ST-One
Vice Admiral
I actually know several kids who were terrified by it.Yeah, kids just LOVE looking at the horribly mutilated face of a man...
And I'm not surprised.
I actually know several kids who were terrified by it.Yeah, kids just LOVE looking at the horribly mutilated face of a man...
I'm with blaXXer. Fuck family-friendly. Trek is at its best when it aims for an adult audience. Making Trek increasingly family-friendly is one of the things that's nearly killed the franchise.
I'm with blaXXer. Fuck family-friendly. Trek is at its best when it aims for an adult audience. Making Trek increasingly family-friendly is one of the things that's nearly killed the franchise.
Star Trek is at its best when it can be accessed by fans from 2 to 92. There's nothing in The Wrath of Khan that's unsuitable for a child (parts that are boring and should've been cut, certainly, but that's age-irrelevant). There's nothing unsuitable in the original series, The Voyage Home, or The Undiscovered Country. There's nothing unsuitable in The Next Generation or Deep Space Nine. If anything, trying to be 'edgy' has hurt Star Trek. 'Edginess' is juvenile. There's no need to 'push the envelope.' We only need a good story told well.
And even if an envelope were to be pushed, why not push it toward optimism, principle, and imagination? Why settle for the same old things masquerading as new ground?
I'm with blaXXer. Fuck family-friendly. Trek is at its best when it aims for an adult audience. Making Trek increasingly family-friendly is one of the things that's nearly killed the franchise.
Star Trek is at its best when it can be accessed by fans from 2 to 92. There's nothing in The Wrath of Khan that's unsuitable for a child (parts that are boring and should've been cut, certainly, but that's age-irrelevant). There's nothing unsuitable in the original series, The Voyage Home, or The Undiscovered Country. There's nothing unsuitable in The Next Generation or Deep Space Nine. If anything, trying to be 'edgy' has hurt Star Trek. 'Edginess' is juvenile. There's no need to 'push the envelope.' We only need a good story told well.
And even if an envelope were to be pushed, why not push it toward optimism, principle, and imagination? Why settle for the same old things masquerading as new ground?
Ceti-eels eating their way into heads in TWOK
exploding head in 'Conspiracy'
severed limb in TUC
the horrible death-screams in TMP
Star Trek is at its best when it can be accessed by fans from 2 to 92. There's nothing in The Wrath of Khan that's unsuitable for a child (parts that are boring and should've been cut, certainly, but that's age-irrelevant). There's nothing unsuitable in the original series, The Voyage Home, or The Undiscovered Country. There's nothing unsuitable in The Next Generation or Deep Space Nine. If anything, trying to be 'edgy' has hurt Star Trek. 'Edginess' is juvenile. There's no need to 'push the envelope.' We only need a good story told well.
And even if an envelope were to be pushed, why not push it toward optimism, principle, and imagination? Why settle for the same old things masquerading as new ground?
Ceti-eels eating their way into heads in TWOK
exploding head in 'Conspiracy'
severed limb in TUC
the horrible death-screams in TMP
I don't remember much of TMP beyond it being incredibly boring and slow, but none of those are particularly horrible for kids to see. (The TNG example made it past the stricter television censorship standards of its day.) Kids can handle a good deal more gruesomeness than they're given credit for. (Think back to childrens' stories; how many of them have decidedly hideous elements?) So long as the situations are dealt with matter-of-factly, not dwelt upon, reveled in, or portrayed in an exceptionally realistically horrible way, they do fine.
(I think I saw all of these scenes, btw, save TUC's, which I really had to think about to remember, before I was three. And I still largely dislike violence and gruesomeness in movies.)
Ceti-eels eating their way into heads in TWOK
exploding head in 'Conspiracy'
severed limb in TUC
the horrible death-screams in TMP
I don't remember much of TMP beyond it being incredibly boring and slow, but none of those are particularly horrible for kids to see. (The TNG example made it past the stricter television censorship standards of its day.) Kids can handle a good deal more gruesomeness than they're given credit for. (Think back to childrens' stories; how many of them have decidedly hideous elements?) So long as the situations are dealt with matter-of-factly, not dwelt upon, reveled in, or portrayed in an exceptionally realistically horrible way, they do fine.
(I think I saw all of these scenes, btw, save TUC's, which I really had to think about to remember, before I was three. And I still largely dislike violence and gruesomeness in movies.)
I, more or less, agree with you.
But it seem that if a little sex is thrown into the mix, the objections get louder and louder.
I don't remember much of TMP beyond it being incredibly boring and slow, but none of those are particularly horrible for kids to see. (The TNG example made it past the stricter television censorship standards of its day.) Kids can handle a good deal more gruesomeness than they're given credit for. (Think back to childrens' stories; how many of them have decidedly hideous elements?) So long as the situations are dealt with matter-of-factly, not dwelt upon, reveled in, or portrayed in an exceptionally realistically horrible way, they do fine.
(I think I saw all of these scenes, btw, save TUC's, which I really had to think about to remember, before I was three. And I still largely dislike violence and gruesomeness in movies.)
I, more or less, agree with you.
But it seem that if a little sex is thrown into the mix, the objections get louder and louder.
Sex has four significant problems. First, sex scenes (as separate from implied sex, which is seldom raised as a concern) are generally unnecessary to the story. Second, what sex scenes there are are usually used to draw interest and attention to the attractiveness of the participants or eroticism of the scene more than to the story or the characters. Third, sex tends to be treated in very juvenile ways, even in purportedly complex and mature productions (e.g. Nip/Tuck, Battlestar Galactica). Fourth, while violence is a very public fact of life, sex is very private for most people, and so garners a different, stronger reaction. Three of four of these problems run into difficulties with what works for children: they don't deal with sex matter-of-factly, but dwell on it and revel in it.
It was "The Next Generation" which neutered "Star Trek". There was plenty of sex, pushing the limits of television, in the orginal series. Green Orion Slave women come from the PILOT. Harry Mudd's "Venus drug" made commentary about self-esteem and aphrodisiacs in the first season. Kirk fricking seated on the edge of his bed pulling his boots on to make OBVIOUS what happened during the commercial break. Kirk and Uhura shared the first inter-racial kiss on television. By the time of the movies, Kirk was dealing with having an illigetimate kid.
Seriously, TOS gets a lot of crap for being "corny" or inconsistent or scientifically "inaccurate" but I wonder if some people have even seen it, with the comments they make.
It was Picard and crew who totally took sex out of Star Trek. And, except for some interesting twists in the Mirror Universe in "Deep Space Nine" and the embarassingly juvenile nonsense in "Enterprise", there's been little since.
Trek is as much about exploring the human experience and psyche as it is about exploring space. Sex is PART of those realms. If it fits and tells a good story, bring it on. Good luck to them in doing something as classy and (still) relevant as "Mudd's Women" in this movie.
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There's a difference between "family friendly" and "family focused." Something can be aimed for adults - specifically so it's something that they particularly can appreciate - while still being something that kids can enjoy and be safe watching.
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Well, yes and no.I haven't seen that much of JJ Abrams' work, but the few episodes of "Alias" I've seen have convinced me that he understands "sexy" far better than B&B ever did.
When "Alias" did sexy, it came across very sophisticated and sultry. Very adult. You know... sexy.
When "Enterprise" tried to do sexy, it came across as a sophomoric joke, or the set-up for a joke. Very immature. You know... "Tits, ha ha".
So long as they sex it up in the former mature and thoughtful manner, I'm all for it. The latter B&B style of sex is more suited to the cheesier "National Lampoon" movies.
I don't mind the sexy as long as it still remains a family friendly entertainment. TOS had sexy without any problems.
It's the American way...I actually know several kids who were terrified by it.
Yeah, but at the end of the movie, were they glad they saw it? Did they enjoy themselves?
I've known several kids who saw the movie. Some were scared, some not. All of them enjoyed it, however.
Ah, so
skin and flesh burned off a man's face = good
a little bit of sex (not porn of course) = bad
?
.
Kirk's sex life was always up front in TOS. What's up with all this righteous indignation over all this?
You might want to get a new keyboard....
Kirk's sex life was always up front in TOS. What's up with all this righteous indignation over all this?
Yeah, people are being too anal about this. Which, incidentally, is what the movie needs more of
(Groan all you want, that joke's been burning a hole in my keyboard since I saw the thread in the first place)
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