I'm not saying that Jasmine was a bad idea. It's an intriguing one. I just feel it was the wrong story for the climax of the season 4 arc.
As for Cordy being the bad guy, I had read somewhere, many years ago, that Cordy was always suppose to be the big bad of Season 4. If I remember correctly, the end of the season was suppose to be Angel and Cordy in this huge fight. So, really, no matter what, Cordy wouldn't have been Cordy in Season 4.
Unlike everyone else, I didn't have a problem with Jasmine. I think it was meant to be a stark juxtaposition to the rest of the season.
Then there was the whole Lindsey arc that didn't make sense.
And Illyria.
Plus, Lorne, my favorite character, was reduced to the background.
The episodes of the first season were just leftovers from your run-of-the-mill crime drama with a demonic spin ... oh yeah, with some needless emo brooding thrown in.
The second season was more of the same.
People can throw words like "dark" "adult" "mature" all they want to, but that doesn't make it good.
The "Friday the 13th" movies are "dark," "adult," and "mature," but that doesn't make them good.
What's with all the Angel love? That show was fucking awful.
Consistent? Maybe consistently mediocre. For the first three seasons it never took any real chances. It was so paint by numbers, it made my head spin. The episodes of the first season were just leftovers from your run-of-the-mill crime drama with a demonic spin ... oh yeah, with some needless emo brooding thrown in. The second season was more of the same. They did experiment a little, but with little avail.
This continued into season three, but all that did was turn the show into one giant schizophrenic cluster fuck.
So towards the end they threw in this bizarre plot line that carried over into season four. But the thing ultimately just read like a really bad afternoon soap opera.
In fact, the show had become so bad, that they had to go and "reinvent" it. Now, this comes across as tentative at best. They changed everything about the show: setting, characters, story devices such that, if you changed the character's names, you might as well have been watching a different show.
The characters (save green show-tune singing demons) where so cookie-cutter and stereotyped that one might even find it offensive.
People can throw words like "dark" "adult" "mature" all they want to, but that doesn't make it good.
The "Friday the 13th" movies are "dark," "adult," and "mature," but that doesn't make them good.
I've strongly believed for a long time that the show only lasted so long because it road Buffy's (or even just Whedon's) coattails. All things being equal, had this been a completely unrelated series run by someone else, it wouldn't have lasted past a dozen episodes or so.
Though, I suppose in that case it's rabid little group of fans would just complain it was unjustifiably canceled and blame suits, bureaucracy, politics, and whatever they could point fingers at save the show's quality.
The result would be the show posthumously reaching "Greatest Sci-fi/fantasy series of all time!" to the utter nuisance of more rational people.
Charisma's pregnancy could have been dealt with in a number of ways without taking it to the completely absurd.
I actually really liked Illyria. I think she would have made an interesting character.
I think the whole Buffy vs Angel argument is very much like the TOS vs DS9 thing. TOS and Buffy came first and had more classic episodes however DS9 and Angel's strengths were it's darker arc storylines and better developed characters.
I liked Angel season 2, 3 and parts of season 4. I hated Conner, he ruined the fun for me.
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