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Cage-SNW-TOS Enterprise

That was virtually invisible on a 60s TV.

I neglected to reply to this argument.

First, lest one presume that this only became observable in the HD remasterings circa 2010, I was using this image and scale as far back as 2003, demonstrably, on my Volumetrics page, from SD sources.

Second, let me please direct your attention to the Constitution Class starship name and the registries of other Constitution Class ships from the Starbase 11 "STAR SHIP STATUS" chart in Commodore Stone's office. These were arguably also unreadable on screen yet, like the canonical length, were accepted in fandom and formed the basis of later canonical details. Are we also to reject those?
 
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I'm very sorry, but "an error happened in the TOS pilot {or other productions}, thus some other thing I don't like is an error" is not a strong argument.
 
It was but now it's not. That's pretty much how continuity works. The most recent data is the "correct" data. And all of the data is canonically correct.

They demonstrably changed it in the middle of the Discovery/SNW continuity as noted in the previous Memory Alpha quotes. If they change it again -- say, to 700 meters to match the Monsterprise of the JJ films under the new Paramount ownership -- you are perfectly welcome to just roll with that as being totes legit.

Others, however, will have questions, and those questions are not invalidated by a conscious "cheat" toward discontinuity by production staff. Continuity as a concept doesn't mean that the latest figure or statement is valid for all time . . . it means that a change has been made. A sufficient number of changes, or changes of sufficient import, tend to result in folks either acknowledging that there is no continuity to be had or recognizing that multiple continuities exist (made very much easier when the production staff say so).

After all, if realism is so readily broken, why assume it was *always* 700 meters? Maybe it changes in-universe, too, at the same time, like some inflatable action off-screen. If not, why not?
 
They demonstrably changed it in the middle of the Discovery/SNW continuity as noted in the previous Memory Alpha quotes. If they change it again -- say, to 700 meters to match the Monsterprise of the JJ films under the new Paramount ownership -- you are perfectly welcome to just roll with that as being totes legit.

Others, however, will have questions, and those questions are not invalidated by a conscious "cheat" toward discontinuity by production staff. Continuity as a concept doesn't mean that the latest figure or statement is valid for all time . . . it means that a change has been made. A sufficient number of changes, or changes of sufficient import, tend to result in folks either acknowledging that there is no continuity to be had or recognizing that multiple continuities exist (made very much easier when the production staff say so).

After all, if realism is so readily broken, why assume it was *always* 700 meters? Maybe it changes in-universe, too, at the same time, like some inflatable action off-screen. If not, why not?
Continuity is mutable in fiction, because its fiction.
 
Second, let me please direct your attention to the Constitution Class starship name and the registries of other Constitution Class ships from the Starbase 11 "STAR SHIP STATUS" chart in Commodore Stone's office
There's nothing on that chat that says they were all Constitution class ships. If I recall, the registry of the Farragut is on that list, a ship we now know to not be a Constitution.
These were arguably also unreadable on screen
They were far more visible than a tiny scale in the corner of a monitor. A scale which was virtually invisible on televisions at the time it was produced. A scale that acts as the single example of evidence of the ship being a certain size, against multiple examples of the ship clearly being larger.

The Shuttlebay? Won't fit in 289m ship.

Rec Dec? Won't fit in 305m ship.

Cargobay/Shuttlebay Complex? Won't fit in 305m ship.

Two decks in saucer with 9ft ceilings? Won't fit in 289m ship.

Pretty much anything in the neck? Nope.

Engineering? Nope.

How about the fact that even Doug Drexler, a canon purist, couldn't even make the 289m length work when he made a Constitution cutaway?
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If I recall, the shows the ship at well over 400 meters. It's certainly bigger than 289m.

This cutaway was later used onscreen, making it canon.
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I'm very sorry, but "an error happened in the TOS pilot {or other productions}, thus some other thing I don't like is an error" is not a strong argument.
No, but it's a strong argument for the fact that sometimes the holders of the intellectual property like to change their minds. That's their prerogative. And right now those holders of the property say the Enterprise is 442.6m long.
 
Not legible to me unless I get inches from the screen.
It can be seen quite well at a comfortable distance on a 55 inch 4k TV. Just putting that one out there

(I would verify but this shit is already embarrassing enough for my girlfriend.:D)
 
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Production necessity versus intended change is not the same thing.
That's splitting hairs.

Saavik once looked like Kirstie Alley, then she looked like Robin Curtis (and would've then looked like Kim Catrall if Nick Meyer had been able to keep Valeris as Saavik in TUC).

The Enterprise once looked like the TOS version, now she looks like the SNW version.

The TOS Enterprise had scores of different internal layouts of main engineering over the course of the show.

Dukat's daughter Ziyal had three different actors.

Alexander Rozhenko had two different actors as a child.

Visual continuity is not the same as story continuity.
 
There's nothing on that chat that says they were all Constitution class ships.
Amen, but we're stuck with the foolish fan idea that has since been canonized, ergo they are.

If I recall, the registry of the Farragut is on that list, a ship we now know to not be a Constitution.
Not correct. 1697 is what the chart says (often identified with the name Essex), not 1647.
The Shuttlebay? Won't fit in 289m ship.
Sure it does.

A. The camera angle we see in TOS is fundamentally impossible as it would have been viewed through one or more walls, so its scaling utility is limited.

B. It's a 4x3-framed view of a round-topped room where the camera caught some model extensions.

What should they have done with the unrealistic invisible-walls shot instead? People like to count those upper corner views as demonstration of this or that, but the shuttlebay's fine.

Rec Dec? Won't fit in 305m ship.
Everyone knows of Michelson's Folly. He intentionally built it without regard to correct scale. Reasonable people thus disregard his choice.

Cargobay/Shuttlebay Complex? Won't fit in 305m ship.
Sure it does. There might be some edge issues with the manually executed matte painting, but this is also the era of a little variability in the printed width of filmed shots, which is probably why the Rec Deck senseless turboshafts and the matte painting turboshafts are of different proportions despite their being no distinction in cars.

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More broadly, if the aft end of the shuttlebay in the matte painting wasn't quite tapered enough or if Deck 17 (the lowest observed cargo bay deck) doesn't seem to curve in quite enough (with assumed cargo pod sizing), that's not really adequate excuse to ditch the established scale, especially if it's a very minor error.

Also, let me just pause here to note that it is incredibly ironic, if not altogether outrageous, for the rescalers / length truthers who want the Discoprise length accepted to be complaining about this. The TMP matte paintings were done at a time before CGI could have allowed people to get things perfect, though now that we have it no one in the new productions cares to do so.

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Seriously, if you're gonna be all "yay 442 at last!", consistency dictates you immediately move on to the next length based on these shots, which is like a mile or something. I'll wait.

Two decks in saucer with 9ft ceilings? Won't fit in 289m ship.
Sure they will. _ The average deck height in the TMP saucer is 10.4 feet, and using the Jefferies 21 deck drawing of the TOS ship fits very much the same. _ We also have evidence of variable deck heights based on TOS window row spacing differences, which further reinforces the notion that we need not freak out about any one particular spacing issue.

To my mind, then, anyone who uses some particular interior shot as an effort to rescale the ship (even when they try to abuse some corridor quicky-ceiling slapped together with less than adequate scaling caution) is just trying to rescale, not analyze.

Pretty much anything in the neck? Nope.
Rescaling doesn't help this. She's got a skinny neck. I tend to think of it as having been thought necessary for separation due to early warp core non-ejectability, retained in the redesign, but part of why the class was retired in favor of the Mirandas. But, either way, the neck's always going to be almost a waste of deck space. It'd be far better to shift the gravity orientation sideways and make it a huge flat room to truck things and people back and forth, but for whatever reason that isn't a thing. Point is, though, even a 50% upscale doesn't make much difference here.

Engineering? Nope.
The idea of Engineering in the saucer has always been wrong. If you're talking about the TMP Engineering area, I'm actually reviewing this now. If you assume unseen details then no, the hallway outside of TMP and TWoK engineering doesn't work, but I think it actually will provided you place the core area where I'm thinking it ought to be. We'll come back to this at another time.

How about the fact that even Doug Drexler, a canon purist, couldn't even make the 289m length work when he made a Constitution cutaway?
{...}

This cutaway was later used onscreen, making it canon.
Hah, wrong on multiple counts.

1. Drexler isn't a purist on this front. His Enterprise-B MSD is notoriously huge, a 34 deck monstrosity. Also, isn't Drexler involved with the Discoprise stuff? Yeah, nah.
2. You're trying to mix the non-canon presentation of the pic from Drex Files with the imagery seen in the canon show, then suggest the non-canon bit is canon. That's naughty.
3. The cutaway he posted on his website features an incorrect number of saucer decks, assuming TOS-TMP continuity of saucer decks. This issue tends to serve to inspire rescalers, but it's just an error.

As I described the issue elsewhere:

The only real issue here is Drexler's Defiant cutaway from "In a Mirror, Darkly, Pt. II", but fortunately that's so busy that the fact it was so bungled is easily disregarded. The wide view without quite so much detail gives an appearance of a saucer deck count, but if you look at the lower engineering hull it looks, on-screen, like four decks below the level of the bottom of the deflector dish (his "cargo bays", per a labeled version he posted). Then, once the shot zooms in you just end up with a whole lot of jumbled mess other than a teeny tiny misscaled shuttle that doesn't fit the bay as it should, et cetera. So, the Drexler cutaway doesn't seem like a deficit, as far as I'm concerned.

That is to say, if the shuttle doesn't even fit the bay, it's clearly a bad image, and you can't then go on to assume what's a deck or not from that mess anyway. As such, it's useless.

No, but it's a strong argument for the fact that sometimes the holders of the intellectual property like to change their minds.
On the contrary, it means that an intellectual property is the work of many hands. The right ones sometimes don't know what the left ones are doing, which is how you end up with James R. and phasers drawn in on the wrong filmed shots (which also happened on Voyager once with a downward-firing secondary hull torpedo tube). Accidents happen, and sometimes people go all Michelson like Shatner and don't care what the accurate deck count is.

Besides, was there anything in Star Trek VI to really prove there weren't 78? If not, why aren't you arguing for 78 on the refit, for consistency's sake?
 
That's splitting hairs.

Production-necessity changes being distinct from intentional continuity changes is not hair-splitting. It's fact.

Saavik once looked like Kirstie Alley, then she looked like Robin Curtis (and would've then looked like Kim Catrall if Nick Meyer had been able to keep Valeris as Saavik in TUC).
Production necessity.


The Enterprise once looked like the TOS version, now she looks like the SNW version.
Intentional continuity break, both in shape and size.
The TOS Enterprise had scores of different internal layouts of main engineering over the course of the show.
Intentional enhancements to make the ship look better . . . but hardly impossible to accept as in-universe changes, too, so it's a little weird to bring up.

Dukat's daughter Ziyal had three different actors.
Production necessity.

Alexander Rozhenko had two different actors as a child.

Production necessity.
Visual continuity is not the same as story continuity.

Star Trek is presented via an audio-visual storytelling medium. If I swap out an episode's visuals with Star Wars clips, I absolutely have altered the story. Pray I don't alter it any further.
 
Star Trek is presented via an audio-visual storytelling medium. If I swap out an episode's visuals with Star Wars clips, I absolutely have altered the story. Pray I don't alter it any further.
Bringing in clips from another piece of media altogether is breaking story continuity.

Once again, visual and story continuity are different, but I'm bowing out because I can see a circular argument coming that I have no desire to get involved with.
 
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I’m done. The sheer inability of some fans to grasp that visual aesthetics can evolve without breaking continuity, or that after 60 years, yes, things will get retconned, is beyond ridiculous. These are not complicated ideas.

Yet somehow, there are still fans treating Star Trek like it’s a museum exhibit that must be recreated with obsessive historical accuracy.

It’s not.

It’s a story about the future. Nobody in their right mind should expect ships in 2025 to look like cardboard sets from 1966. That’s crazy. Of course they’re going to modernize it.

Frankly, the fact Strange New Worlds has kept the designs this faithful to the 60s aesthetic, while still making them look like actual science fiction for today, is nothing short of impressive. And instead of appreciating that, some fans throw tantrums because a the ship 50% bigger than they believed or that it has slanted nacelles and a Bridge window.

Give me a break.
 
With the SNW Enterprise I am actually fine with it being the same ship as in TOS. It is not as exaggerated as the Kevin Enterprise and it would still fit in with Starfleet as we saw them in the 24th century. They could even enlarge the Excelsior-class lightly to match up with the Picard era Excelsior IIs to make it look like they could have started off as old style Excelsiors from earlier in the 24th century. So long as Sulu's ship seem big to the Enterprise-A's crew but smaller than a Galaxy-class starship everything is good.
 
Give me a break.

Sorry, but Star Trek is a period piece. The period is fictional, but it is what it is.

Ironically, the problem with the aesthetic changes isn't that they break the rules of what came before, as you suggest. It's that they do so for no good reason. I will explain by analogy.

As I recently said:

I've been calling Trek an anachronism for twenty years, so I naturally agree with this. Ironically, I even suggested 2025 as a possible date at which Star Trek just looks too silly as anything but a retro-future period piece.

That post I link to also references Verne's "In the Year 2889”, wherein spaceflight is unknown, solar power is a couple of centuries old, and humans read you your privately tailored version of the newspaper by telephone.

Let's say a new show called 2859 came out purporting to be a prequel, after some other shows that respected the 2889 universe continuity had already happened, and 2859 it's going to be in some of the same locations. This new 2859 show is a "reimagine" where they "cheat" details of the other works and talk about actively doing "retcon" changes they want to make, all under the argument that even recent 2889–verse productions are trash and they can make it better.

Maybe if they really rebooted it to make it a much more realistic 2889-verse there would be something to it, but instead we just get more and flashier lights, shinier floors, bigger consoles, 3D-printed costumes, and virtual sets. Maybe they've added a video screen so you can see the person reading the news. Maybe they say solar power is a lot older to match that we have it now.

So frakking what? What was the point of the changes, really? It's the same tropes. That they also intentionally change, or just plain get wrong, established 2889 history, just makes it more annoying.

Put in that way, do you understand why the "cardboard set" nonsense just doesn't fly (besides how untrue it is)?

There are plenty of ways to update TOS or even just explain why it is as it is without just randomly restyling it with kewl lights and flashier graphics and embiggened ships.

"LOL you can't see in the windows of the crappy models" . . . no, that's an intentional coating to prevent folks from reading sensitive info over the shoulder.

"LOL look at the physical buttons" . . . no, that's actually a good thing, but if you like here's a live high-tech nanowhatzits version of a 3-D printer that reconfigures the console as fast as a touchscreen.

And so on. But as I said, the problem with the Discoprise is actually the opposite of what you are arguing. On a raw conceptual level, it is simply the same thing. The aesthetics differ but it's still trapped in the same mold as the rest of Trek. Even the far future of Discovery and Academy is just people on ships with sidearms they stick in front of their exposed faces, "humanoids punching buttons" at consoles on a bridge, et cetera. They may as well do Downton Abbey with iPhones and AR-15s and the internet yet keep the Victorian mindsets.

And back to the point, yes it is silly to randomly rescale their version of a known ship simply because it needs to match the ships that they made too big already in their reimagined universe, which was the explicit reason they did it. And even then, it is not big enough for the giant empty turbotrack roller coaster caverns. And yet I am supposed to toss out canon over Michelson's Rec Deck Folly where things are just a few feet off, knowingly so?

"Give me a break", indeed.
 
"SCALE IN FEET" means the canonical length of the ship is established. One can quibble over the angle of the shot potentially leading to slight variance of conclusions, but 1450' is right out.

2. You're trying to mix the non-canon presentation of the pic from Drex Files with the imagery seen in the canon show, then suggest the non-canon bit is canon. That's naughty.

Woah, hold on there parner. That's exactly what you are doing. you only know that says scale in feet (and more importantly, what that scale actually is) because you saw it in The Making of Star Trek.
 
Woah, hold on there parner. That's exactly what you are doing. you only know that says scale in feet (and more importantly, what that scale actually is) because you saw it in The Making of Star Trek.

LOL . . . no. I wish the Flare forums hadn't just died. Man, we were squeezing the juice out of stray pixels when your showrunners were in diapers. I'm not even sure I owned a copy of ”The Making of” until around 2008.

It is discernible even on the SD screencaps I used in 2003, as per the first Wayback version of my Volumetrics page. The Trek5.com site I credit is shown as adding those in November 2001, and I would bet money someone talked about freeze-framing their VHS on Usenet on a large TV and maybe being able to eke something out of it in the 90s.
 
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