Axanar Productions settled in 2017 after the PR firestorm encroached upon pre-release hype for
Star Trek Beyond. J.J. Abrams and director Justin Lin gave comment, forcing a consequential response from CBS and Paramount: official guidelines for future fan films.
These guidelines state: “CBS and Paramount Pictures are big believers in reasonable fan fiction and fan creativity, and, in particular, want amateur fan filmmakers to showcase their passion for
Star Trek.” But dig a little deeper and the rules strongly suggest otherwise. Limiting fan films to 15 minutes, codifying loopholes around terms like “offensive” and “reasonable,” insisting on officially licensed merchandise and banning appearances from former
Star Trek cast members, the official “
Guidelines for Avoiding Objections” illustrate how copyright holders foster public enthusiasm and creativity only to the extent of their advantage.
The onerous guidelines are already widely
contravened, including by ongoing fan productions.
Fan Film Factor counted sixty fan films in the eight months after the guidelines were released. The predicted chilling effect never came. But the existence of the guidelines inspires a simple question: what makes CBS and Paramount Pictures the best arbiters of a creative response to
Star Trek?
The default answer is simple: existing copyright law.