guess your take on the level of success/failure that show has had would be similar to any actual Star Trek show done in the 90s Rick Berman Style.
But on the other hand, the DS9 fans became the most loyal fans of any Trek show.They tried a more serialized approach in DS9, and the ratings kept going down.
Not enough to make me wanna watch it again. Still boring with boring characters and a typical retro show trying to be TOS and is screwing up established Trek history.discovery changed a lot from the doom and gloom of the first season.
I will NEVER comprehend this attitude. Even if it becomes all “doom and gloom”, that’s not, in and of itself, a strong argument for cancellation. There are, literally, hundreds of shows that I don’t like (some quite strongly) on right now. I don’t wish cancellation on any of them. Apart from the unemployment it would create, I have no desire to punish others whose tastes are not like mine. Much easier (and fairer) to simply change the channel.
Which is a sad symptom of how the viewers have been dumbed down in the recent decades.^And the manner of the serialisation became one of the most criticised elements in modern Trek.
I prefer 1000 loyal fans to 10 000 fake fans who abandone the show as soon as something new and trendy shows up.
It's still Star Trek. Trek deals with pain and gloom and suffering. Optimism comes across as very "head in the sand" if it only plays in the light and only deals in happily ever afters, something Trek doesn't always do.But if Star Trek becomes one of those 2010's and 2020's doom-and-gloom dystpoic shows, then it isn't Star Trek anymore, only another typical 2010's and 2020's doom-and-gloom dystpoic show. Then it should change the name to "Bore Trek".
I'm still a fan of TOS. I'm still a fan of the TOS Movies. I'm still what I guess you'd call a casual fan of TNG, DS9, and VOY. I liked them but TOS was really the one I was hardcore about. I also just happen to be a fan of Discovery, Picard, and Prodigy in addition to those. I never abandoned what I was a fan of before or liked it any less. One doesn't overrule the other.But on the other hand, the DS9 fans became the most loyal fans of any Trek show.
Enterprise was cancelled in 2005, ending Star Trek on TV until 2017. Can't blame them too much for being skittish about going back to the well Berman and friends ran dry.Instead of sticking with a tried and tested formula of classic Star Trek series
Instead of sticking with a tried and tested formula of classic Star Trek series, they've gone in another direction and created these drama series akin to a daytime soap opera.
I guess you missed Justin Lin's Troi birthday cake? That guy was a Trekkie his whole life.Also giving the last movie to a director that didn’t know Star Trek at all
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