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CBS/Paramount sues to stop Axanar

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I read that, I thought it was a joke written by a 3rd grader....
COMPUTER Subspace communications are offline.
GARTH When they’re back up then. And I’d like some music, please. Copland.

COMPUTER [sigh] Billy the Kid. Aaa-gain.

---
Trek follows the conceit of advanced computing systems running a ship, but its nothing to slow it down to the pace that humans can speak "do it mister" and "aye aye sir". "They're firing energy beams!" "Raise shields!". Acoustic coupler on your ethernet, anyone?

So all the bridge talk, in fact almost all the computer talk with an AI that could anticipate most followup actions to a request is a teleplay metaphor, already silly. Any script that's going to go down this route has to be very conscious of not making it even more obviously silly, such as 3d grade dialog in the above cases.
 
I'd have to say that Peters has no standing for a lawsuit, since he accepted terms of a settlement that stipulated he could not claim copyright protection for anything related to Star Trek, or something like that. Case closed.

Nothing to see here, Axanuts. Move along home. :techman:

Nah, that's not the reason.

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1) "hard earned money"
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2) "I don't care"
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:D
 
Indeed? If so, then apparently searching for the term "grandfather" on a transcription of that podcast still wouldn't locate the sought after information. And that's even assuming something like Star Trek BBS would be properly and fully indexed routinely enough by Google to have that text in the searchable database. The fact the verbal opinion isn't enforceable, of course, doesn't bother me since it's understood even the written guidelines are not enforceable (that is, the fans can't force CBS/Paramount to honor them since CBS/P always reserve the right to change their minds).
I can't recall who came up with the term "grandfathering". It certainly wasn't part of the interview that i could recall.
But doing a title search for 'guidelines' brought up the exact interview we were discussing - one of the top results.
John Van Critters said:
HOST: Why now? What's the impetus?

JVC: We've seen an explosion of fan films in recent years and we know that these come from a place of very deep love for Star Trek and the technological advances that have happened in the last 10, 15 years have enabled fans to tell their stories with more ease and more detail and do some really amazing things. And for many years we've used a very simply guideline in cooperation on this, which is, a Star Trek fan film is a fan creation that's non-commercial. Well, we thought that this was simple enough and that it helped fan filmmakers understand the separation that we need to keep between professional content and fan films, it's becoming increasingly clear that not everyone has understood where that line is. Between non-commercial and our professional efforts, and we decided to issue a set of guidelines that should help give some shape to this and standardize our approach and the approach that fans can take to non-commercial fan-generated content. Now, I've seen some muttering online about this, that the guidelines are you know intended to end fan films. That's NOT the case AT ALL. They're not intended to end fan films. But with the explosion of crowdfunding, abuses have very definitely crept into the process. For many, it became more about the item you were donating to get than supporting the production for its own sake. The productions started spiraling larger and larger; there's something of an arms race about how many hollywood names could be attached, how many people who previously worked on Trek, how many famous actors could you involve. And that's not really in the spirit of fan fiction, not the fan fiction that I grew up with and which many people grew up with, which was more of a...
And this here's the money quote about what CBS thinks of all this:
John Van Critters said:
JVC: These are guidelines. They are intended to be something that gives structure and lets people know the limits they can operate within where they know they're not going to get a knock on the door... well, we don't go house-to-house anyway... they're not going to hear from us. They're not going to get a phone call, they're not going to get an email, tehy're not going to get anything that is going to ruin their day one way or another or make them feel bad or like they've done anything wrong. They're guidelines. We're not going to be able to provide the level of feedback that's like, you know, "I've got this really great scene, but if I include this scene or this one really cool shot I don't want to cut anything else from, it's going to be fifteen minutes and thirty seconds; what do I do?" Um that's up to you and you know your creative decisions. We're NOT looking to get into that. We're not approving any material, we don't want to get involved in your script choices, your costume choices...

What we're asking for here, honestly, is we're asking for a level of cooperation from fandom themselves. We have or I have a responsibility every day with what comes across my desk to look at it and make sure that it properly respects Star Trek. That it properly pays tribute to Star Trek. That it properly represents what people love about Star Trek. And we feel very much that that is what fans need to do with these films. That is a responsibility that we all share in, and, as long as you're representing Star Trek appropriately and you're doing it within these guidelines, there's no issues whatsoever.
You can read the entire BBS transcript HERE or the Trek Fans Productions transcript HERE or HERE for a more detailed analyses.
Having re-read @Wowbagger's transcript, JVC seems intentionally vague about films still in production but not finished, or films already finished shooting but still in post. So it seems that "grandfathering" is not so clear-cut after all.
 
But it was hard-earned money.

He had to travel all around the country (for free) and go to all the conventions (for free) to beg for money. He even had to fly to Europe (upgraded seats for cupcakes) to beg for money (because he tapped out donors in America). I mean, he worked HARD for that money.
I'm flying to Rome in the morning..........gotta remember to pick up some cupcakes on the way to the airport!
 
So in sum, the argument here is that CBS/P really needs to limited-license to fans because there are just too many ways that CBS/P could sue under the guidelines (if they chose to ignore the guidelines), and this is an unacceptable situation for fans to be in?
Yeah, pretty much. Why would CBS expect people to open themselves up to legal peril just to produce content the compliments their product?
Part of me wishes CBS would just say "sorry, no more fan films allowed at all" just to piss off the entitled fans.
Part of me wishes they'd do that because at least then fans would know where they stand. Quite frankly, it would be a strange relief.
All of those definitions can be interpreted as either referring to criminal acts involving physical property or the seizing of physical property, depending on which definition of "take" or "appropriate" you choose.

Furthermore, courts already make a distinction between the two:

https://en.wikipedia.org/wiki/Copyright_infringement#.22Theft.22
If copyright infringement is not an unlawful taking, I don't know what is. And intellectual property is property. (Duh! It's in the name.)
"Intellectual Property" is hardly an uncontroversial term:

https://www.eff.org/issues/intellectual-property/the-term
This whole discussion is just a big helping of steaming semantics, with a course of over-parsed metaphors, and a side order mashed and loaded analogies.
My initial argument wasn't the definition of stealing, but that the use of the term was as inflammatory as the term "draconian". Professor Zoom argued that "stealing" and "theft" couldn't be inflammatory because the terms were literal descriptions. So you have him to thank for starting the semantics debate, not me.
This is where you are wrong. A great example of this is Captain Marvel. BUT WHICH?! Both and why one Captain Marvel is now Shazam.

So, DC bought the rights from Fawcett for Captain Marvel, ironically after forcing Fawcett to stop producing Captain Marvel comics after suing them successfully for copyright infringement. They felt Superman was to close to Captain Marvel. Anyway, Fawcett sold off Captain Marvel, DC comics bought it. But, for a time they didn't publish anything with Captain Marvel in the title.

In the late 1960s, Marvel came out with THEIR Captain Marvel... and the trademark to boot. DC couldn't publish a comic with Captain Marvel on the cover... they couldn't trade on it... So, they did the next best thing... The Power of Shazam! Of course within the body of the comic, he was still called Captain Marvel.

Hell, the TV show was called Shazam because they didn't have the trademark.

Eventually, fairly recently, DC just gave it up and changed the character's name to Shazam--as by the point many people thought that was the character's name. Though, why would someone shout their own name to change into a super hero, I have no idea.

So. Trademark does carry a distinction.
I think we're conflating trademarks on titles with trademarks on character names. Both are possible, but in the instance of Buffy, there actually isn't a trademark for the character herself, so it doesn't matter.
Right. I'm not sure what point you're making. Let me repeat the question, I'll even set the scene.
At a party, you tell me this fantastic idea for a novel. You tell me the scenes, the characters, all of the great juicy bits. It's spectacular. Being unscrupulous, I race home and over a drug fueled weekend I churn out a novel, I give it to my agent and he gets it sold. And, of course, I don't share any of the money, fame, and all the power that comes with being a writer.

How would you describe my act of taking your franchise creating idea from you? Is there a particular adjective that you would use? Did I just borrow your idea? Am I just sharing your idea with people? Or did I steal your idea and now I have Harry Potter money?

Sadly , of course, you can't sue me for copyright infringement, but, you could call me a thief!
Actually, I'd say that person was guilty of copyright fraud, because they'd have to register the copyright prior to publication, and the registration would be fraudulent. I'm pretty sure you could register your own copyright, get theirs invalidated, and sue them for infringement.
It's work for hire. It's industry standard. What does that have to do with anything?
You used the phrase "stealing someone's idea". Who's the someone? The copyright holder or the person who conceived the idea? If the latter, does the term stealing apply if they're no longer the copyright holder?
We agree! It is for a courts to decide. For example this artist reprinted people's instagram pictures and hung them in a museum. He MAY have modified some of the captions. He was sued by those people. He claimed fair use, and he won. (though, I think that's a pretty shitty ruling.)

BUT, I'm not a court of law. My words hold no legal standing. So, when you are making a fan film, you are specifically taking something that isn't yours. And no, in this case, raising money, building sets, getting actors, you are INTENDING to make a fan film. You intend to take something that isn't yours.
No, we don't agree, because I don't consider it "stealing". And it's problematic to consider it stealing, as it can be "stealing" one day and "fair use" the next. Not to mention the fact that someone may not even take it to court because they lack the money. I guess if you're poor, you're a thief no matter what, huh?
But, that's not what most fan films are doing. They aren't parody.
You can't make that determination sight-unseen. Copyright is complex, and it's common to have a difference of opinion on what's fair use and what's not.
Yeah, but, that would be a stupid business practice. Like, who in their right mind would license something and then just look the other way?
The same people who would NOT license something, then look the other way when an unlicensed entity makes use of their copyright. Contracts and licenses are rarely enforced absolutely. Often times, minor infractions are ignored because it isn't worth the effort.
Why not? That character isn't copyrighted in your Star Trek fan film. Because you CAN'T. They don't want you to because they don't want you to claim some sort ownership if they were to use a character similar to yours. They don't care about your characters.
If I include a character in a non-Star Trek story, I'm free to copyright. You can argue the purity of CBS's motives, but the guidelines give them cover to basically copyright your character out from under you by your own admission.
If fan films were licenced, CBS would almost certainly be much more actively involved in saying, no, you can't use that culture; no, that storyline is too close to something already in the works elsewhere; no, we'd prefer you focus on this character and leave that one out of the story; etc.
I don't think so. We're not talking about a license of the same type that you see with official books and other materials. A fan license would require people to identify content as such. They'd be required to post disclaimers, explicitly label their films as fan productions, and would be prohibited from using trademarked logos or direct footage, just like they are under the current guidelines. A layperson isn't going to be aware of the legal distinction without someone telling them about it anyways.
 
I don't think so. We're not talking about a license of the same type that you see with official books and other materials. A fan license would require people to identify content as such. They'd be required to post disclaimers, explicitly label their films as fan productions, and would be prohibited from using trademarked logos or direct footage, just like they are under the current guidelines. A layperson isn't going to be aware of the legal distinction without someone telling them about it anyways.
I don't see why a distinction or license needs to be made at all. CBS has imposed guidelines that would allow them to 'consider' participating fan-films as non-infringing. Taking the next step and issuing a sort of license is unnecessary and ill-advised.
 
I don't see why a distinction or license needs to be made at all. CBS has imposed guidelines that would allow them to 'consider' participating fan-films as non-infringing. Taking the next step and issuing a sort of license is unnecessary and ill-advised.
Why would it be ill-advised to codify the status quo? Perhaps CBS doesn't have a pressing need to do it, but fan have no cause to stick their necks out either.
 
I'll have to see if I can dig them up but what I remember were things like no commercial crowdfunding but donations were fine. You could pay cast and crew, there was a restriction on selling merchendice if it said star trek on it (so the axanar coffee line, axanar ship models, etc. would be fine)
So regarding Peters' suggestions for guidelines, I didnt fancy going thru the Axanar site, so I prepared myself for a bit of a slog thru Google searches which kept bringing up the CBS Guidelines. But then I found Peters suggested list on, guess where, Axamonitor!

http://axamonitor.com/doku.php?id=axanar_guidelines

Seeing how long this has being going on, that's probably why I forgot it could be there!
 
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Why would it be ill-advised to codify the status quo? Perhaps CBS doesn't have a pressing need to do it, but fan have no cause to stick their necks out either.

Exactly! If a fan doesn't want to risk being sued for straying from the guidelines then he shouldn't stray. He should make his fan film in the "safe zone" that CBS/P has provided and not stick their neck out. If he doesn't feel comfortable with that then he shouldn't make a fan film. It's a simple choice. You can wish all you want that CBS would codify their guidelines, but it's not going to happen because of the complexity of copyright law and the need to protect their rights and their stakeholder's rights.
 
You can wish all you want that CBS would codify their guidelines, but it's not going to happen because of the complexity of copyright law and the need to protect their rights and their stakeholder's rights.
Nonsense. From a technical perspective, the licensing issues aren't significantly different from what you'd see with open source license case law. It may be unfamiliar territory for a studio, but it can be done.

The lack of a fan license has far more to do with fans letting them get away with it. Trust me, if the number of fan works just dropped off a cliff for a few years, and everyone let CBS know it was due to a lack of fan licensing, CBS would do something. It's just that the will in the community isn't there yet.
 
My initial argument wasn't the definition of stealing, but that the use of the term was as inflammatory as the term "draconian". Professor Zoom argued that "stealing" and "theft" couldn't be inflammatory because the terms were literal descriptions. So you have him to thank for starting the semantics debate, not me.

I never said they couldn't be inflammatory. I never mentioned inflammatory. I didn't even say that draconian was inflammatory. I said it was childish and entitled to call the guidelines inflammatory.

I think we're conflating trademarks on titles with trademarks on character names. Both are possible, but in the instance of Buffy, there actually isn't a trademark for the character herself, so it doesn't matter.

You don't think the comic book "Buffy The Vampire Slayer" is trademarked?

Actually, I'd say that person was guilty of copyright fraud, because they'd have to register the copyright prior to publication, and the registration would be fraudulent. I'm pretty sure you could register your own copyright, get theirs invalidated, and sue them for infringement.

1. You don't actually need to register your work for their to be a copyright. A work is copyrighted from the moment of its creation. Registering it is a good idea because then--if you were to win a infringement suit--there are statuary damages that come with that registration. You might get damages without.

2. Copyright requires something to be in a fixed form. An idea isn't in a fixed form. So, you would have to write the book. And even then, so what? An idea isn't copyrightable. You shared your idea. Someone else wrote it. There's very little you could do about that.

3. And what the hell is copyright fraud? It wouldn't be fraudulent. The book would've been written by the person you told the story to. How is that fraud? Fraud would be if I took YOUR BOOK and registered it under my name. But, me taking, stealing, your idea, isn't fraud.

You used the phrase "stealing someone's idea". Who's the someone? The copyright holder or the person who conceived the idea? If the latter, does the term stealing apply if they're no longer the copyright holder?

Well. I can't steal something from you if it's not yours, can I? If you sold your toys to your best friend, and I stole them from your best friend, did I steal from you?

No, we don't agree, because I don't consider it "stealing". And it's problematic to consider it stealing, as it can be "stealing" one day and "fair use" the next. Not to mention the fact that someone may not even take it to court because they lack the money. I guess if you're poor, you're a thief no matter what, huh?

YOU consider it problematic to call it stealing. You don't like the idea that something you enjoy maybe isn't totally kosher. And there is a difference between Fair Use and out and out stealing of IP.

And what the hell, if you're poor, you're a thief no matter what? Stop clutching your pearls, you know I'm not making that argument.

If I include a character in a non-Star Trek story, I'm free to copyright. You can argue the purity of CBS's motives, but the guidelines give them cover to basically copyright your character out from under you by your own admission.

How would they copyright YOUR character? Maybe you could sue them for copyright fraud? Do you HONESTLY think they are watching Star Trek fan films so they can copyright characters?

It's why they don't accept submissions anymore. They don't want to deal with some fan claiming that CBS and Paramount stole one of their ideas.
 
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