The funny thing is, Murray Gold's "All The Strange, Strange Creatures" basically was a secondary theme tune by the end of Tennant's run. I mean, no one would have stood for that over the titles, but it was instantly recognizable and emblematic.
Given how much that track depends on the interaction between the underbeat and the top melody, I'm surprised he's make a mistake like that.
Given how much that track depends on the interaction between the underbeat and the top melody, I'm surprised he's make a mistake like that.