Details emerge about the delayed Axanar studio Kickstarter. Alec Peters’ pitch video was prematurely released on YouTube, then removed. The video makes the argument for donors to donate $15,000-18,000 a month to keep the beleaguered studio afloat, ostensibly to help other fan producers. Also: We link to a copy of the four and a half-minute video.
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Thanks for the link to watch it!Details emerge about the delayed Axanar studio Kickstarter. Alec Peters’ pitch video was prematurely released on YouTube, then removed. The video makes the argument for donors to donate $15,000-18,000 a month to keep the beleaguered studio afloat, ostensibly to help other fan producers. Also: We link to a copy of the four and a half-minute video.
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Legion M is the world's first [fan funded through crowdfunding AND also] FAN-OWNED entertainment studio. Legion M works with creators - from independent filmmakers to big Hollywood studios - to make movies, TV shows, virtual reality experiences that are funded in conjunction with fans. With Legion M, FANS own the company, FANS get behind the scenes, and when we are successful—FANS share the rewards! Legion M’s mission is to empower creators to push the boundaries, and empower Fans to be a part of the content they love.
Legion M is the world's first [fan funded through crowdfunding AND also] FAN-OWNED entertainment studio. Legion M works with creators - from independent filmmakers to big Hollywood studios - to make movies, TV shows, virtual reality experiences that are funded in conjunction with fans. With Legion M, FANS own the company, FANS get behind the scenes, and when we are successful—FANS share the rewards! Legion M’s mission is to empower creators to push the boundaries, and empower Fans to be a part of the content they love.
This needs to be turned into one of those whiteboard video things. I'm thinking a modest Kickstarter to get it off the ground, then maybe a bigger IGG to pay for distribution.Dear folks who did some Googling and found this topic. Kudos! And I'm sorry about how long it is and all the references to Cash (cue @Indysolo ). I realize this is a ton to wade through and I imagine this post will get buried, but here's hoping at least someone sees it.
I know you are wondering about Alec Peters's reputation for truthfulness. About whether he fulfills his promises. About whether the Industry Studios space is at all legal or if using Star Trek intellectual property to raise crowdfunding to pay for that studio is kosher or is permitted by the IP holders, CBS and Paramount Pictures Corporation. I imagine you are wondering whether you are spending your hard-earned money wisely, and whether this project will have follow through. Will it have legs? Will fan films truly be able to use that space? Is the space up to code? Are there alternatives out there? Whether you are a potential donor or a potential filmmaker, you have questions. That's why you're here, yes?
Here is what I can tell you, in no particular order:
And finally, Industry Studios is a business. When you clear away all the fan film smoke and mirrors, it is ultimately a business and not a charity. It seeks to make a profit. Ask yourself what the funding model is, particularly if fan films are going to be able to film for 'free' and there's a ton of competition in the area. The funding model is crowdfunding. Ask yourself if you think that's okay. Ask yourself if having no investor protection is okay. Ask yourself if your money is being spent wisely. Many crowdfunding campaigns are wonderful. Many crowdfunding project runners are honest, hard-working people. I invite you to do the research yourself - please don't take Mr. Peters's word for it. Don't take mine, either. Please do your own research.
- Mr. Peters received over $1.4 million in crowdfunding, and an unspecified additional amount of money to produce a fan film he called Star Trek: Axanar. Except for a two-minute-long walk and talk (referred to as the 'Vulcan Scene'), that movie was never made. There is a prequel to it, called Prelude to Axanar. It's on YouTube.
- Prelude was created by talent who have nearly all left the project. This included a rather public Twitter squabble with actor Tony Todd.
- CBS and Paramount sued Axanar and Mr. Peters for intellectual property infringement. It wasn't them 'running scared' or 'trying to take down the little guy' or any other such nonsense. The lawsuit is on PACER or you can head over to Axamonitor.com and get the court documents for free. Don't want to give Axamonitor any traffic? Then PM me and I will send you the documents. I have paid for them and they are a matter of public record. Read them at your leisure; there are lots of them. And they all are sworn documents (under penalty of perjury) and the documents from both sides support the concept that Axanar was sued because it was an infringing work. Period.
- CBS and Paramount, like every other intellectual property owner, are under no obligation to sue any other fan films or any other infringers, not then, not now, not ever. Don't think that's fair? Then write to Congress and ask them to do something about a good two centuries of copyright law in America.
- The amount which Mr. Peters received to make Axanar was more than most if not all other Star Trek fan film makers had ever received. Others have made films (sometimes multiple films) with less. Yet he did not finish the film.
- Instead, he rented a warehouse space and began to attempt to convert it to a studio. Hence the current crowdfunding campaign.
- There are tons of studio spaces in and around the Los Angeles area. Creative Googling will find you millions of hits if you Google Los Angeles film studio for rent. Peters did not have to convert a warehouse and take on rent of some $15,000/month. The project could have filmed in a number of locations and could have been done or nearly done even before this latest crowdfunding campaign - and a campaign of this magnitude would not have been needed at all.
- The case with CBS and Paramount has been settled. One of the known terms of the settlement was that Peters could only make Axanar in conformance with the IP holders' stated fan film guidelines. That means two 15-minute-long segments. Even with all of the $1.4 million+ gone (Where did it all go? You might want to start asking that), those two 15-minute segments could still be made with a far smaller crowdfunding campaign and without converting a warehouse into a studio.
- Earlier crowdfunding campaigns by Mr. Peters, even when running at their best, were still late to deliver perks and showed disturbing behind the scenes disorganization. Consider that when you also consider questions such as:
- Is the studio space zoned for filmmaking?
- Are the lighting grid and electrical grid up to code?
- Has it passed a fire marshall's inspection?
- Was any of the conversion done by union labor?
- Does Peters have adequate liability insurance, also fire and flood, in case the unthinkable happens?
- Peters doesn't own the space. What happens to films in progress, sets, and your crowdfunding dollars if he and his company are evicted?
- What are the hidden costs of 'free' use of the studio? Does that include trash removal, electricity, etc. (h/t to @ThankYouGeneR)
- Is the crew trained properly?
And then ask yourself if this is okay.
You've just made my "due dilligence" remark completely obsolete, @jespah .Dear folks who did some Googling and found this topic. Kudos! And I'm sorry about how long it is and all the references to Cash (cue @Indysolo ). I realize this is a ton to wade through and I imagine this post will get buried, but here's hoping at least someone sees it.
I know you are wondering about Alec Peters's reputation for truthfulness. About whether he fulfills his promises. About whether the Industry Studios space is at all legal or if using Star Trek intellectual property to raise crowdfunding to pay for that studio is kosher or is permitted by the IP holders, CBS and Paramount Pictures Corporation. I imagine you are wondering whether you are spending your hard-earned money wisely, and whether this project will have follow through. Will it have legs? Will fan films truly be able to use that space? Is the space up to code? Are there alternatives out there? Whether you are a potential donor or a potential filmmaker, you have questions. That's why you're here, yes?
Here is what I can tell you, in no particular order:
And finally, Industry Studios is a business. When you clear away all the fan film smoke and mirrors, it is ultimately a business and not a charity. It seeks to make a profit. Ask yourself what the funding model is, particularly if fan films are going to be able to film for 'free' and there's a ton of competition in the area. The funding model is crowdfunding. Ask yourself if you think that's okay. Ask yourself if having no investor protection is okay. Ask yourself if your money is being spent wisely. Many crowdfunding campaigns are wonderful. Many crowdfunding project runners are honest, hard-working people. I invite you to do the research yourself - please don't take Mr. Peters's word for it. Don't take mine, either. Please do your own research.
- Mr. Peters received over $1.4 million in crowdfunding, and an unspecified additional amount of money to produce a fan film he called Star Trek: Axanar. Except for a two-minute-long walk and talk (referred to as the 'Vulcan Scene'), that movie was never made. There is a prequel to it, called Prelude to Axanar. It's on YouTube.
- Prelude was created by talent who have nearly all left the project. This included a rather public Twitter squabble with actor Tony Todd.
- CBS and Paramount sued Axanar and Mr. Peters for intellectual property infringement. It wasn't them 'running scared' or 'trying to take down the little guy' or any other such nonsense. The lawsuit is on PACER or you can head over to Axamonitor.com and get the court documents for free. Don't want to give Axamonitor any traffic? Then PM me and I will send you the documents. I have paid for them and they are a matter of public record. Read them at your leisure; there are lots of them. And they all are sworn documents (under penalty of perjury) and the documents from both sides support the concept that Axanar was sued because it was an infringing work. Period.
- CBS and Paramount, like every other intellectual property owner, are under no obligation to sue any other fan films or any other infringers, not then, not now, not ever. Don't think that's fair? Then write to Congress and ask them to do something about a good two centuries of copyright law in America.
- The amount which Mr. Peters received to make Axanar was more than most if not all other Star Trek fan film makers had ever received. Others have made films (sometimes multiple films) with less. Yet he did not finish the film.
- Instead, he rented a warehouse space and began to attempt to convert it to a studio. Hence the current crowdfunding campaign.
- There are tons of studio spaces in and around the Los Angeles area. Creative Googling will find you millions of hits if you Google Los Angeles film studio for rent. Peters did not have to convert a warehouse and take on rent of some $15,000/month. The project could have filmed in a number of locations and could have been done or nearly done even before this latest crowdfunding campaign - and a campaign of this magnitude would not have been needed at all.
- The case with CBS and Paramount has been settled. One of the known terms of the settlement was that Peters could only make Axanar in conformance with the IP holders' stated fan film guidelines. That means two 15-minute-long segments. Even with all of the $1.4 million+ gone (Where did it all go? You might want to start asking that), those two 15-minute segments could still be made with a far smaller crowdfunding campaign and without converting a warehouse into a studio.
- Earlier crowdfunding campaigns by Mr. Peters, even when running at their best, were still late to deliver perks and showed disturbing behind the scenes disorganization. Consider that when you also consider questions such as:
- Is the studio space zoned for filmmaking?
- Are the lighting grid and electrical grid up to code?
- Has it passed a fire marshall's inspection?
- Was any of the conversion done by union labor?
- Does Peters have adequate liability insurance, also fire and flood, in case the unthinkable happens?
- Peters doesn't own the space. What happens to films in progress, sets, and your crowdfunding dollars if he and his company are evicted?
- What are the hidden costs of 'free' use of the studio? Does that include trash removal, electricity, etc. (h/t to @ThankYouGeneR)
- Is the crew trained properly?
And then ask yourself if this is okay.
Correct me if I'm wrong, but that rule only applies to copyrights. If the IP is a patent or trademark, does not the legal IP owner have to defend it at every turn?CBS and Paramount, like every other intellectual property owner, are under no obligation to sue any other fan films or any other infringers, not then, not now, not ever.
Gosh that was a good read. Thanks for the link. I had never heard of the Poynter Institute. (this Thread is so informative!) Though I do get the gist of it there was also much I didn't quite understand and will take some pleasant time to better understand the intricacies shown there of this surprisingly difficult model. Ownership must be willing to give the [company] away, a willingness to give up a good deal of wealth, giving away a substantial chunk of wealth, give up most of the value in the organization.There is a precedent for the kind of structure LFIM says he wants to set up......the non-profit Poynter Institute for Media Studies
...........
according to this article
..............
You're right. Their physical address isn't easy to find. They have offices in Emeryville, Calif. (across the Bay from San Francisco and not far from Pixar), and Burbank. Emeryville is their primary location. Their street address is 6435 Christie Ave, Suite 500 Emeryville, California 94608@carlosp, where is Legion M's studio anyway? I can't find a physical location for it. Does it exist outside of the internet?
^^^^Dear folks who did some Googling and found this topic. Kudos! And I'm sorry about how long it is and all the references to Cash (cue @Indysolo ). I realize this is a ton to wade through and I imagine this post will get buried, but here's hoping at least someone sees it.
I know you are wondering about Alec Peters's reputation for truthfulness. About whether he fulfills his promises. About whether the Industry Studios space is at all legal or if using Star Trek intellectual property to raise crowdfunding to pay for that studio is kosher or is permitted by the IP holders, CBS and Paramount Pictures Corporation. I imagine you are wondering whether you are spending your hard-earned money wisely, and whether this project will have follow through. Will it have legs? Will fan films truly be able to use that space? Is the space up to code? Are there alternatives out there? Whether you are a potential donor or a potential filmmaker, you have questions. That's why you're here, yes?
Here is what I can tell you, in no particular order:
And finally, Industry Studios is a business. When you clear away all the fan film smoke and mirrors, it is ultimately a business and not a charity. It seeks to make a profit. Ask yourself what the funding model is, particularly if fan films are going to be able to film for 'free' and there's a ton of competition in the area. The funding model is crowdfunding. Ask yourself if you think that's okay. Ask yourself if having no investor protection is okay. Ask yourself if your money is being spent wisely. Many crowdfunding campaigns are wonderful. Many crowdfunding project runners are honest, hard-working people. I invite you to do the research yourself - please don't take Mr. Peters's word for it. Don't take mine, either. Please do your own research.
- Mr. Peters received over $1.4 million in crowdfunding, and an unspecified additional amount of money to produce a fan film he called Star Trek: Axanar. Except for a two-minute-long walk and talk (referred to as the 'Vulcan Scene'), that movie was never made. There is a prequel to it, called Prelude to Axanar. It's on YouTube.
- Prelude was created by talent who have nearly all left the project. This included a rather public Twitter squabble with actor Tony Todd.
- CBS and Paramount sued Axanar and Mr. Peters for intellectual property infringement. It wasn't them 'running scared' or 'trying to take down the little guy' or any other such nonsense. The lawsuit is on PACER or you can head over to Axamonitor.com and get the court documents for free. Don't want to give Axamonitor any traffic? Then PM me and I will send you the documents. I have paid for them and they are a matter of public record. Read them at your leisure; there are lots of them. And they all are sworn documents (under penalty of perjury) and the documents from both sides support the concept that Axanar was sued because it was an infringing work. Period.
- CBS and Paramount, like every other intellectual property owner, are under no obligation to sue any other fan films or any other infringers, not then, not now, not ever. Don't think that's fair? Then write to Congress and ask them to do something about a good two centuries of copyright law in America.
- The amount which Mr. Peters received to make Axanar was more than most if not all other Star Trek fan film makers had ever received. Others have made films (sometimes multiple films) with less. Yet he did not finish the film.
- Instead, he rented a warehouse space and began to attempt to convert it to a studio. Hence the current crowdfunding campaign.
- There are tons of studio spaces in and around the Los Angeles area. Creative Googling will find you millions of hits if you Google Los Angeles film studio for rent. Peters did not have to convert a warehouse and take on rent of some $15,000/month. The project could have filmed in a number of locations and could have been done or nearly done even before this latest crowdfunding campaign - and a campaign of this magnitude would not have been needed at all.
- The case with CBS and Paramount has been settled. One of the known terms of the settlement was that Peters could only make Axanar in conformance with the IP holders' stated fan film guidelines. That means two 15-minute-long segments. Even with all of the $1.4 million+ gone (Where did it all go? You might want to start asking that), those two 15-minute segments could still be made with a far smaller crowdfunding campaign and without converting a warehouse into a studio.
- Earlier crowdfunding campaigns by Mr. Peters, even when running at their best, were still late to deliver perks and showed disturbing behind the scenes disorganization. Consider that when you also consider questions such as:
- Is the studio space zoned for filmmaking?
- Are the lighting grid and electrical grid up to code?
- Has it passed a fire marshall's inspection?
- Was any of the conversion done by union labor?
- Does Peters have adequate liability insurance, also fire and flood, in case the unthinkable happens?
- Peters doesn't own the space. What happens to films in progress, sets, and your crowdfunding dollars if he and his company are evicted?
- What are the hidden costs of 'free' use of the studio? Does that include trash removal, electricity, etc. (h/t to @ThankYouGeneR)
- Is the crew trained properly?
And then ask yourself if this is okay.
Nonprofit organizations with for-profit businesses that help fund the mother nonprofit are not unheard of. In fact, there's an entire sector of the economy devoted to it. It's called social entrepreneurship, and I worked in that field in the early 2000s. Take a tour through Wikipedia for more details.Gosh that was a good read. Thanks for the link. I had never heard of the Poynter Institute. (this Thread is so informative!) Though I do get the gist of it there was also much I didn't quite understand and will take some pleasant time to better understand the intricacies shown there of this surprisingly difficult model. Ownership must be willing to give the [company] away, a willingness to give up a good deal of wealth, giving away a substantial chunk of wealth, give up most of the value in the organization.
A meritorious model, also full of expensive pitfalls.
A very good read.
I think, you and I, we both know, where she can or probably will place it for everone to see... Who socializes the social media?^^^^
I ULTRA-LIKE the quoted post above. Too bad that in all honesty I doubt enough people will see it BEFORE they Pledge to Mr. Peters new Kickstarter. Weel see; but my hat is off to Madame Jespah who summed everything up regarding Alec Peters and the Axanar/Industry Studio situation.
I do have to say though that I CAN'T BELIEVE that using Star Trek and Axanar (both are mentioned in that pitch video) to do public crowdfunding for a for profit business is within the terms of the CBS/Paramount V. Axanar settlement. <--- If it is, then yeah, I have to wonder myself why CBS or Paramount bothered to sue - because in the end Mr. Peters HAS USED the Star Trek IP in part to obtain start up capital and (if this latest Kickstarter is successful) continued funding for his for profit business.
Thank you so much for tracking down this information for me.You're right. Their physical address isn't easy to find. They have offices in Emeryville, Calif. (across the Bay from San Francisco and not far from Pixar), and Burbank. Emeryville is their primary location. Their street address is 6435 Christie Ave, Suite 500 Emeryville, California 94608
Legion M is the world's first [fan funded through crowdfunding AND also] FAN-OWNED entertainment studio. Legion M works with creators - from independent filmmakers to big Hollywood studios - to make movies, TV shows, virtual reality experiences that are funded in conjunction with fans. With Legion M, FANS own the company, FANS get behind the scenes, and when we are successful—FANS share the rewards! Legion M’s mission is to empower creators to push the boundaries, and empower Fans to be a part of the content they love.
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