Yet some of the other big hits are episodic shows like the various CSIs, NCIS, the Law and Orders, Cold Case.
Those are police procedurals, a canned format that is well-known and loved by a certain reliable audience. I don't think for one moment that that audience would watch
Star Trek, even if it were reformatted as a police procedural.
One look at the funny forehead aliens and they'd bail.
Eleventh Hour is a good example of how the genre can be stretched into that format - that show is a police procedural with a little sci-fi window dressing. It succeeds because it does not push the tolerance levels of the audience but feeds them the comforting formula that they seek in that genre.
Star Trek needs to be its own animal, not try to ape aspects of incompatible shows, even if those shows are successful. I've seen shows try to combine incompatible formats again and again, and they almost always fail.
The most recent example is actually Fuller's -
Pushing Daisies. A frothy fantasy crossed with police procedural. It was as well written, acted and produced as you could possibly hope, yet it flopped. The fact that it was a nominal police procedural did not appeal to the
CSI audience. A
Star Trek police procedural, even incredibly well made, would follow
Pushing Daisies' example when it comes to the ratings.
Except that the serialized shows continue to struggle on TV. Heroes is in trouble,
3 Seasons (so far)
Lost never really bounced back,
About to air Season 5
24 has a make or break season,
About to air Season 7.
Yeah, sounds like trouble. Most shows don't get 2 seasons.
Very good point. But to be precise, what's happening is that certain canned formats are surviving - police procedurals and reality TV - while the audience for more adventurous and creative formats is increasingly elusive.
One major cause of this phenomenon is that the police procedurals and reality TV formats have an older-skewing audience while the younger audience is abandoning regular viewing methods and becoming increasingly difficult to make money off of. (The other big reason is that premium and basic cable is siphoning off the broadcast audience.)
Star Trek doesn't have the option to ape the canned formats. That's just not what it is. A police procedural
Trek would be as absurd as a reality TV
Trek. It has no choice but to try to figure out the same problem that
Heroes is facing, namely when your audience is youthful, easily distracted, and wants to watch using less-remunerative methods like downloading, how can you still make the show a viable prospect?
The way Pushing Up Daisies is going, Fuller might be freed up sooner rather than later for this endeavor. Although he might go back to Heroes too...
PS, for those who haven't heard, yes he's back to
Heroes to try to salvage that show. And more power to him, it desperately needs some coherence and attention to character consistency.
Well, I think there are a few different ways to deal with this. The easiest way is to limit the number of episodes per season to around 20, then find a foreign broadcast partner to split the cost.
Splitting revenues or just getting more licensing from foreign broadcasts is a good idea. With a big international box-office haul for the movie, that would work for
Star Trek better than most TV shows. 20 episodes per season isn't much different from the usual run, so that would be ok. Much less than that, though, you are taking the risk that viewers would forget the show between seasons.